"Mr. Brant’s play draws a nuanced and haunting portrait of a woman serving in the United States Armed Forces...Some baggy or repetitive passages notwithstanding, Mr. Brant’s writing largely remains taut, terse and concentrated on exposing the fissures that open in the heroine’s confidence and sense of honor...'Grounded' has a grimly fresh topicality." Full Review
"Taymor makes an impressive shift to something more intimate and psychological...She creates striking images to represent the changing world of the pilot...Brant's intriguing and engaging script doesn't argue policy, but is more fixed on the notion that modern technology is capable of turning soldiers into assassins, if only human conscience wouldn't stand in the way." Full Review
"The Public Theater’s intimate Anspacher space proves the ideal staging area for Taymor’s arsenal of pyrotechnics...The tricky part for both actor and director is the Pilot’s gradual enlightenment about what it actually means to fly a drone." Full Review
"Taymor’s busy, illustrative direction—which surrounds the actress with showy projections and sound effects—adds to the trouble; her staging of the play’s new ending hovers at the edge of kitsch. It’s good to see Hathaway spreading her wings, but the end result doesn’t take flight." Full Review
"This production, unnervingly gorgeous and overwrought, considers the costs of fighting a foreign war from home...The breadth of the design and the intensity of the performance try to widen out the play in ways that don’t always flatter the script, flattening its ambiguities, underscoring symbols that were already obvious. And yet, the conclusion still chills." Full Review
"it’s my guess I would have liked “Grounded” better in almost any of its other productions...One senses the director is giving us this ride for its own sake...No one would deny that Julie Taymor’s 'Grounded' is visually arresting. But it is also dramatically arrested. Her emphasis on the special effects is distracting and overkill." Full Review
"What Mr. Brant has done is to find the poetry in the rhythms of everyday speech. The strength of Ms. Hathaway’s performance lies in the gauged intensity with which she responds to the poetic aspect of 'Grounded.' But 'Grounded' is smothered in a thick sauce of overelaborate visual and sound effects." Full Review
"Why doesn't this impressive production pack more of an emotional wallop? The technical wizardry and star power expose the limitations of the play...Brant's ending seems melodramatic. And perhaps all the directorial pyrotechnics, while making this production unusually dynamic for a solo show, contribute to a certain detachment from the experience being portrayed." Full Review
"Its divisive subject is as current as the front page of today’s New York Times...It’s unassailably dramatic, kinetic and provocative...Writer, director and character merge in a single, indelible unity of vision I won’t soon forget." Full Review
"George Brant's 2011 drama is more than just eerily prescient. Nor is the work merely a flashy vehicle for a glamour-puss movie star and an A-list director. This is a taut, visceral psychological portrait of a rare woman fighter pilot. 'Grounded' spreads the damage around with a precision strike on modern life itself." Full Review
"The production is effective and often dazzling. It does what it’s supposed to do: take us inside the pilot’s mind. But 'Grounded' skimps on relationships. This character is many things, but not a solo act. The staging lets us know that the pilot is separated from everyone else by technology, but it’s the play that separates her from the audience." Full Review
"Onstage alone for 85 minutes, she grabs the audience and takes it on a compelling dramatic journey. Directed by Julie Taymor, the production throbs with movement, background music and flashing projections...A disturbing play brought to vivid life by Hathaway's performance." Full Review
"The play doesn’t provide any easy answers. What it does do is present a highly compelling portrait of a bright woman who comes to the realization that she has become an executioner. 'Grounded' is an expertly crafted work that adds a unique dimension to a very controversial and timely issue." Full Review
"Brant provides scant geopolitical context, and arguably this lack of facts helps to reinforce the soullessness of the pilot’s existence, but his writing style is a bit too staccato for my taste — a few developed anecdotes would have helped deepen the story emotionally. But Hathaway’s memorably kinetic performance is noteworthy in itself." Full Review
"The evening is as much a sensory experience as it is a literary one. For all the physical aspects, however, director Taymor boils it all down to a piece about a single, solitary human being whose certainties slowly erode. Fierce, confused, angry, loving, exultant — Hathaway is as multi-colored as the Las Vegas neon that patterns the floor. What's unsaid in 'Grounded' is as potent as what is." Full Review
