Get alerts about your favorite artists and theater companies
“It is difficult to imagine a piece of theater more perfectly suited to our jittery, antagonistic American moment than ‘Quietly,’ Owen McCafferty’s rage-filled, wounded, mournful play about terrorism, civil war and the damage that remains after the hatred cools. Directed by Jimmy Fay, this delicately acted production arrives on the stage like Dickens’s ghost of Jacob Marley, dragging the chains of sins committed long ago.” Full Review
“McCafferty unpacks their story in that most Irish of fashions: extended monologues recounting painful memories. Luckily, the three actors in this cast are particularly good at painting vivid pictures with their tongues...Director Jimmy Fay endows this production with plenty of deafening silences as the three men stare up at the TV screen. The air is charged with electricity...Maintaining a vague air of menace and intrigue, ‘Quietly’ never allows us to settle into a false sense of security.” Full Review
“The play unfolds in real time with the tension and urgency of Greek tragedy...O’Kane is harrowingly good, a bullet-headed knot of anger and bilious rue. Conlon’s stoical Ian is more contained, until he’s provoked past the paralysis of his guilt. And Zawadzki maintains a fine balance between the two, a gently comical observer, the bemused outsider. Jimmy Fay’s direction is rock solid and the terse, lean play grabs you by the throat and doesn’t let go.” Full Review
“Feels deliberately slow moving, the latter half consumed with what are essentially monologues that in the wrong hands could come off as stagey...But, under director Jimmy Fay, the actors make it credible – O’Kane, as ferocious, lean and scarred as a boxer; Conlan, defensive, in denial, and scarred; Zawadzki like a stand-in for the world, observing it all indifferently. The performances, and the specificity of the two men’s lives, help drive home the many lessons of violence.” Full Review
"A taut, intensely focused piece…Under Jimmy Fay's tense, highly observant direction, Conlon and O'Kane offer stunning performances...'Quietly' is only too relevant in this summer of terror; all the more valuable, then, is its eloquent argument that violence solves nothing, instead causing lasting harm to everyone whom it touches. At the performance I attended, it was received with the kind of rapt silence that occurs only when an audience is truly listening, hanging on every word." Full Review
"This is a story of great magnitude…The text of this story, however, does not measure up to the task. The dialogue between these two men lacks credulity. Two enemies don’t pour out their hearts within 15 minutes of meeting. Plain and simple. This is a tale that begs for twists and switchback turns…As a play, it lacked the passion of the reality on which it focused. The direction and performances did little to raise the bar. Still, it got me thinking." Full Review
“‘Quietly’ is emotionally rich and beautifully acted, with thick Irish brogues, under Fay’s carefully orchestrated direction, but, even at little more than an hour in length, its drama and surprises begin to dissipate. The concept is stimulating but in practice is hard to sustain. Still, one wonders, what would a play be like about a present-day terrorist seeking reconciliation with a victim 35 years from now? If they keep killing themselves, though, there’s no way we’ll ever know.” Full Review
“This is a bracing gut-punch of an evening that hits all the buttons you need but never quite goes where you expect it to...Fay's direction highlights this in its subdued tension, which is always roiling away just beneath the surface. O'Kane and Conlon make superb foils for each other...O'Kane is violently energetic, Conlon looks burned out from the eyes downward, and it's impossible to say who is scarier...'Quietly' rings out loud and clear.” Full Review
"'Quietly' is worth seeing—it absolutely is...The suspense and appeal lie in the adversaries’ give-and-take as they attempt to come to terms with their shared goal…Riveting as 'Quietly' is—the title appropriately indicates the tenor of the protagonists’ quarrel—it’s more like an appetizer than an entree. In the old days, it would have served as a strong curtain-raiser for the main event. Consequently, as they’re exiting, audiences may feel they’re hungry for more." Full Review
“Both Conlon and O’Kane tapped into the emotional core to pull out raw and gritty performances...But when it came to Robert Zawadzki, he was relegated to being a prop...If you can get past the slug-like pacing and are intrigued by how history informs the future, ‘Quietly’ is for you. It’s a well thought out production but for those who like action, you will be bored...But you have to respect the production because it knows what it is.” Full Review
"McCafferty skillfully gives his characters a treasure trove of figurative language and compelling imagery...O’Kane and Conlon deliver coercive performances...They build their characters with as much depth as they can and do that with honesty. One wishes the playwright had found a way to give his characters even more depth and roundness...Fay’s direction leaves more space between words than necessary...The importance of 'Quietly' is it in its relevance to the current socio-political climate." Full Review
"Both of the lead characters have such striking similarities that at times they come across as mouthpieces academically articulating 'The Troubles'...The production has accomplished actors in it that elevate the script...Fay has staged this small-scale work that’s essentially a series of interactive monologues with technical flair...'Quietly' is a theater piece that’s well rendered but is characterized by being overly schematic and doesn’t quite soar to the profound heights it aspires to." Full Review
