“A stunning play. This is a work that’s not only profoundly moving, but offers a wealth of insight into human nature…Brancato has worked brilliantly with the material and his actors, creating a beautifully paced piece of remarkable authenticity…This is a work that presents an all too rare opportunity to experience the creative brilliance of a playwright who not only has something to say, but whose insights into the human condition can be a powerful stimulant.” Full Review
"From its invitingly funny opening to the unbearable hurt of its twist, 'Daniel’s Husband' brings to the stage a uniquely raw and emotional portrayal of a modern relationship rocked by the unthinkable. In Joe Brancato’s capable hands as a director, this truly exquisite production, heartbreaking and captivating, is a must-see this spring...Each character is so well-developed, and each performance so rich, it’s impossible not to be sucked into their world...Nothing short of breathtaking." Full Review
“Michael McKeever is a seasoned and brilliant writer, and 'Daniel’s Husband' is a powerful look into the world of gay couples…This ensemble of fine actors is seamlessly woven together through a tapestry of multi-level themes via the fine hand of director Joe Brancato who, like the actors, are each devoted to telling the truth and exalt the human experience. ‘Daniel’s Husband’ will remain with you as a powerful piece of writing and reflection.” Full Review
"The cast of five excellent actors spins out Mr. McKeever’s intricate and organic dialog so that we are always on the alert because it is full of surprises, all of which stem from truth...I found it totally absorbing, cumulatively very moving, and ultimately thought-provoking...Joe Brancato’s direction is fluid and tight, so that all viewpoints are expressed with fervor, even passion by the different characters...It all adds up to a powerful 90 minutes of live theatre." Full Review
“A profound look at love and commitment and the uncertainties of life…Extremely well-written…It would be wrong to reveal too much, because playwright McKeever takes such a powerful and unexpected turn that you are left gasping…Plays with a social message can sometimes feel more pedantic than dramatic. But this beautifully written and powerfully acted show avoids that problem.” Full Review
“The stock characters began to flesh out in unexpected ways, the familiar banter became less pat…Then everything changed, and with a dramatic plot point, ‘Daniel's Husband’ became both a topical play about gay marriage and a subtle, unflinchingly savvy character study…Terrific performances from everyone onstage make it hard to choose standouts…On top of being a damn interesting play, ‘Daniel's Husband' also benefits from its fantastic set by Brian Prather.” Full Review
"'Daniel's Husband,' perhaps the most intriguingly titled play on the New York boards this season, shines a light on this rarely examined minority. But does the insightful dramedy, by Michael McKeever, live up to the promise of its tantalizing title? Absolutely...Director Joe Brancato has elicited fine performances from the gifted ensemble. The increasingly distraught Mitchell is rendered with astute emotional elasticity by Matthew Montelongo in a deeply felt, heartrending turn." Full Review
“If anything, you might feel that ‘Daniel's Husband’ is terminally cute or realize that it can never completely transcend the sitcom attributes and tendencies it shares. Still, it's hard not to laugh throughout most of the proceedings, and then to cry in the end. Directed with verve and panache by Joe Brancato, it's also performed with consistently fine results by its five-member ensemble.” Full Review
"McKeever’s complex and engaging new play...As neatly directed by Brancato, we are thoroughly engaged in this couple, loving and caring for them, waiting for the dilemma to present itself...The writing is clumsy and scripted at times, as it doesn’t always feel real, but the debate isn’t one-sided either. Both sides are well stated and explored. It’s a beautifully crafted plot, expertly realized, that leaves us in shock. Devastatingly intense right up to the final moments." Full Review
“For a play that wears its agenda on its sleeve, it is surprisingly heartrending…As with the best of such stories, we take it to heart and think about what we would do in a similar situation. A lot of this has to do with an incredibly moving performance from Montelongo…Brancato has directed his actors to thoughtful and emotional performances...While a braver dramatist would leave room for a convincing opposition or murkier circumstances, McKeever makes his case forcefully and effectively.” Full Review
"The tone is extremely funny and light, then takes a wild turn toward the dramatic when something happens to one of the main characters...In going from breezy cocktail chatter to devastating dramatics, McKeever performs an impressive tightwire act, and his cast is deft with every turn." Full Review
