Morning's at Seven NYC Reviews and Tickets
About the Show
Production Covid-19 Safety ProtocolsMember Reviews (72)
See it if If you like a classical show. Funny at times. Great acting.
Don't see it if If you want a more modern play
See it if you enjoy a solid story with a beautiful set and a great cast who make you laugh, ponder difficulties and in the end all find happiness.
Don't see it if you are looking for something current-this is an old play set in the 1920's that thrives on the dialog among 9 characters in a backyard.
See it if a well made play with excellent acting and production values would hold your attention
Don't see it if you're looking for anything flashy, loud or eccentric.
See it if You love old-fashioned, old-timey plays no matter how dated.
Don't see it if You’d be annoyed by an old play that’s cute, but bland. The actors nor the production do much to enhance this stale piece.
See it if you want to see a stellar cast in a classic American play. The play is charming and old-fashioned—in a good way!
Don't see it if you do not like classic American plays or believable characters. Plus there is no profanity!
See it if a chance to see wonderful veteran actors deliver in a play about family, trust, values & marriage in small American town in the 1920's.
Don't see it if don't like leisurely paced, simply plotted production with few surprises. That said, it was enjoyable in great part due to the fine cast. Read more
See it if you enjoy seeing seasoned actors giving great performances as an ensemble. And if you are tired of seeing shows about the problems of youth.
Don't see it if you like modern plays with lots of flash and excitement
See it if You have a soft spot for 80+ year old plays. Appreciate a fine cast of accomplished actors. Want to take a step back in time.
Don't see it if Have no patience for a old fashioned stories that are packed with sexism. Need action.
Critic Reviews (9)
"With its thin psychology, predictable structure and characters to laugh at, not with, the play serves a snoozy, somewhat bitter slice of small town life. Imagine Thornton Wilder without the radicalism, William Inge without the melancholy, Lillian Hellman without the flash."
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"There are a host of seasoned actors here, including Patty McCormack, Dan Lauria, Tony Roberts, Alley Mills, and more, all of whom help breathe life into this aging comedy. But Morning's at Seven now seems so bereft of anything new to say, and so out of touch with today's America, that even its fine performances can't keep its nostalgic bubble from bursting."
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It's a peerless study of hidden-in-plain sight eccentricity, focusing on elderly characters who, fearing that happiness is passing them by, find themselves acting out in unseemly fashion. Playwright Paul Osborn, a Midwesterner by birth, understood that pleasant small-town manners often hid a multitude of sorrows. "You can be alone in a lot of different ways," remarks one of the play's quartet of sisters, and Morning's at Seven knows them all.
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"Pssst! If you’re looking for a top-drawer, first-rate cast of Broadway and off-Broadway vets in a five-alarm revival, have I got a show for you! It’s Paul Osborn’s 1939 classic, Morning’s at Seven."
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"Such moments, big and small but mainly small, are beautifully realized in the staging by Dan Wackerman which never pushes too hard for either laughs or pathos but succeeds in producing both. The estimable ensemble works together like a well-oiled machine, with nary a weak link."
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Director Dan Wackerman’s fine revival of Paul Osborn’s now classic Morning’s At Seven is quite satisfying as a production where all of the elements come together, as well as giving us a story with a deservedly happy ending.
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"Under the confident direction of Dan Wackerman, a veteran cast of nine keeps the play humming and ensures the likability of each of its characters."
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One of the pleasures in this latest revival of “Morning’s At Seven,” a quietly funny and surprisingly astute evergreen comedy about four aging sisters…who live cheek by jowl but don’t always see eye to eye, Is how many of the nine cast members could fit one of those “where are they now” features… [the characters they portray] begin to see each other, and themselves, in a new light.
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