Closed 2h 5m
Man From Nebraska
Midtown W
77

Man From Nebraska NYC Reviews and Tickets

77%
(189 Reviews)
Positive
81%
Mixed
16%
Negative
3%
Members say
Great acting, Thought-provoking, Absorbing, Slow, Intelligent

About the Show

Second Stage Theatre presents the New York premiere of Pulitzer Prize winner Tracy Letts' drama about a devout man who has a crisis of faith. Starring Tony winner Reed Birney ('The Humans.')

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Member Reviews (189)

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62
Disappointing, Edgy, Slow

See it if you want to be taken to another place in life.

Don't see it if you want a consistent show. It gets slow at some parts.

80
Intelligent, Resonant, Excruciating, Great acting, Intense

See it if Man goes through late midlife crisis and seeks answers while hurting his family. The journey is slow, painful, believable and disturbing.

Don't see it if You want to like the characters or feel uplifted. There are moments of comic relief that make the pain bearable. Read more

Critic Reviews (33)

February 15th, 2017

"Though its words are well chosen and artfully placed, Tracy Letts’s 'Man From Nebraska' has a radiant respect for what cannot be said...An uncommonly gentle and compassionate work, which anatomizes characters and situations so classic that they are often dismissed as clichés...Very much of what happens in this production’s ephemeral pools of light feels uncannily like life itself, unaccommodating and bewildering, utterly familiar and gloriously inexplicable."
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February 15th, 2017

"Letts can do grotesque and emotionally raw, but here he reins in his darkest dramatic impulses. The writing builds up a humane character study, but it rarely raises the room temperature...At its core, the play—handsomely staged by Cromer and scrupulously acted by a fine ensemble—is about choosing a path in life versus accepting what sociology hands you. That’s a perfectly juicy theme, but Letts makes it less a shocking journey to enlightenment than a dutiful stroll round the block."
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February 15th, 2017

"It must be said that once Letts establishes his provocative premise, he doesn’t develop it in fully compelling fashion. The episodic play moves in fits and starts, marred at times by lugubrious pacing and narrative digressions...Nonetheless, under the sensitive direction of David Cromer, 'Man From Nebraska' resonates with deep emotion, its multidimensional characters pulsing with humanity. Not surprisingly, the proceedings are often drolly funny despite the serious subject matter."
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February 17th, 2017

"Under Cromer’s suggestive direction, the life of Ken Carpenter (Birney) teeters on some existential ledge between darkness and darker darkness...Birney is marvelous to watch as this decent man struggles to find his moral footing in a strange new landscape. Laughing at Ken’s innocence is not an option, because Birney treats that innocence with respect...By the end of his existential journey, he has not only earned his faith, he’s also earned ours."
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February 16th, 2017

"The chemistry between Birney and director David Cromer is nearly as palpable as Ken’s with the people who orbit him at home and in London. Cromer is a devotee of understatement that heightens reality, and in Birney he has the perfect instrument for that. The production transcends even that terrific performance with a company that has no weakness...A dazzler – a great show."
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February 15th, 2017

"'Man from Nebraska' just goes in circles...It’s a double disappointment from Tracy Letts...Weirdly, Ken’s life-changing question of faith falls aside as he drinks, drops ecstacy and tries his hand at art. Letts raises a provocative idea but fails to follow through. And when a play turns this hollow even a fine ensemble doesn’t have a prayer."
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February 15th, 2017

"A sensitive look at the limited time we have on earth and how that time is governed by the constant struggle between obligation and desire...Birney encases Ken in a cordial falseness, so that we are never quite certain that he means what he says, a trait that has fascinating implications for the end of the play...A combination of Letts' astute writing and Birney's sympathetic performance never allows us to completely discount his feelings, mired in privilege though they may be."
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February 16th, 2017

"Deceptively little seems to happen in the first several scenes of Tracy Letts' riveting 'Man from Nebraska,' now receiving a superb New York premiere...Birney's performance is exceptional and jarring as this character, who exudes respectfully low-key masculinity, is now bent over in tears...Director David Cromer does a fine job of making the mundane everyday living of Ken and Nancy's home life seem an attractive option for those who require a comfortable safety net."
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February 15th, 2017

"Birney's unparalleled skill at evoking the dislocations of middle age have never been put to better use...Letts impresses with his depth of vision and refusal to repeat himself. 'Man from Nebraska' strikes me as the most penetrating play about religion to be seen this season...The director David Cromer's finely detailed way with actors makes him the right man for the job...The production remains engrossing, and often deeply moving, throughout."
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February 23rd, 2017

"Tracy Letts' 2003 Pulitzer Prize-nominated 'Man from Nebraska' is first having its belated New York premiere at The Second Stage Theatre in a peerless production by David Cromer with a cast led by 2016 Tony winner Reed Birney and co-star Annette O'Toole. This low-key play by Letts is unlike any of his other four plays to have been presented here. It may leave you close to tears and emotionally drained. The play is not so extraordinary as much for what it says, but what it leaves unsaid."
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February 17th, 2017

