Can a play provocatively titled Prince Faggot actually be a philosophical meditation of queer identity? In this case, yes.
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"Beginning in pain and provocation, it finds its way to splendor."
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"Greenspan nearly runs away with a play thatβs strangely not weird enough by imbuing the show with a deliciously contradictory archness and sincerity"
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"Stewartβs speech provides 'Prince Faggot' with a rousing conclusion."
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"Itβs like The Crown, but with slightly more BDSM."
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"You may wonder if Tannahill is any less exploitative than Lachlan Murdoch and his tabloid cohort; at times, the line between Prince F. and a Daily Mail exposΓ© seems perilously thin."
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" 'Prince F*ggot' might have toned down the more repellent aspects of George's personality to make him easier to root for, and may be overplaying its hand in making Dev right about virtually everything."
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"a dramaturgical leap into the speculative that remains grounded in emotional precision"
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