Mankind
68

Mankind NYC Reviews and Tickets

68%
(209 Ratings)
Positive
59%
Mixed
26%
Negative
15%
Members say
Ambitious, Funny, Thought-provoking, Clever, Quirky

About the Show

Playwrights Horizons presents the world premiere of Robert O’Hara's ('Bootycandy') audacious comedy about a world without women.

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Show-Score Member Reviews (209)

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290 Reviews | 92 Followers
95
Absorbing, Funny, Great acting, Thought-provoking, Relevant

See it if If you like plays that present a totally new perspective on today's world and the future of "Womankind" in a "Mankind" world.

Don't see it if If you like traditional storytelling. But if you wanna move a bit beyond you comfort zone I highly recommend this play

266 Reviews | 27 Followers
95
Funny, Clever, Quirky, Irreverent, Entertaining

See it if you find plays that spoof religion engaging; the thought of an all-male universe and its consequences delights you; you want to laugh

Don't see it if you find pro-abortion and anti-religion plays offensive

516 Reviews | 97 Followers
90
Clever, Ambitious, Great staging, Hilarious, Thought-provoking

See it if you want to be transported to one of the most INTERESTING takes on the future of mankind, every created before.

Don't see it if you don’t want your mind BLOWN, because it will be blown, G-U-A-R-A-N-T-E-E-D. Read more

155 Reviews | 23 Followers
89
Ambitious, Edgy, Entertaining, Funny

See it if you enjoy biting satire of misogyny, religion and much more. Features some well done audience immersion.

Don't see it if you are politically correct, sensitive, and don't have a sense of humor.

105 Reviews | 107 Followers
88
Ambitious, Entertaining, Great staging, Hilarious, Intelligent

See it if you like to laugh and think. You like to explore society's big issues: gender, religion, politics. You don't need to be told the answer.

Don't see it if you need the point spelled out for you. You want to go deep on one issue rather than touch on many. You don't laugh about serious subjects

299 Reviews | 41 Followers
88
Funny, Must see, Profound, Great writing, Thought-provoking

See it if You like a show that is funny and makes you think about social and political issues.

Don't see it if You are offended by criticisms of religions.

393 Reviews | 101 Followers
85
Ambitious, Sharply satirical and very funny, Edgy; purely theatrical, Challenging, not safe for the innocent, Filled with surprise

See it if You’re open to an endlessly surprising, over-the-top, biting, larger-than-life rasp of political satire. Not for the closed of mind or heart

Don't see it if You’ve no taste for metaphor or great leaps of imagination, have no sense of the absurd or only see things as they appear—especially onstage Read more

Nic
624 Reviews | 108 Followers
84
Ambitious, Funny, Quirky, Underrated, Great staging

See it if you're a fan of what-if scenarios and unique storytelling.

Don't see it if you don't like daring theater. Read more

Critic Reviews (30)

The New York Times
January 8th, 2018

"The story keeps twisting even when you need it to stay put and shout. Another switcheroo arrives every few minutes, which quickly grows as tiresome and lets the satire deflate into mere sarcasm. It’s a problem of focus. Satire is about the sharpness of the darts but also of the targets. Here there are too many targets...This pinwheel of snark feels like a stunt, and there’s little that the cast can do, under the author’s distracted direction, to keep a feeling of agitated desperation at bay."
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Time Out New York
January 12th, 2018

“Even as 'Mankind' posits the radical adaptivity of male bodies, it suggests an equal adaptivity of patriarchal male rule as potentially disruptive energies are absorbed into a larger culture of surveillance, violence, control, and greed...Good material for satire, but O’Hara doesn’t seem sure how to shape it...Bravura moments are undermined by heavy-handed messaging and exposition. Like many an allegorical brainchild, the play seems like it was fun to conceive and harder to bring up right.”
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New York Magazine / Vulture
January 8th, 2018

"Jason and Mark mostly alternate between bro-y detachment and screaming at each other, but in one of 'Mankind’s' strongest scenes, they start to open up about their pasts...O’Hara here succeeds in bolstering his sketch-like premise with a much needed dose of sincerity. It doesn’t last: We soon return to the world of cartoonishly drawn supporting characters, destructive male venality and idiocy, and mostly predictable digs at our messy moment’s sorry state of things."
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Variety
January 8th, 2018

"The offbeat premise is intriguing, but the writer fails to take it all the way, choosing a surreal treatment that is visually stunning but intellectually hollow...O’Hara, doubling as director, hasn’t quite decided how he wants us to feel about Jason’s dilemma...Despite being twisted, the Christian symbolism is clever...But it’s alarming to realize that, although the play seems to have come to an end, it’s only intermission and there’s another whole act to go."
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Theatermania
January 8th, 2018

"We wait for comic gold to materialize, but it never does as 'Mankind' plods along for a leaden two hours...Offers neither the wit nor bite of O'Hara's earlier plays...My mind remained thoroughly unblown by a play that is not nearly funny enough to compensate for all its plot deficiencies...O'Hara serves as his own director, resulting in a saggy presentation that betrays an almost religious reverence for the text...No characters ever rise above a broadly drawn sketch."
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BroadwayWorld
January 9th, 2018

“O’Hara’s wild gender politics satire...While the plot gets a little muddy in the second act...’Mandkind’ is so high-charged with imagination and audacity for its first half that the fumes of creative energy keep pushing it forward...Though the plot involves Feminism, ‘Mankind’ is more about the better side of men in their attempts to understand women; often looking foolish in the process, but still well-meaning.”
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Lighting & Sound America
January 9th, 2018

“A ponderous, largely laugh-free affair that begins on a mildly inventive revue-sketch note and quickly proceeds to box itself in, leading to a second act that roams far and wide in search of a salient comic point...O'Hara's satire is so vague and generalized as to be toothless...The production coasts on the considerable charisma of its leading men...A satire without much sting -- O'Hara gets so tangled up in the details of his dystopia that his outrage is rather badly muffled.”
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Talkin' Broadway
January 8th, 2018

"The play's very funny, very human opening is unfortunately quickly subsumed by a host of big ideas and controversial social issues...It all feels scattershot, and as a result, 'Mankind' is as frustrating as it is enervating...The second act is even loopier and more meandering than the first...Above all else, 'Mankind' lacks a self-reflective level of irony that might have made the play more successful as social satire...The play might have been more appropriately titled 'Mansplain.'"
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