Empathy School & Love Story
Closed 1h 45m
Empathy School & Love Story

Empathy School & Love Story NYC Reviews and Tickets

(4 Ratings)
Members say
Thought-provoking, Ambitious, Delightful, Profound, Absorbing

About the Show

Abrons Arts Center presents the NYC premiere of two monologues by Aaron Landsman.

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Show-Score Member Reviews (4)

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118 Reviews | 27 Followers
Ambitious, Exquisite, Great writing, Thought-provoking, Slow

See it if you're game for an unexpected immersive journey

Don't see it if oblique, meditative, evocative storytelling is not your thing

48 Reviews | 19 Followers
Absorbing, Intelligent, Masterful, Profound, Thought-provoking

See it if you are moved by honest probing work free of cheap, manipulative plots. Journey to the crossroads of performance, heart, and smarts.

Don't see it if you don't want to see the thrilling promise of 21c theater that can soulfully shake, challenge, and move you w/o deceit and fakey sentiment.

7 Reviews | 2 Followers
Delightful, Must see, Romantic

See it if Love it

Don't see it if Go see it

1 Review | 0 Followers
Entertaining, Great acting, Delightful, Clever, Ambitious

See it if Greg Crowley

Don't see it if Say Something

Critic Reviews (2)

The New York Times
April 22nd, 2016

"There are those rarer plays to which you to want to go solo. Take 'Empathy School & Love Story', the writer and director Aaron Landsman’s engaging diptych on varieties of loneliness...It’s an ideal single-ticket show, perfect for pondering on a quiet walk home by yourself...Though it deftly uses 21st-century technology, Mr. Landsman’s production is also steeped in the harsh sentimentality associated with literature from the early days of this country’s industrialization."
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Time Out New York
April 28th, 2016

“We experience the two one-acts as meditations—they're intentionally drifting, static, elliptical, hypnotic...Directing his own work, Landsman reveals a gift for low-key dazzle...Indeed, special tribute must be paid to the look and feel of the evening...The show makes you experience the familiar theater with new appreciation; Landsman's texts here are good, but it's the way he writes on the space itself that makes your heart leap with delight.”
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