"David Cromer’s direction is of a piece with Letts’s writing, simple and clear. The play’s progression is seamless...No one element of this production clamors for attention, allowing us to take in the humanity that pervades the entire piece...An intimate drama that examines a good man trying to wend his way through a crisis of faith...It seems simple because it’s so basic, but it’s not really very simple at all."
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February 15th, 2017

"A beautifully staged and acted production...Birney dazzles as he takes us through Ken's journey from spiritual breakdown to an uncertain new life...Though this is Birney's show, the entire cast is top-notch. O'Toole is particularly moving as the wife who'd prefer the status quo...Cromer very effectively has the many scenes play out as filmic close-ups. The stagecraft overall is outstanding."
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February 15th, 2017

"Director David Cromer does a superlative job slowly sussing out the details and the layers of Ken’s life, loves, and his lost soul that set him out on this journey of discovery, but not such a good job with Nancy. The space is a constant whirlwind of places and pieces making up the landscape of his journey...I would have enjoyed a greater sense of clarity and understanding, and most likely Ken would as well, but the last few minutes are tense and completely engaging."
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C
February 15th, 2017

"Birney has the ability to make us not just empathize with his onstage alter egos (even when their actions are less than savory), but also see ourselves in his eyes. Fortunately, Birney is just one chain in the link of David Cromer’s sensitively directed and impeccably acted production of this alternatively comic and dramatic work...It’s not in the same league as Letts’ 'August,' but any play that makes us consider what being human really means deserves a devoted audience."
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February 27th, 2017

"Cromer's beautifully calibrated direction...moves the action from one suggestively defined locale to the other with cinematic smoothness. The journey, however, hits some playwriting potholes...The idea of a repressed bourgeois man leaving home to light his inner fire, while not new, is certainly ripe for dramatization. However, once Letts...sets up his situation, he doesn't follow through with characters or situations sufficiently capable of avoiding the mantle of contrivance."
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February 15th, 2017

"Mild and slow-paced...'Man from Nebraska' is in no way a sitcom. Its humor is quieter, more indirect. Letts’ own Midwestern upbringing seems to come into play here, in his capturing of the culture of his characters, and the rhythm of their speech...If little is explained, this winds up not mattering as much as it might in the hands of lesser theater artists. These artists feel in full control. The nine-member cast is impeccable."
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B
February 15th, 2017

"It is a play that will provoke wildly divergent reactions...The play’s episodic structure does not seem organic. Birney, as always, is superb. Mensah is also strong. O'Toole, to me at least, seemed mannered...Particularly in the first act, director Cromer lets scenes breathe longer than some can easily tolerate. I predict that you will have a strong reaction to the play. Whether it will be negative or positive is the question."
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February 16th, 2017

"With a remarkable performance by Reed Birney as the title character; an explosive one by Annette O’Toole as his helpmate; and especially canny work from director David Cromer and designer Takeshi Kata, 'Man from Nebraska' is the most interesting drama to come along since Stephen Karam’s 'The Humans'...Letts gives us an engaging and thought-provoking play, without any grand eruptions of the sort you are likely to find in change-of-life, loss-of-faith plays."
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February 15th, 2017

"Letts condescends to his hero’s dilemma by making the representation of his religion into a complete dolt...The surprise isn’t that Ken has lost his religion; it’s that he’s not already embalmed...A nymphomaniac, a dullard preacher, an angry artist. You can’t blame the actors here for performing what’s on the page, although it might have helped if Cromer had directed them to look for some subtext. Reed manages to be much more empathetic. In a few scenes, he even dazzles."
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T
March 14th, 2017

"Letts’ script is packed with subtext, brought out by an insightful cast and director. Reed Birney as Ken creates a shattering and affecting portrait of a man suddenly without moorings. Annette O’Toole is equally heart-wrenching as his alienated spouse. The playwright is best known for the Pulitzer Prize winner 'August: Osage County,' which was something of a massive melodrama ...He achieves more devastating effects by tightening his focus onto one man adrift."
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February 16th, 2017

"If any actor can make you believe a character who says 'I’m spending time with my thoughts on the advice of my pastor' while staring at a half-naked woman on a bed, that actor is Reed Birney...It is hard to come up with anyone else who can imbue such honesty, decency and complex intelligence in the idea of an imperfect Everyman...A nuanced production by director David Cromer. But boy, does this play ever need both Birney and Cromer...Deep, this is not."
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February 15th, 2017

