Fefu and Her Friends
Fefu and Her Friends
81% 47 reviews
81%
(47 Ratings)
Positive
89%
Mixed
7%
Negative
4%
Members say
Absorbing, Ambitious, Great staging, Great acting, Intelligent

About the Show

In this modern classic by María Irene Fornés, a group of articulate, idiosyncratic women gather in Fefu’s New England country house in 1935 to rehearse for a charity event.

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Critic Reviews (9)

TheaterScene.net
November 30th, 2019

"While Fefu and Her Friends' is considered a feminist statement, in performance the play seems not to be very revealing about women or their positions other than the fact that the cast is entirely female."
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Theatre is Easy
November 25th, 2019

"There are laughs, and love affairs, and a water fight, and a hunting gun, and much discourse on art. It feels like a Goethe tale that passes the Bechdel test… a thought-provoking triumph for director Lileana Blain-Cruz and the many personalities she and the ensemble have detailed."
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The New York Times
November 24th, 2019

"The Many Unusual Stages of ‘Fefu and Her Friends’: Read and studied for decades, a key work of the American avant-garde finally returns in a major New York revival."
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Time Out New York
November 24th, 2019

4/5 Stars "A play can be like a symphony, rapturous in a way that surpasses logic. María Irene Fornés's ingenious Fefu and Her Friends is such a work, and this revival from director Lileana Blain-Cruz is nothing short of exquisite."
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New York Magazine / Vulture
November 25th, 2019

"The Wild Invention of 'Fefu and Her Friends,' and the (Latest!) Rewrite of 'A Bright Room Called Day'"
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Theatermania
November 26th, 2019

"'Fefu and Her Friends': Can Misogyny Exist in a Play Without Any Men?: Theatre for a New Audience stages the first off-Broadway revival of María Irene Fornés's masterwork."
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Lighting & Sound America
November 27th, 2019

"An evening of glitteringly arranged social chaos, in which high comedy keeps company with many darker undertones. Even at its most enigmatic, the richly allusive text provokes with its intimations regarding women, privilege, power, and sexuality."
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New York Stage Review
November 24th, 2019

3/5 Stars "Maria Irene Fornés' 1977 play is an absorbing and thoughtful if somewhat enigmatic work, still distinguished by its unorthodox structure."
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