Fires in the Mirror
Fires in the Mirror
85

Fires in the Mirror NYC Reviews and Tickets

85%
(102 Reviews)
Positive
98%
Mixed
2%
Negative
0%
Members say
Great acting, Absorbing, Thought-provoking, Relevant, Great writing

About the Show

Anna Deavere Smith's groundbreaking one-person show takes a multi-faceted look at the Crown Heights Riots of 1991.

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Member Reviews (102)

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84
Thought-provoking, Relevant, Riveting, Great staging, Great acting

See it if you like ADS's docu-theater w/insightful quotes fr diff perspectives. Gr acting/staging. Impt discussn of Am race relatns; highly relevant.

Don't see it if you need action. Solo show w/lots of talk. Is two hours, but goes by fast. Well worth seeing if you like challenging content. Intelligent.

84
Great acting, Resonant, Relevant, Slow, Absorbing

See it if You love Smith’s compelling, genius storytelling style and would like to learn more about the Crown Heights riots.

Don't see it if You find that performing interview excerpts verbatim is less interesting than reading full interviews about the subject.

Critic Reviews (11)

The New York Times
November 11th, 2019

CRITIC’S PICK "Reflections That Sear in a Reborn ‘Fires in the Mirror’: The Signature Theater revival of Anna Deavere Smith’s drama about the Crown Heights race riots confirms this play’s status as an enduring work of art."
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Time Out New York
November 11th, 2019

4/5 Stars "A theatrical time capsule that feels eerily timely...An appropriately fiery revival...While Washington doesn’t possess Smith’s uncanny abilities as a mimic, he imbues each person with specificity, authenticity and soul...A stirring account of an urgent work of art."
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Theatermania
November 11th, 2019

"Fires in the Mirror Exposes Segregated New York City: Anna Deavere Smith's theatrical documentary returns nearly three decades after the original incidents that inspired it."
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Lighting & Sound America
December 3rd, 2019

"[Washington] is an accomplished mimic…but he digs deeper, finding something of each person's essence, in a coolly appraising look, a conspiratorial smile, or a fierce burst of anger. His is not a showy, distracting display of technique, but a diligent excavation of souls."
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Talkin' Broadway
November 11th, 2019

"As evident by the Signature Theatre's current production starring Michael Benjamin Washington, the play offers an ominously accurate reflection of the troubled times in which we now live."
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New York Stage Review
November 11th, 2019

5/5 Stars "A Hot-Button Show Whose Glow Hasn't Dimmed: Anna Deavere Smith's one-person play still burns bright with star Michael Benjamin Washington and a timely-as-ever theme"
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Theatre is Easy
November 17th, 2019

"While the production is well executed… it presents dialogue as an end in itself and offers no connection between the real disparities affecting the neighborhood's Black and Jewish residents…Still, it is both evocative and compelling, thanks in large part to Michael Benjamin Washington."
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Front Mezz Junkies
December 13th, 2019

"The piece is well produced, delivering the detailed goods with grace and determination, but not much emotionality. Washington doesn't hold the stage with the transformative weight of Smith, but that's a tall order, as she is at the heart of this emotional undertaking."
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New York Theater
November 17th, 2019

"It would be hard to overstate the city-wide trauma that occurred in Crown Heights, Brooklyn in August, 1991, nor the power of 'Fires in the Mirror,' the groundbreaking documentary play about it, which introduced Anna Deavere Smith. That power comes roaring back."
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C
November 11th, 2019

"'Fires' turns out to be blazingly relevant today. The nearly two-hour piece not only explores the still-timely concepts of identity, racism and tribalism, but how, to quote Smith herself, 'the reach towards another human - knowing full well that there will always be distances between us - is a potent reach.'"
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Theatre's Leiter Side
November 24th, 2019

"With Smith’s performance still vivid in my mind, I was skeptical that Washington could match it. But…he comes as close as humanly possible…Its themes continue to burn in our racially and ethnically diverse society, where neighbors continue to struggle with the imperative to live and let live."
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