"When an unexpected event occurs that literally tears at the fibers of their relationship and beings, we learn the true colors of family and friends (kudos to über adorable Lealand Wheeler (Trip) and Barry Dylon (Lou Liberatore)…Incredibly humorous turns devastatingly tragic in a mere 90 minutes. Sometimes we argue about concepts and principles and forget there could be (as slight as the chance could be) some real-world consequences to our actions.” Full Review
"The dialogue is occasionally artificial and a few plot points contrived, yet it’s still a tear-jerker and a heart-yanker...The writing isn’t always plausible...But you believe in the relationship at the play’s center. The sentimental 'Daniel’s Husband' works best as a romance...Montelongo is more saturnine, and Spahn is more manic. Together they become a couple that you want to cheer for even as the play makes you put down your pompoms fast." Full Review
"McKeever’s comedy-drama about the still-new era of gay marriage is cleft in two—part one: comedy, part two: drama—and both halves are effective, if you’re willing to accept some questionable behavior on the part of the title character...Melding the two is a substantial challenge for director Joe Brancato, and he does very well, aided by a cast that knows when to turn up the heat for the big moments and when to tone it down...It’s Mitchell’s journey that might raise questions of credibility." Full Review
"McKeever has crafted his play brilliantly, moving from witty banter to argument to crisis. There were a lot of laughs in the first half and a lot of sniffling during the denouement. Yet I could not help thinking how stupid the couple was...Brancato has paced the play effectively and the cast couldn't be better...It's not a masterpiece; it's an old-fashioned drama built to please. I don't mean that in a condescending way. It was a pleasure to experience such a well-made play." Full Review
"It initially seems as if a sly commentary on contemporary gay culture might be just what playwright McKeever is going for...McKeever’s characters certainly get more complex as the play gets more serious. The five actors deserve much of the credit here...But as much as I want to champion this play, a few things give me pause...It teases us with a much-needed discussion before using scare tactics to convince us of the best way to be gay." Full Review
“The play, trenchantly directed by Joe Brancato, received a rousing reception the night I went but, for all its pleasantries and the inherent interest of its subject, its by-the-numbers contrivances in order to make a point left me numb…What might have made for an interesting debate about gay marriage devolves into dramaturgic schmaltz in which Mitchell and Daniel's relationship becomes involved in litigious matters that a little foresight could easily have resolved.” Full Review
“McKeever has a keen ear for dialogue…But a Lifetime movie–style plot development causes the play to take stark turn, and the chance for subtlety and complexity goes out the window. This play has a lesson it wants to impart, hard. Thanks to an excellent ensemble, you feel deeply for these characters, even as you realize you're being emotionally manipulated…The polish of the delivery only makes the piece feel even more like an after-school special for grown-ups.” Full Review
“There is a major spoiler, which I’ll do my best to circumvent, that comes halfway into the evening and which transforms this light dramedy into a bleak and angry soap opera cum public service announcement. Still, the production is impeccably acted and perfectly paced, so one cannot help but be drawn into the dark action…Whatever message the playwright was hoping to bring to the surface gets muddied by the results of these characters’ actions, or the lack thereof.” Full Review
"'Daniel’s Husband' becomes an odd and simplistic cautionary tale. Only the acting under Joe Brancato’s direction saves us from utter authorial strong-arming...Just as Lydia and Mitchell wind up warring with one another, so do the two halves of the play. Both wars are undermining—and avoidable. Had McKeever begun 'Daniel’s Husband' with Daniel’s illness, 'Daniel’s Husband' might have been a wholly affecting drama." Full Review
“The opening scene is meant to be funny...It could not be more television sit-com in conception and dramatic realization…Mr. Wheeler gives his oft maligned character a depth and authenticity that is refreshing and welcomed…Mitchell is not a likeable character and that makes connecting to Mr. McKeever’s play more difficult…Unfortunately, because of the shallow characterizations, it is difficult to care for any of these characters despite their potentially important conflicts.” Full Review