"McCafferty’s slight play addresses the ease with which disaffected youth is enlisted in terrorist organizations. And one of that commitment’s personal tolls. Tension is ably sustained between explosive outbursts, but Ian’s lack of communication leaves us with only one side of the story. Acting is solid with caveats. I found gestures like Conlon’s holding his elbow with his hand at his chin less than believable as wary agitation and O’Kane’s yelling somewhat one-note." Full Review
"By the end of this drama, emotions will have exploded against a backstory of Irish history, deftly revealed under the intense direction by Jimmy Fay…The skill of the writing, the acting and the directing combine to mesmerize the audience...By the end, one is ready to applaud what has emerged as a riveting theater experience and food for thought about past events that may remind one of unrelated happenings going on now elsewhere in the world." Full Review
"The actors' accents are so authentic that it took a good 20 minutes for my ears to adjust...Each word said really matters because playwright McCafferty is probing the lingering damage that such conflicts inflict on all sides. Jimmy and Ian are given equal time to expose their wounds and, under Jimmy Fay's taut direction, the actors playing them are terrific...But there's such a static quality to the back and forth in 'Quietly' that I couldn't help wishing that it had made a little more noise." Full Review
"Declan Conlon brings those ancient hatreds to chilling life...The perpetually seething O’Kane doesn’t convey the same psychological complexity but is nonetheless convincing as a man whose life has been ruined by violence...They offer a thoughtful portrayal of the bloody ghosts that still haunt Belfast...But, under Jimmy Fay’s direction, 'Quietly' too often consists of Ian and Jimmy hurling over-scripted speeches at each other...The overall effect is unbalanced and stagy." Full Review
"You could hear the proverbial pin drop in the hushed silence of the theater, as the two men spoke their truths, sometimes quietly, other times harshly and, hard to believe, eventually in a somewhat reconciliatory manner so that a level of understanding could be reached. McCafferty’s writing precisely controls the pace and emotional bits and pieces of the grief that each has lived with all these years...The threesome is brilliant as directed by Jimmy Fay." Full Review
"'Quietly,' Owen McCafferty’s profound and understated work directed by Jimmy Fay, is about reconciliation and redemption...In this haunting play, McCafferty distills today’s themes that appear ever present and global about hatred, ongoing revenge, and youthful violence…The production’s theatrical elements (staging, lighting, sound, costume design, etc.), adhere beautifully. The talented director and cast create a provocative, thought-provoking show." Full Review
“Director Jimmy Fay complements the intense slow-burning dramatics with unhurried skill. But he also doesn't soft pedal one character's stunning bursts of brutal physicality...At its best, ‘Quietly’ is an impassioned play filled with gritty unpretentious dialogue. And the three terrific actors are splendidly recreating the vivid characters...It is a chilling reminder of how the climate of racism and intolerance and the threat of a terrorist attack has not significantly changed over the years.” Full Review
"McCafferty’s writing is completely natural, but even with a brief 75-minute running time, it takes a while to pick up steam...'Quietly' takes us to a place where every politician needs to go. McCafferty’s piece is not about proving who is wrong or right. It is entirely about understanding and forgiveness...Offering a testament to the power of grace, 'Quietly' is the type of theater that will stick with you long after the curtain falls." Full Review
"The performances are excellent. O’Kane shows inner rage that inexorably links him to the bombing that’s still fresh in his mind...Conlon, meanwhile, perfectly embodies a man both terminally tired and guarded...Both intriguing and involving, 'Quietly' shows both how people can change over the course of time and how, yet, in some ways they don’t really change at all." Full Review
"A powerful drama that extends beyond Protestants and Catholics and into questions of how violence and hate can wound and scar people...McCafferty offers no easy answers or moralizing. His characters are complex and imperfect...I saw this production three years ago and even knowing the story I found myself still in awe of the craftsmanship of the play and the intensity of the performances. Sadly, the message about the violent damage we do to each other remains just as timely." Full Review
"Irish Rep is doing a service by introducing the playwright, even if the work at hand has its drawbacks. The acting isn’t one of them...Fay punctuates the dialogue with long, awkward silences that thicken the atmosphere with tension. Still, it’s hard not to feel that the story may carry more weight for McCafferty and an Irish audience…There’s a whiff of unearned optimism in the ability of these men to abandon revenge in lieu of understanding." Full Review
"What follows, anger and poignancy, acrimony and assent, exists equally in electrified silences and fraught discourse...Under Jimmy Fay’s assertive direction, it is the silences that offer a wider gap for us to step into, observe and absorb. 'Quietly' is a thrilling, moving and prompt reminder of the consequences of conflict on ordinary citizens from the ground up; highly recommended." Full Review
"Pllaywright Owen McCafferty has burrowed into the throbbing bog of living with Belfast’s religious torn past...The cast is practically perfection. Patrick O’Kane as Jimmy deserves all the accolades he’s garnered...I have never seen him better. Declan Conlon’s genuineness is the rock all three actors build on. Without his honesty there’s only chaos…Director Jimmy Fay has handled his company so expertly it’s as if it all had to happen before us the way it does, a superb job." Full Review
See it if you enjoy theater that is challenging, thought-provoking and engaging. Irish rep has moved home and it is one of the best off Broadway venue
Don't see it if you want light, funny, easy entertainment.