"A rare and precious experience: theatre that is both soul searing and core shaking...The play implicitly critiques the military’s use of drones, yet it concentrates on one woman’s existence and the personal toll of deploying destructive power at an alienated distance. "Grounded" weaves a brilliant and visceral story about a woman on the edge of collapse, in a messy, complicated and dangerous world." Full Review
for a previous production "The play, which won the 2012 Smith Prize for works about American politics, obliquely ponders how advances in technology are affecting the psychology of men and women in the armed forces. The answers it suggests are not the simple ones you might expect; in fact, while “Grounded” is mostly gripping as a portrait of a particular woman facing particular traumas, it ultimately doesn’t provide much fodder for larger reflections on American foreign policy." Full Review
for a previous production "It is a difficult thing to make a captivating experience out of a single monologue. Yet the story we hear in playwright George Brant's Grounded keeps us mesmerized. Brant's words pulse with the rhythms of an epic war poem but this solo play brings a modern sensibility to the ancient theme of war that Homer could have never imagined...so a thought-provoking, thoroughly engrossing production like Grounded will make a welcome and important addition to your theatergoing diet." Full Review
for a previous production "Last night I was blown away, though happily not literally, by a brilliant stage performance at Page 73..."Grounded" powerfully focuses on the human element, on both sides of the joystick that unleashes drones overseas. Don’t miss it." Full Review
See it if you love Anne Hathaway. The script isn't stellar (not particularly insightful). I've seen much better solo shows. Still, not unpleasant.
Don't see it if you're expecting a tour de force from Taymor and Hathaway. I liked it fine. AH's accent came-and-went; it wasn't necessary, so why try?
See it if If you want to see an incredible performance and like Anne Hathaway (who gives a stunning performance!!)
Don't see it if If you don't like Anne Hathaway or one woman plays.
See it if you appreciate storytelling that brings current events from the newspapers to life. This play should be acted out on stages across the US.
Don't see it if you're looking for a light and fluffy night at the theater.
See it if You like intense, introspective, drama. You are against armed conflict, how it affects armed service personnel to engage in mass destruction
Don't see it if You are a firm hawk, you think questioning peace is unpatriotic.
See it if an original play with a deep, intense story line. Anne Hathaway's intense performance drags you in to the story as it unfolds.
Don't see it if are looking for a light hearted comedy
See it if Anne Hathaway does a great job of conveying the frustrations of a drone bomber. She was riveting.
Don't see it if The descriptions of the havoc her bombs wreak may be disturbing to some.
See it if You like Anne Hathaway and you care about military stories featuring women (e.g. you liked Zero Dark Thirty)
Don't see it if You expect to see transcendent theater or have a huge cry.
See it if you want to see a show about the Iraq war, you like one-person shows, you like stories about strong women.
Don't see it if you think the premise is too much for you, you like shows with multiple actors.
See it if you want tour-de-force visuals about an air-force pilot & a riveting star-turn from rosy-cheeked Anne Hathaway
Don't see it if you don't buy Hathaway as a war-hardened, thrill-seeking soldier and expect nuanced writing when A-list talent & producers choose a play.
See it if I didn't enjoy the story. Andy Carl and the rest of he cast was good.the music and dancing was pretty good. It was boring
Don't see it if If you liked the movie I guess you will like the show,otherwise don't bother.
See it if the thought of a one-woman show with Anne Hathaway, dir by Taymor intrigues you. Which it should as she is brilliant. Provocative and deep.
Don't see it if you don't enjoy shows dealing with political or timely issues like drone pilots in the military.
See it if You like something that's different and unexpected. Anne Hathaway's performance was amazing
Don't see it if You don't like serious plays that may be hard to follow at times and don't have a clear ending
See it if You are a fan of the actress playing the role. Anne Hathaway was amazing to watch.
Don't see it if You don't like slow moving shows. The show is long and slow moving, but it is interesting to watch.
See it if you want something thought-provoking, slightly futuristic, and intense.
Don't see it if You find one-person plays to be slow and boring, or want something with a little more lilt and fun in it, because this definitely does not.