"It’s not nearly as good as Letts’ best-known work, but it’s not without interest, thanks in good measure to its lead actors. Birney gives one of his superbly real ordinary-guy portrayals as the searching Ken, while O’Toole is deeply sympathetic as a loyal, confused and increasingly angry abandoned wife...When he finally returns to Nebraska, many weeks later, Ken is a new, improved man, Letts would have us believe...The idea is provocative, even if it’s completely unpersuasive."
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February 15th, 2017

"Anchoring the familiar tale is a focused performance by Birney who has clearly mastered the art of portraying buttoned-up middle-class baby boomers roiled by inner torment. O’Toole similarly manages to offset her character’s dullness with flashes of brittle dignity while Mensah provides an archly vivacious counterpoint throughout the second half. But for all its humanity and wit, Letts’s play ends up feeling rather schematic under David Cromer’s polished direction."
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February 28th, 2017

"If the script is sterling, what makes it soar is the acting. Reed Birney doesn’t disappoint in his depiction of the spiritually bereft character Ken…What makes this play exceptional is its refusal to supply any facile answers to the protagonist’s dilemma…Letts presents Ken’s Dark Night of the Soul in a deeply human context and, with his theatrical alchemy, turns it into a deeply satisfying story that we can identify with."
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March 13th, 2017

"It’s not clear whether Letts is assailing organized religion, or particularly fundamentalist Christianity, for its oppression of human feelings and its doctrinaire beliefs. Under David Cromer’s direction, however, the silences and ambiguities in the script reflect the characters’ struggles with moral choices that carry considerable weight. Birney is riveting as he makes one feel the crushing, stultifying outcome of living such a life."
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W
February 19th, 2017

"Director David Cromer has a way of elevating the ordinary. And actor Reed Birney brings complexity to the common man...There is a startling freshness here. None of the characters are stereotypes...There is no sentimentality, no overwrought confessions or dramatic angst. Just the bite of true emotion and the message that no matter how lost someone is, there is always someone waiting to find them."
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T
March 8th, 2017

"Under David Cromer’s thoughtful direction each of the many scenes in the play becomes one more step in Ken’s journey toward heaven or hell...If Letts’ play moves us despite the well-worn path it travels, that’s because it has three major assets: an excellent cast headed by the incomparable Birney, Cromer’s skillful direction backed by a terrific creative team, and the playwright’s ability to create totally believable and sympathetic characters who never amaze but always surprise us."
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February 21st, 2017

"This show is brooding, slow, vacuous, empty, hopeless, and depressing. This is not all necessarily bad…Part blistering critique of religion and America, part human condition, Mr. Letts shows us what happens when a man questions long-held beliefs, as provincial and narrow as they might seem…Frankly, Mr. Letts' play doesn't really answer the question; it merely scratches the surface and explores the topic. If you are looking for definitive answers you won't find them here.”
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February 28th, 2017

"Letts' powerfully intriguing premise, the despair of which Birney embodies so movingly, gets vitiated as the action proceeds...He makes Ken’s crisis impressively stark, and his subsequent wanderings in search of meaning amusingly entertaining, but the two never add up. Viewed as a total picture, 'Man from Nebraska' turns out to be riddled with the wrong kind of questions-not the big ones a great playwright asks us, but the niggling little ones that we want to ask the playwright."
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February 15th, 2017

"Birney gives a layered exploration of the complexities of being a regular guy who's just not sure what happened to his life, how he got here...O'Toole gives a quiet, understated performance as the tossed-aside wife. Though not fully drawn on the page, O'Toole shows that Nancy is just as complicated as Ken...With no offense meant to Letts (or Birney), in this day and age, the more interesting story might be the one about the woman from Nebraska."
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February 15th, 2017

"Much of the dialog is very simple, rarely revealing, and filled with very long pauses. It almost feels like a Pinter play without the biting double meanings in the characters’ speech...The cast is quite good, led by the reliable Reed Birney...Director David Cromer creates a dark atmosphere that seems appropriate to Letts’ tone and episodic style. But the strong performances and the evocative direction only leave the audience wondering what was the point of the play they had just experienced."
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February 23rd, 2017

“‘Man From Nebraska’ is not Tracy Letts' most thought-provoking or exciting play, and there have been better dramas about confused protagonists trying to figure things out for themselves. But it may particularly speak to anyone who comes from a background where certainty and conformity were the rule, and self-reflection and self-discovery were discouraged. And for those who didn't, it may inspire some compassion, understanding, and hope.”
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March 8th, 2017

“The courage of Letts’s script is that, while Ken certainly gives over to unexpected exploration, the essence of his decency, though tested, is never compromised…If ‘Man From Nebraska’ is the most modest of Letts’ plays in terms of ambition and style, it may also be his most hopeful, in terms of the long game it plays. Under the seemingly always unerring, delicate direction of David Cromer, it is very gratifyingly acted indeed, and ultimately about as touching as you hope it might be.”
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