Don't You F**king Say a Word NYC Reviews and Tickets

"Tautly directed by Lee Sunday Evans, and featuring an excellent cast, the play examines in minute detail the relationship between Brian and Russ...It’s quite flattering to Brian and Russ — and rather unlikely — that Leslie and Kate, who have lives of their own, would be so fascinated by these events...The play suggests that the tennis court is where the true self is revealed, but Mr. Bragen doesn’t go deep enough to accomplish that, or to make us feel invested in the question."
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"One of the consolations of a national tragedy, we’re also told, is that great art will come out of it. Perhaps it will. But while we wait, we needn’t settle for wearyingly so-so art like Andy Bragen’s 'Don’t You F**king Say a Word'...Full of such pop-psych noodling, but barely sketches the characters’ actual relationships. In the end, it’s so generic and familiar that the warning of its truculent title seems descriptive. The play has nothing to say."
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"An all-star cast as far as off-Broadway is concerned, and they all deliver plausibly human performances, which is fortunate considering that Bragen traffics in occasionally stiff prose and musty 'Men Are From Mars, Women Are From Venus'-style clichés. It has the potential to get very old, very fast, but it remarkably never does. Some of the credit surely goes to director Evans and her slick staging, which keeps our heads in the game without getting bogged down in the tennis minutiae."
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"This clever play by Andy Bragen features meticulous direction by Lee Sunday Evans and has a fantastic cast of four. It is a very entertaining yet thought-provoking piece about a tennis rivalry and how seriously players approach the game…'Don't You F**cking Say a Word' is an intriguing comedy about the games people play…The cast deliver the well-crafted, fast-paced dialogue seamlessly."
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"The best thing about Bragen's new play is that it lets us spend some time with Jennifer Lim and Jeanine Serralles...This isn't much material for a play, but the two ladies help keep one's attention focused...When the big incident finally happens...it hardly seems to justify the lengthy buildup. Somewhere along the line, you start to notice that the play's format isn't hilarious enough for full-on satire...Still, under the solid direction of Evans, Lim and Serralles keep things watchable."
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"Though the play attempts to dissect the relationship between two men in an interesting way, Bragen's writing ultimately lacks depth and doesn't end up saying very much after all. Acting choices, pacing and thematics are all appropriate thanks to Lee Sunday Evans' seamless direction, but it's the script itself which is the production's biggest hurdle."
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“Playwright Andy Bragen delivers a dexterous and controlled piece of writing…As the nuance of the match comes into view, so does the richness and emotional complexity of the relationships…These frivolous idiosyncrasies of the amateur athlete are elevated by the play, and in particular by Lee Sunday Evans’ elegant stagecraft as she renders the astonishing speed and agility of tennis in rich, arresting theatrical detail."
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"The scenes flash forward and back (which can be wearying) as the rage builds and tempers flare...The problem is that this scenario becomes all too repetitive and after a while goes nowhere...The stage is simply designed with a line down the center, replicating a tennis court, where Brian and Russ frequently pose, in still motion, executing a serve or backhand. Directed by Lee Sunday Evans, the competent ensemble gives pause to relationships of all kinds! Watch the balls fly!"
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"The narrative comes through clearly, thanks to Evans’s staging...There is nary a moment in the whole show where the heat of competition doesn’t burn palpably...The problem with the play—and it’s a big one—is that the two women never talk about anything beyond their boyfriends…While the male characters are made out to be the assholes, it’s the female ones who get it worst by not being defined at all...It’s a shame that Kate and Leslie are never allowed onto the court themselves."
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“'Don't You Fxxking Say a Word' adds another to the growing list of play titles potentially unprintable in family newspapers; that, I'm afraid, is about the most controversial thing about it. It's dressed up with some structurally clever tinsel, gets a briskly inventive staging from Lee Sunday Evans, and enjoys the presence of four expert actors, but what should be over in forty-five minutes takes about twice that long to bring the curtain down.”
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"The play's about the rivalry between the two men, but that's easily dispensed with...How to fill the rest of the show's eighty minutes? This vacuum is the play's main trouble...Though the play doesn't go particularly deep, it does offer us this adorable actors' doubles match as recompense...This is a play best enjoyed as an experts' warm-up. The cast boasts four very fine Off-Broadway performers, and they amplify the moments of connection within the otherwise slight piece."
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"‘Don’t You F**king Say a Word’ is meant to be a high-octane comedy about an ongoing, competitive tennis match between two testosterone-fueled men and the women who love them. Unfortunately, the title is the most provocative aspect you’ll find in this otherwise dull play…It does have a few major laughs, but not enough to sustain 90 minutes (which feels endless). What it does have in its favor is a nimble, talented, and ethnically diverse cast."
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"Just when the show gets to be too much, too pat and too expository, the action moves towards a more traditional setting, a dinner party. With this change, 'Don’t You F**king Say A Word' shines anew. It is a very enjoyable evening of theater. Writer Andy Bragen and Director Lee Sunday Evans have done a great job wringing out the most from their characters and situations before moving on and changing up the pace of the piece."
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"Bragen's hilarious play creates a snapshot of two years in the friendship of a pair of New York City couples…In this fast-paced, fun production, all four actors deliver performances of richness and humor. ‘Don't You F**king Say a Word’ fixes its more heartfelt moments in a comedic framework, and it earns its sincere emotional beats through well-crafted and well-played characters while also being one of the funnier plays that we've seen in awhile."
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"Never quite recovers from a slow start, even if the interest level increases as its intermission-free 80 minutes approaches a conclusion...The action suffers from sometimes excessive foreshadowing...'Word' would have benefited from being less cerebral and more impassioned...All four actors are clearly eminently capable, so perhaps its format is what prevents the production from realizing its potential."
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"The play unfortunately doesn’t take off until two thirds of the way through when all four characters actually sit, make eye contact and are able to communicate realistically. Only then does the relentless spewing of dialogue settle into a natural rhythm allowing the actors to drop in some meaning for the audience to care...Director Lee Sunday Evans sharply serves the first half of the play."
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"A fun, if a little unfocused, look at 21st century friendships…The whiplash involved in trying to follow the story could have been mitigated through different staging choices…Perhaps Bragen hoped the action would feel something like the tennis ball, volleying back and forth, but it didn’t work as a storytelling tool…The show ultimately lacks a climax…Still, 'DYFSAW' offers a fun evening and manages to raise questions in an interesting way without trying to serve up all the answers."
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"The play, written by Andy Bragen, parodies the male-hormone-driven intensity of competitive tennis between two underemployed guys, Russ (Michael Braun) and Brian (Bhavesh Patel), while managing to drive home the point that boys will be boys, after all…It’s a fun 85 minutes, full of laughs, behavior that every couple will recognize, and a few things to think about on the way home."
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