See it if Like riveting acting and have always been fascinated by conflict in Ireland and the themes of reconciliation vs. revenge.
Don't see it if You have trouble with accents or like to sit in the front row- too close to some violence.
See it if 'small' plays that pack a powerful punch. liked it even more after I left the theatre and pondered it.
Don't see it if like plays that have a big dramatic climax and doesn't wrap things up neatly
See it if You hate violence and want a more nuanced exploration of how it comes about and its aftermath.
Don't see it if You prefer fun entertainment and have problems understanding thick accents.
See it if you understand irish brogue and if you like a good set. only for those reasons
Don't see it if you cannot understand irish brogue; very hard to hear and to understand language. story actually not that interesting. short. not worth i
See it if You enjoy great actors doing great work, in a very slow burn story.
Don't see it if You don't want to see just two guys talking in a bar. Plus a third character who doesn't do much. Not for everyone.
See it if You like plays about the troubles in No. Ireland told by two estranged men dueling it out with monologues about the dark past.
Don't see it if You want to spend 75 minutes that feels like 3 hours. You will not envy the bartender who has to actively listen rather than close his eyes
See it if you like plays that spark conversations. It's about what is and isn't forgivable, and how responsible are we for our actions as teenagers.
Don't see it if you have trouble with Irish accents. I am sure I missed some of the excellent dialogue because of that.
See it if you like serious, challenging plays about social and political issues that confront us by examining them in the context of individual lives.
Don't see it if you don't like dealing with traumatic experiences and anger.
See it if timely but depressingly familiar subject matter doesn't bother you; quality acting & writing still excites despite glum human outlook
Don't see it if have trouble accepting that human behavior remains sadly consistent despite best intentions; no good deed goes unstoned
See it if you are interested in contemporary Irish drama which reflects the troubled history of this country. Great acting. Great staging and design.
Don't see it if you are not interested in Irish drama. Also, if you do not like monologues, which keep popping up. This is intense theatre!
See it if love great acting ..are a concerned person.. and can try to understand the hate problems of the world. The play is 75 minutes (one act).
Don't see it if you want a song and dance show. Be prepared to solve the 12 minute language adjustment rule.
See it if you love Irish storytelling, where the plot unwinds slowly thru dialogue; a relevant play about the lingering effects of civil war & hatred
Don't see it if you want a fast-paced uplifting play; don't want a play where you have to pay careful attention to each line of carefully written dialogue
See it if you like Irish plays with Irish actors, nonviolent stories based on "the troubles," great acting and accents, gripping story & confrontation
Don't see it if you don't like stories about "the troubles," plots that roll out in stories told by the characters, plays set in bars
See it if You want some serious drama about a serious topic. You're willing to take a close look at violent acts and their aftermath.
Don't see it if You want a lighter experience.
See it if See it for a portrayal of the effects of civil unrest, hate and bigotry on people's lives; you like intimate theater in an intimate setting.
Don't see it if you are looking for an entertaining, uplifting evening; you shy away from emotional topics.
See it if You love plays in which characters openly discuss social issues and ideas - like a social forum in a theatrical setting.
Don't see it if You want an action/character driven experience in which the ideas behind the play aren't overtly stated; you struggle with thick accents
See it if you enjoy "quietly" learning about political conflict and its human toll. Q illuminates No. Ireland's past and brings the story up to date.
Don't see it if you need action; this displays the Irish gift of the gab. Exposition gets tedious; accents are heavy. Strong acting helps. Don't go thirsty.
See it if you enjoy anything Irish. This is a bittersweet story about what might have been for one character and how two lives were changed by one act
Don't see it if I can't think of a reason not to see it.