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“Superbly directed by John Pierson...Theatergoers who look forward to the annual festival will not disappointed...Each of the three pieces presents audiences with an opportunity to see engaging theater with an excellent cast...The creative team has done a top job...An outstanding opportunity for all those who enjoy fine theater." Full Review
“The LaBute New Theater Festival consists of entries that...focus on high-concept premises and plot twists...'Hate Crime’ is ‘Double Indemnity’ with an all-male cast...’Winter Break’ consists of endless circular conversations...’Percentage America’...Consists of an unconvincing idea pushed to laborious extremes...An unimpressive lineup, with all three plays weighed down by thinly drawn characters and plots that don't really track." Full Review
“The first and most compelling play is by LaBute...LaBute lets his language and its rhythms guide us along...’Winter Break’ is the overwritten story of a college student...'Percentage America' almost succeeds...These are able actors, but they are hindered in some cases by the scripts which make them work too hard; in other cases by Pierson’s direction which is unimaginative – the action is stilted and the actors’ shining moments are random and disconnected.” Full Review
“In past showcases featuring LaBute plays, his have usually been the most sharply honed. Not so in this one, which leads off with his mediocre ‘Hate Crime,’ about two anonymous gay men who are plotting a murder…More dramatically satisfying, and socially relevant, is James Haigney's ‘Winter Break,’ which deals with a situation one can actually imagine taking place in an American household…In ‘American Percentage,’ the potential…is strong but the treatment…isn't as funny as it seems to think it.” Full Review
"All smartly written, crisply staged, and delightfully performed...'Hate Crime'. LaBute skillfully dusts off this old film noir premise...Haigney’s engrossing 'Winter Break'. This culture clash includes funny jokes...and fierce debates...A divorcée and pharmacist...are on a first date in Lewis’ comical though somewhat convoluted 'Percentage America'...Pierson has staged all three works with thoughtfulness and strong pacing that realizes the dramatic and comedic aspects of each.” Full Review
"It's not that LaBute's piece, 'Hate Crime' eschews sex and power...It's just that the playwright has nothing new to say about either of them...Fortunately, the actors, as well as the festival's director John Pierson, fare much better with the evening's other two entries...Both of these plays provide fresh takes on topical issues...What makes the evening worthwhile is the opportunity to see the well-constructed, thought-provoking, and original works by Mr. Haigney and by Mr. Lewis." Full Review
“’Hate Crime': The only reason for this modest exercise in, perhaps, social presumptions, is to watch Sickman inhabit his character. Facial expressions are priceless. Timing is impeccable. Even the way the actor holds himself is entirely, specifically credible...’Winter Break’: The situation is plausible, well written, and unnerving...’Percentage America’ wryly examines the elusive search for truth...This play deserves further exposure...Director is better with blocking than emotional shades.” Full Review
"The subtle brilliance of LaBute’s script, brought to life by these fine performances and John Pierson’s slick staging, is in making these men totally recognizable even in their monstrousness...Both of the other two one-acts on the bill are built around wonderful ideas, and both fail to play out entirely successfully...'Percentage America' starts with a compelling idea and falls short of blossoming...Halfway through, I was lost; I didn’t know what was happening anymore." Full Review
“The current trio of offerings provide two very strong entries and one that isn’t. It’s the short-form champion’s own curtain-raiser that is the disappointment...’Hate Crime’...A serious malfunction that suggests Pierson hasn’t worked out the kinks with the author...’Winter Break’...Benefits from a forceful dose of realism...The dialogue is painfully real...’Percentage America’...A piece that’s different in tone and ambition...Satire set in contemporary, internet-influenced America.” Full Review
“The energy seldom lags, and all three cherry-picked one acts are provocative, timely and adroitly crafted...‘Hate Crime’...LaBute’s mordant writing is well served...The dynamic between coolly predatory leader and eager protégé is expertly mined for both laughs and chills...‘Winter Break’...When it’s cooking, Haigney’s intelligent script shows remarkable insight and compassion...‘Percentage America’...Lewis’s razor-sharp satire comes to life...with farcical zeal." Full Review
“‘Hate Crime’…Far more a study of character and oblique commentary on contemporary mores than a piece that relies on plotting and conveniently tying up loose ends. ‘Winter Break’…The debate that rages feels entirely authentic and will provide food for thought for anyone with young adults in the family. ‘Percentage America’…A fresh and amusing look at a serious subject that, like the others in this Festival, will exercise theatre makers across the world over coming years.” Full Review
See it if You're interested in seeing new works debut or you're really into one act collections.
Don't see it if You don't want to watch actors struggle through 3 poorly written and aimless new plays with no through-line or cohesion.
See it if you want to be entertained by a talented group of actors performing three cleverly written short plays in a cozy venue.
Don't see it if you are not ready for something other than big budget Broadway musicals
See it if you love great theater written by emerging playwrights, performed by one our Nation's finest small professional theater Companies.
Don't see it if there is not a reason not to see it, you should support new works.
See it if you want to feel like you are practically inside three short and captivating plays. Impressive new talent. Last two plays were great!
Don't see it if you had a long day and think you might doze off... The theatre is so small that the actors will be able to see it!
See it if you like one-acts dealing with topical events in such a way that you can be ensured to make wittier, savvier comments offstage afterwards.
Don't see it if you're someone who can comfortably say, "I've never seen a Neil LaBute play I haven't liked." I was that person and am that person no more.
See it if You like to see what's in the dramatic pipeline. Two of these are good enough in the hard-edged Labute tradition, one quite fresh in subject
Don't see it if & sensibility. Performed in repertory by a quartet of able actors in a very small space.
See it if you are up for something different and entertaining. A fun night out! Talented cast and three absorbing short plays. Very entertaining!
Don't see it if you must have happy endings.
See it if in the mood for three very different vignettes — all well written, engaging and powerfully performed. Very timely and very good acting.
Don't see it if religion, homosexuality, swearing and political satire might offend you.
See it if You are looking for something fresh, timely and fast-paced, in an intimate setting. All three short plays are engaging and nicely performed.
Don't see it if You are not comfortable in small theatre spaces.