“The play meanders with nary a sign of tension, sexual or otherwise, until the final minutes, when Rosebrock suddenly puts on the turbo — and promptly crashes into a wall.”
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"The timing and execution of the diegetic song represents the balance of dark comedy and thriller suspense in Lowcountry, hampered by spurts of stagnancy but held together by naturalistic performances."
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"...you’re likely to be viscerally familiar with the type of overachiever onstage in 'Trophy Boys' — hypercompetitive, cutthroat, and prone to wrapping the worst intentions in the bubble wrap of the right language."
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"The violent conclusion, in particular, seems more sensationalistic than persuasive."
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"It’s like you’re on a date that’s awkward yet arousing, then someone goes to the restroom and doesn’t come back."
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"Rosebrock speaks up for the American precariat, telling the stories of the people we fortunate theatergoers would rather ignore."
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"A low-stakes psychological thriller, it suffers from a low-grade depression."
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"'Lowcountry' is never less than compelling in the hands of these fine actors, well directed by Jo Bonney."
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