Public Theater's Mobile Unit resets Shakespeare's dark comedy in the vibrant streets of New Orleans. Tickets are distributed 90 minutes before each performance at The Public and by digital lottery on TodayTix. More…
From the show:
It’s 1979, Mardi Gras has been officially cancelled, yet the community is still celebrating. Temporarily left in charge by the Duke, the upright and uptight Lord Angelo has decided to crack down on the city’s debauchery, arresting young Claudio for impregnating his fiancée Juliet before their wedding. When virtuous Isabella, Claudio’s sister, hears of his death sentence, she begs Lord Angelo for mercy. But hypocritical Angelo propositions her instead, leaving Isabella with an impossible choice: save her soul or her brother’s life.
In this timely production, lovers and leaders in disguise reveal how those in power take advantage of those without it – asking the question, can the law be both just and merciful?
See it if you're open to non-tradl WS. MFM's set in NOLA w all-WOC cast. Most do justice to the text, making sense of the prob play (except for end).
Don't see it if you want high prodn values. Barebones. But gr music/lots of energy. Duke is a standout! Resonates in MeToo era. Unclear resoln for Isabel.
See it if you’d like a fast, clear, fun lesson in the abuse of power, courtesy of 1 of the Bard’s notorious problem plays.
Don't see it if you want your Shakespeare straight: This production has a lot fun & presents a clear lesson, sacrificing a bit of depth in the process.
See it if You would be sad to miss on of the Mobile Unit's amazing productions. Always well designed and fun. These performers were incredible.
Don't see it if You want a good story. Measure for Measure is one of Shakespeare's worst stories, and it doesn't hold up. The ending feels like a cop out.
See it if interested in an all WOC cast in one of Shakespeare's "problem plays" emphasizing the bawdy, fun aspects on Fat Tuesday in 1979 New Orleans
Don't see it if you don't like your Shakespeare tampered with. Pre-show intro while often fun went on too long.
See it if a streamlined, raucous, rollicking version of one of Shakespeare's problem plays with an all female cast.
Don't see it if You don't like cross-casting or streamlined Shakespeare productions. You don't want to engage with your fellow audience.
See it if you enjoy modern interpretations of Shakespeare. Good job of making problematic play relevant for today. Injects humor into the story.
Don't see it if you're a Shakespeare purist. If you want elaborate sets and costumes--this is bare bones. Can be a bit hard to follow the plot/characters.
See it if you're a fan of the Public Theater's great mission of free Shakespeare for ALL the people; enjoy Mobile Unit's unique take on Willie S.
Don't see it if you're looking for straight & serious Shakespeare with noble accents (this one includes everything from cowboy twang to uptown slang)
See it if '9' women take the stage en masse to re-set the play in a Nawlins Mardi Gras, but then fan out into their respective characters. Great sax 2
Don't see it if Don't bother if U R a strict Shakespearean scholar & don't like crossgender casting. Or if U don't like a little actor improv mixed in.
See it if You want a new take on a classic play with an all female cast
Don't see it if don't like concept heavy plays, don't know the play, don't want to see a new take on a classic play
See it if you enjoy Shakespeare and don't have a problem with modern staging - it's set in 1970's New Orleans.
Don't see it if you don't like Shakespeare or only want to see if with the traditional staging.
See it if you enjoy Shakespeare modernized in the right way. Makes you think about how his themes are still relevant today.
Don't see it if you don't like audience participation shows. (or at least don't sit in the front row.)
See it if you haven’t seen this play before. Good, funny, all female, all POC cast. Toccarra Cash a standout as Lucio. Ending is stranger than usual.
Don't see it if seen many times; dislike drawn out pre-show audience discussions. Too slapsticky, not emotionally resonant. Ending is a cowardly cop out.