“McKeever’s predictable tale feels manipulative and often contrived with basically stereotypical characters used to craft the playwright’s opinions…Although the actors are likable and their work earnest, you never feel a chemistry beyond friendship…The performances in Brancato’s staging all lack emotional depth so the play turns overly talky...Without a passionately layered subtext, the evening fails to engage or resonate with authenticity." Full Review
"'Daniel’s Husband' is not a very good play. It is a predictable 'we don’t know what we got until it is taken away' play. The characters and dialogue are simple, which is a blessing against all the 'too gay' plays that do more making fun of gay men than shedding light on them. 'Daniel’s Husband' was like a really good Lifetime movie on stage...The best scenes of all were between the primary couple when all the friends and relatives were gone." Full Review
“Only marginally better [than ‘Gently Down the Stream'] thanks to Brancato, who directs his fine cast to play against type. Holbrook turns the evil mother into something other than a shrew. As the partner who doesn’t want to marry, Montelongo makes a lot of sense when he says he has no interest in aping the heterosexual lifestyle. And Wheeler’s considerate care-giver turns every cliché about the young gay twinkie on its head…‘Daniel’s Husband’ and ‘Gently,' perhaps, are the price of liberation.” Full Review
for a previous production “Director Joe Brancato has paced his expert company artfully, confidently, sensitively…Tension rides in everyone, and especially in you, that smart one, in the audience. Playwright McKeever has had the audacity to begin his tragedy as a comedy and landed a poignant success, bringing everyone in his audience, canes, walkers, wheelchairs and all, to their feet.” Full Review
See it if you want to see 90 minutes of masterful writing, acting, directing. This casting has set the bar so high!
Don't see it if you're not ready to have your heart opened to an emotional place of understanding.
See it if Well crafted play, topical and thought provoking. It takes you on a ride and I didn't even expect it! Spoiler alert you may need a tissue.
Don't see it if Want a big musical this is an intimate play.
See it if You love tearjerkers (specifically about terminal or serious illness), you care about LGBT issues, you love prestige off-Broadway theater.
Don't see it if You don't want to cry. The first half is hilarious. But then you need a lot of Kleenex. (NYT said ushers should hand it out: I concur.)
See it if you like well written, character driven pieces with an interesting perspective on its subject matter (in this case marriage)
Don't see it if the second half was hard to watch because of a twist
See it if Such a wonderfully loaded scenario. We know what's going to happen but we're so absorbed by the drama we can't stop watching. A HIT!!!
Don't see it if It's a play that deserves to go on broadway. I hope it does and I consider myself lucky for having seen this wonderful production.
See it if Want to see superb acting, great direction and good writing. You want to laugh and sob in 90 mins.
Don't see it if If you don't like a romantic tear jerker play with gay love as the main theme.
See it if you enjoy watching the "perfect" gay couple wrestle with relationship and health issues. Well-crafted, emotionally engaging. Bring tissues.
Don't see it if you are uncomfortable with gay characters dealing with marriage issues in a contemporary setting. Quite intense emotionally; lots of humor.
See it if You want to see a moving play about who should take care of us in critical times and if you care about same sex marriage.
Don't see it if You aren't interested in a serious play about same sex marriage.
See it if you are looking for a well-acted, thought-provoking piece on the issue of gay marriage.
Don't see it if you are looking for something light and funny. While it has its light moments, there is also an intensity to this piece.
See it if Brilliant ensemble acting who take on very topical subjects, with a surprise twist with alarming outcomes
Don't see it if you rather see a musical or want to stay in the theater district
See it if you enjoy intelligent plays about real issues.
Don't see it if you are an idiot. This play is about something serious and it really deserves your full attention and compassion.
See it if You love a show that has great writing, top notch performances, and an emotional punch. It's both humorous and powerful.Possible tearjerker.
Don't see it if Don't like plays with gay characters, or prefer light subjects.
See it if you like high quality, well written, well acted shows that move you. Starts funny but turns serious. Especially resonant for gay couples.
Don't see it if you just want a light, fun show, or you don't like political, cautionary tales.
See it if You understand how being allowed to get married is empowering to some, & what happens when you find out it's too late. Families are tough.
Don't see it if You don't empathize with people's human frailties. How do you handle life's reverberating catastrophes? Really!!!
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