"Nathanial Sam Shapiro’s splendid 'Diaspora' is so packed with feelings, history and ideas that it’s easier to laud than to describe...Director Saheem Ali deserves great credit for his sensitivity to the 8 actors in search of 22 characters in two time zones...Nathaniel Sam Shapiro is a playwright with a future. Three days after seeing the play, I’m unable to stop thinking about it...His scenes are intriguing. His dialogue is bold and funny." Full Review
"Though the characters portrayed in 'Diaspora' are largely archetypes, they raise many significant issues for the audience to contemplate...The playwright Mr. Shapiro and director Saheem Ali take an interesting approach to the telling of 'Diaspora' by including the audience as a character...Their use of humor helps make their points resonate, particularly with the younger members of the audience...The eight actors, several of whom play multiple roles, form an engaging ensemble." Full Review
"The 'Masada today' sections of the show resonate as true and familiar...I appreciate what 'Diaspora' is trying to do, but the drastic contrast between horny young adults and the somber subjects of war, treachery, and death might need some reworking. And some characters and storylines deserve more focus...Also contributing to the confusion is an abrupt ending...If Shapiro would only bring us into his world further, it would be more rewarding for all." Full Review
“But if Shapiro's ear for dialogue is lethally accurate in the contemporary scenes, he sometimes struggles with the historical aspect...It's easy to admire Diaspora's desire to strip away every layer of cant that has accrued to one of the world's most controversial and contested places, but Shapiro works so hard at it that he eliminates any possibility for drama...For all its ferocity, the play ends up being as dry as the desert that surrounds Masada.” Full Review
"The teenagers he creates don’t have any definitive opinions...Shapiro slams them for their silliness and ignorance and raunch, the women particularly. Trouble is, Shapiro, at least as evidenced by this play, doesn’t have much of an opinion either...He hasn’t found a way to express his obvious confusion...The intersections of 2017 and 73 never resonate meaningfully. They are two stories that play simultaneously: one narrative is ugly and frivolous, the other is a catastrophe." Full Review
"The play tries to engage in both nuances of American Jewish culture and the history and politics of Israel, but what it does instead is give brief mentions to a series of surface arguments...Full of unlikable characters each representing a different half-baked perspective, the show is offensive to everyone and no one...I have yet to see an onstage reflection of the nuanced, thoughtful, complex approaches to Jewish identity." Full Review
See it if You want to be challenged by an intelligent, no-holds-barred piece of writing
Don't see it if You would be incensed by criticisms of American Judaism and the millennial religious experience
See it if you like clever, funny and ambitious shows that blend the gravitas of the fall of Masada with the thoughts of modern Jewish youth.
Don't see it if if you do not like to see anything tied to how young Jews view a trip to Israel and how they think about things in general.
See it if If you're willing confront the reality of values and behavior of today's young Jews
Don't see it if If you're not interested in comparing the banality of the present with the excessive godliness of the Judaic biblical past.
See it if you wish to see complicated issues thrust into the inner worlds of young people, most of whom are unprepared for that experience.
Don't see it if you don’t wish to listen to young people talk about what really interests them, in phrasing that they actually use.
See it if you are interested in examining Jewish identity, particularly as it relates (or does not relate) to the Israeli occupation of Palestine
Don't see it if you won't acknowledge Israeli occupation of Palestine, expect playwright to propose solution, are averse to plays without intermissions
See it if you are, or can understand the language, lifestyle, and perspective of, a Millennial, in particular an American Jewish one, explore conflict
Don't see it if you cannot understand rapidly spoken Millennial-speak or are not interested in the philosophical/political conflict among USA college youth
See it if you are interested in the relevance of religious issues today and like to see them juxtaposed with their origins.
Don't see it if you are easily confused by change of character, setting and time, even though an excellent job is done with the projections.
See it if You're a young Jew who may not be all that into Jewishness, or want to relate to the Jews of this generation.
Don't see it if Questioning Judaism and Israeli politics offends you. A 1:45 show w/o intermission is too long for you to sit through.
See it if You are interested in the problems of violence in Israel, Jewish identity, and religious conundrums.
Don't see it if Millenials, like, drive you crazy. You want linear explorations of complex issues. Frank talk about sex and some sexual activity offend you.
See it if You are familiar with Jewish history, customs and traditions. Want to see a well acted piece that blends old ideas with modern characters.
Don't see it if You’re not familiar with Jewish history, customs and traditions. Without that background I was lost and couldn’t follow most of the story.
See it if You like Millenial speak about contemporary identity crisis of Jews and their relationship with Israel
Don't see it if You want thoughtful drama. This is a disjointed confusing series of vignettes
See it if you like a correct historical version of Masada.See it if you want insight in the range of current political sentiments in Israel.
Don't see it if you dislike when a playwright presents negative stereotypes of female Jewish teenagers, implying incorrrectly that most are promiscuous.
See it if you want to see actors, who displayed talent, dealing with a horrendous script. They, individually, playing multiple roles, deserve a "85"
Don't see it if you find non-stop, repetitive potty mouth unnecessary, you want something that begins to approach what a Birthright Group is.
See it if the performances were better than the inept script deserved; at times, they drew genuine laughs
Don't see it if painfully jokey; trivializes girls on Birthright as oversexed JAPs, BDS supporters as airheads; inexplicable subplot on ancient Masada
See it if you want to see a critique of Birthright and contemplate the downfalls of American jewry.
Don't see it if just that. Don't see it. A 1:45 show w/o intermission that is too long for you to sit through
See it if you like a show with lots of bathroom humor at the expense of a serious subject like Masada or religion. The twenties crowd laughed a lot
Don't see it if you don't like lots of BJ and p---y discussions at the Masada site. Some bathroom humor I wouldn't have minded but there was too much.
Get alerts about your favorite artists and theater companies