Iowa NYC Reviews and Tickets
Member Reviews (8)
See it if you have no choice. This was one of the worst productions I've seen in my life...and that includes school plays. I found it truly awful.
Don't see it if you can avoid it. I have to say it again: truly awful. Read more
See it if you're a masochist.
Don't see it if you have any taste. Nothing worked here. From the writing to the singing.
See it if you want to leave right away.
Don't see it if you want to save some $.
See it if Uh.. bad.
Don't see it if Left at intermission.
See it if don't
Don't see it if you value your time
See it if you like really, really experimental musicals.
Don't see it if you don't have patience for absurdity or zaniness.
See it if You have nothing to do, to read, to think about, have no TV, no friends.
Don't see it if You want want to be entertained or engaged
See it if you like eccentric, nonsensical meditations on how technology has transformed modern society.
Don't see it if you like clear-cut, straightforward, logical theatre.
Critic Reviews (13)
"Aiming for the endearingly zany, the new musical 'Iowa' overshoots the runway, landing somewhere in the vicinity of complete inanity. This oppressively antic show plays like a series of songs, scenes and sketches with little connecting tissue...this show is so besotted with its self-conscious absurdity that it frustrates any real emotional engagement. “Oklahom@” this ain’t."
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"Iowa’s satirical cartoonishness is captured splendidly in Ken Rus Schmoll’s staging, and the cast of eight sustains a remarkable tone of committed absurdism. Smart, off-angle pop art songs add to the abundance of pleasures. 'Heaven and earth do not touch one another,' sings a new mother in a lullaby. 'But jump, jump, jump, jump up and try.' 'Iowa' delights in taking just such leaps."
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"'I thought I had something to say, but I don’t,' says a character in “Iowa.” The same could be said of Jenny Schwartz’s new play with music, which strains so hard for whimsy, it practically gives itself a hernia.. The game cast goes through their wacky paces with admirable conviction. Even so, a winter in Iowa the state would be preferable to sitting through 'Iowa' the show."
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"'Iowa' is like spaghetti. Throwing everything against the wall to see what sticks seems to be the approach in this abstract play with music. Unfortunately, little sticks...One hundred minutes later, 'Iowa' just seems weird for weirdness’ sake."
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"At its core, Schwartz and Almond have a touching coming-of-age story that gets lost in a whirlwind of nonsense. The nonsense is not without thought or purpose, but there is nothing in Iowa that draws a clear (or even hazy) line from the inanity to the sincere...Without a focused voice, there can be no confidence in the journey at hand — even as Schwartz and Almond fervently assert that we really ought to give 'Iowa' a try."
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"The Wikipedia whirlpool: Look up one minor thing and before you know it you’ve strayed about as far away as possible, drowning in a sea of too much information. If you thought this phenomenon could not possibly have a theatrical equivalent, Jenny Schwartz and Todd Almond are determined to prove you wrong...Through their entropy-embracing lack of clarity that makes a Wikipedia whirlpool look well ordered, they have all but ensured the necessary solace is unlikely to be found."
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"If Schwartz, Almond, and director Ken Rus Schmoll are aiming at anarchy, they’ve hit the bull’s eye. And, if they’re aiming for laughs, they haven’t done so badly either. But not every narrative ploy pays off...Occasionally 'Iowa' loses its direction, but the detours tend to be short-lived...Mostly it’s just fun: a carnival of free association frivolity of the highest order."
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"'Iow@' — which I’d like to retitle “Why? Oh! Ugh”...There’s not a light bulb in the socket of this play...Almond’s score is dismally droll, dragging the show’s pace through the mud and rarely offering the actors a heightened sense of emotion or deliverability to further the story. They give it a champion effort...Unfortunately none of these efforts can salvage a score in search of a melody nor a plot truncated by its own flailing appendages."
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