Miss Blanche Tells It All (NYMF)
Closed 1h 15m
Miss Blanche Tells It All (NYMF)
84

Miss Blanche Tells It All (NYMF) NYC Reviews and Tickets

84%
(18 Ratings)
Positive
83%
Mixed
17%
Negative
0%
Members say
Great singing, Great acting, Ambitious, Clever, Entertaining

About the Show

Part of the New York Musical Festival: Inspired by the imagination of Tennessee Williams, this intimate and seductive show takes us on one man’s journey of desire, self-expression, and liberation.

Read more Show less

Show-Score Member Reviews (18)

Sort by:
  • Default
  • Standing in our community
  • Highest first
  • Lowest first
  • Newest first
  • Oldest first
  • Only positive
  • Only negative
  • Only mixed
86 Reviews | 32 Followers
90
Ambitious, Great singing, Great acting, Resonant

See it if you like one-man/woman shows, incredible singing, flawless acting. Brian Charles Rooney's performance is breathtaking.

Don't see it if you don't like one-man/woman shows, LGBT themes, or if you're looking to see a fluff play. Read more

187 Reviews | 211 Followers
80
Great singing, Great acting, Ambitious, Intense, Edgy

See it if you like Brian Charles Rooney & a solo show performed by an actor with extraordinary vocal range, or have an interest in 1960s LGBT history

Don't see it if you expect a happy story with a warm, fuzzy ending or aren't interested in drag or New Orleans LGBT life. Read more

688 Reviews | 116 Followers
79
Edgy, Ambitious, Banal, Great singing, Great acting

See it if As Miss Blanche, Brian Charles Rooney gets a "part & a 1/2" & takes it to the moon With a sensational voice & ferocious acting he's the show

Don't see it if Unfortunately, the book's beginning is banal & songs are uninspired Drama does pick up as we uncover who 'Miss Blanche' really is & why

108 Reviews | 34 Followers
60
Cliched, Great singing, Insipid, Slow

See it if you want to see a great performer reveal his impressive acting and singing chops in a one act "cabaret" that is sincere and personal.

Don't see it if if a guy in drag doing all the clichéd "Blanche DuBois" and other Williams' ladies routines is not to your liking. Show dragged (literally).

37 Reviews | 12 Followers
90
Must see, Intense, Great acting, Great singing, Ambitious

See it if While I don't agree with the other reviewer on the show as a whole, we certainly agree that Brian Charles Rooney is a STAR!

Don't see it if You don't enjoy one-man shows or you are uncomfortable with LGBTQ topics. Read more

41 Reviews | 9 Followers
62
Confusing, Disappointing, Great acting, Great singing, Banal

See it if you want to see a powerhouse of a performance--Brian Charles Rooney is sensational. Truly a one of a kind.

Don't see it if A terrific performer can't sustain your interest in a muddy and cliche book that riffs on A Streetcar Named Desire. Read more

7 Reviews | 2 Followers
91
Clever, Enchanting, Entertaining, Great singing, Great acting

See it if you just love a one person show with tears, love, joy... it's worth every penny.

Don't see it if you not open minded.

3 Reviews | 1 Follower
54
Slow, Confusing, Great acting, Indulgent

See it if You want to see a great performance by a very talented actor.

Don't see it if You want an engaging story. There are a few nice moments, and a few good songs, but most of the music is derivative. Read more

Critic Reviews (5)

The New York Times
July 21st, 2017

"Ambitious, but not necessarily successful. Pritchard’s art songs tend to meld into one another and could use a bit more va-va-voom, and the switches in point of view from Lee to Blanche and back again are often unclear...'Miss Blanche' works best as a vehicle for Rooney...He is particularly comfortable portraying bittersweet sexual ambiguity and androgyny, and his vocal agility is the show’s greatest asset."
Read more

Theatermania
July 21st, 2017

"Among the top shows at this year's NYMF. Jason Jacobs and Matthew C. Pritchard's musical, bursting with memorable numbers magnificently performed by Brian Charles Rooney, blends the confessional format of 'Hedwig and the Angry Inch' with the breathy nostalgia of Tennessee Williams in a moving and highly satisfying work...The music itself shows sophistication and a deep sensitivity to this cabaret style of storytelling."
Read more

Front Row Center
July 16th, 2017

"A nuanced story and a tour-de-force performance...The conceit is a drag show, but really, it’s a solo show. And a remarkable one at that...Lee/Blanche reveals his inner self while transforming from a man...into a totally believable woman...It was a literally jaw-dropping performance by the mega-talented Rooney...Kudos also to Jacobs and Pritchard for writing a piece that both looks back but resonates today, and has layers of interest and meaning to keep us interested and focused."
Read more

Theatre Reviews Limited
July 17th, 2017

"The scenes are often heartbreaking and deeply engaging...The story is so well crafted by Jason Jacobs and the storytelling by Brian Charles Rooney is so pristine that to give much detail would require a spoiler alert. Mr. Rooney unpeels the layers of Mr. Jacobs’s book with the precision of a skilled surgeon...Under Gisela Cardenas’s stunning direction, Brian Charles Rooney delivers a bravura performance...A fine-tuned, superbly crafted piece of theatre"
Read more

Times Square Chronicles
July 17th, 2017

"An intelligent and timely piece...What makes this so interesting is it is a cross between a cabaret, drag queen performance and a solo show. It blends all the elements together to create a piece that is completely captivating. Brian Charles Rooney is mesmerizing and so talented...Jason Jacobs' book is heartbreaking and touching...The band is hot, the actor is superb and sadly this show needs a longer run."
Read more