NYT Critic's Pick “Is Hannah Gadsby’s ‘Douglas’ Stand-Up? Theater? Yes, Please. A follow-up to the startling and divisive ‘Nanette’ is just as startling and probably just as divisive.”
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"'Hannah Gadsby’s Song of the Self.' The monologuist’s new show, 'Douglas,' is an act of recovery, or an act about recovery, in which solipsism masquerades as art."
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“More proof that this talented Australian performer is a distinctive comedic voice.“
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B+ “Hannah Gadsby brings her shrewd discomfort comedy to new show ‘Douglas.’”
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“Hannah Gadsby's Nanette Follow-Up, ‘Douglas,’ Proves How Essential Her Art Really Is. Gadsby brings her latest show to the Daryl Roth Theatre at Union Square.”
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“While ‘Douglas’ is, indeed, a different piece than ‘Nanette’ (which she admits caused a lot of haters to hate), it's anything but a dog of a show. Instead, I would call it must-see theater!”
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“Hannah Gadsby at the Chicago Theatre: Different from 'Nanette' but she still likes to 'rummage' with your head.”
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