"Ultimately the play, like life, offers no simple answers—but it conveys, with heartrending honesty and compassion, the struggle of someone fighting for her life against incredible odds. As usual, the direction by Erin Cronican and all of the performances was outstanding...Both Erin Cronican who plays Arlene and Candice Oden who plays Arlie touched my heart." Full Review
“A richly layered production...Erin Cronican both directs and stars as Arlene, so tightly wound and passive...The cast as a whole is very good, with standouts being Ms. Brandberg as Arlene’s mother, showing us both her bitterness and her grudging effort to be supportive; and Mr. Carrieri as Carl, embodying both threat and sexual allure...Neither the playwright nor this production offers easy solutions.” Full Review
"The cast gives impassioned performances and Cronican is especially poignant as the determined, conflicted Arlene...While every corner of the theater is well utilized, the pacing tends to lag and lighter moments of humor are lost in the process. That said, the weight and menace of the story remains very much palpable…'Getting Out' is a deeply relevant story that calls attention to the fight of victimized women, a mission that enormously warrants this earnest revival." Full Review
"Many of the issues with ‘Getting Out’ lie in the somewhat weak material. Though the play is peppered with some satisfying dramatic moments and a compelling premise, some important holes in the prison narrative give the audience few opportunities for to truly sympathize with the present, rehabilitated Arlene…The show is also stocked with some wonderful supporting turns from a veteran cast…Though the pacing of the play overall is quite good, the overall feel of the piece is one of anti-climax." Full Review
See it if Thoughtful important work by an ambitious,socially responsible company interests. A flawed play in a difficult space realized by a fine cast
Don't see it if Serious drama or intent, or stage-neglected women's issues & concerns led, acted & directed by very strong, terrific female actors bore you.
See it if You want to see a play about social issues told in an unique way. You want a play that will provoke conversation.
Don't see it if You don't want a play about social issues. You want more contemporary references. You don't like experimental theatre.
See it if Kudos to cast & crew for re-creating the beating heart of an important play from the 70's.
Don't see it if you're in the mood for something light and distracting; it's not harsh, but it is about painful issues.
See it if Like fast pace, multi plots moving simultaneously and concurrently. You like complex scenes and plays.
Don't see it if Jailing or aggression bothers you. Don't like complex plots. Dont like many things happening at the same time.
See it if You want to acquaint yourself with a terrific company dedicated to meaningful work. Who else provides questions to spur conversation after?
Don't see it if You're looking for a fun time. This is serious work, and there is much to be gleaned from it.
See it if You enjoy A well written play performed by a great cast. The play is a little dated, but this company breathes a lot of excitement to it.
Don't see it if You don't like plays that deal with serious matters about incarceration and it's effect on women.
See it if you enjoy an intimate theater experience, a great value and a compelling drama about a woman that struggles with her troubled past.
Don't see it if you are impatient because the story unfolds slowly and methodically.
See it if You want to explore built-in obstacles of someone released from prison trying to find her way to a better life.
Don't see it if You are tired of stories illustrating life struggles, with the past constantly trying to draw you back in.
See it if You don't mind piecing it together. Took a little to understand the concept of one main character split into two, onstage simultaneously.
Don't see it if If your not open to new ideas for theater Erin Cronican said "the play is an acquired taste," and she is right. and I loved the new concept.
See it if you want to solve some of the problems of the world. This play makes one say What can we do to improve our prison system, Better than orig.
Don't see it if you want to leave the theater happy. The Seeing Eye Company tackles a problem and we are left to solve it
See it if You are interested in realistic dramas that are shaped around the trials and tribulations of incarcerated woman/ex-cons.
Don't see it if You aren't interested in the life inside of jail and after.
See it if You like straight plays that are very cerebral. It's very long and sometimes slow. It's an interesting story, that's relevant to the times.
Don't see it if You prefer less dialogue or don't enjoy long, thought provoking subject matter. It isn't recommended for children.
See it if You're looking for something different & thought provoking with a story that resonates and is still relevant today. Character driven.
Don't see it if Staging was a bit odd&cluttered. The acting was so-so (I did love the actor who played The Mother)Was a bit hard to follow in the beginning
See it if TW: Scene of near-rape. You enjoy thought-provoking, intelligent and touching content.
Don't see it if TW: Scene of near-rape. You are disappointed by an imbalanced cast - some great performances, but also some plodding leads.
See it if You enjoy female driven shows about incarceration and issues around that in the South; if you don't mind only one cast member being talented
Don't see it if You need a show to have characters with dimension who aren't cliched, and a plot to be more than just adequate
See it if Like realistic drama about unpleasant subjects and rather intense scenes, with characters acting violent or disturbed.
Don't see it if You prefer lighter or comedic subject matter, are bothered by intense, unpleasant subject matter, or violence against women.
See it if you want a thought-provoking, if somewhat dated, early Marsha Norman play exploring the struggle of a woman coping with life after prison.
Don't see it if you are not prepared for a serious but slight (and, at times, slow-moving) drama that deals with some uncomfortable issues.
See it if you like Marsha Norman and/or this particular play...want to support independent, heartfelt work...realize this isn't NY theatre @ its best.
Don't see it if you aren't prepared for an uneven evening...supporting cast much stronger than the principals. It is worth seeing but, it is problematic.
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