Closed 2h 0m
Ring Twice for Miranda
Midtown W
60

Ring Twice for Miranda NYC Reviews and Tickets

60%
(185 Reviews)
Positive
37%
Mixed
35%
Negative
28%
Members say
Confusing, Slow, Disappointing, Thought-provoking, Quirky

About the Show

Red Horse Productions presents a dark comedy set in a dystopian society where only the clever survive.

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Member Reviews (185)

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52
Disappointing, Slow, Great staging, Confusing, Goes nowhere

See it if You want to be confused by an aimless piece that I'm guessing is supposed to be clever because rather than an arc it goes in a circle. Blah!

Don't see it if You have anything else worth doing. The set is interesting. They made pretty good use of the space.

4
Confusing, Disappointing

See it if If you like to see a show where the characters are uninteresting, the storyline is confusing, boring and stupid.

Don't see it if You like a show that has an interesting plot, characters that have decent dialogue and you actually want to stay awake.

Critic Reviews (17)

February 13th, 2017

"This awkwardly plotted 'tragicomedy,' with its sketchy humor and one-dimensional characters, feels like a missed opportunity to deliver some timely satire regarding greed and privilege in the halls of power...The performances here are energetic...Hruska's contrived plot and choppy dialogue, however, make it difficult for the actors to create characters worth caring about. Director Rick Lombardo doesn't help in this regard, preferring instead to wow the audience with special effects."
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February 13th, 2017

"This one is likely to go down as one of the season's real head-scratchers...It doesn't help that the characters behave and speak like no human beings ever seen...Rick Lombardo's production is certainly polished and his cast is remarkably committed, when they aren't mugging shamelessly...'Ring Twice for Miranda' is fantasy suffering from a case of insufficient imagination. It never establishes a coherent world and the characters' motivations are often left bewilderingly unclear."
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February 12th, 2017

"An almost unbearable two-hour evening...Hruska defuses any potential insight with his quick dips into apocalyptic absurdism, ostensibly in imitation of (or paying homage to) Samuel Beckett...This isn't regimented or coherent enough to be satire. If it's intended as serious drama, its frequent comedy is at odds with rather than in tune with the underlying distress. And if laughs are the goal, their dark shadows are forever fighting them for focus rather than enhancing their necessity."
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February 19th, 2017

"Hruska dabbles in existential world-weariness, classism, apocalyptic darkness, the Holocaust, spinning it skillfully, if pretentiously, into a surreal entertainment that induces much head-scratching but is not without its literate pleasures, not to mention fine acting and surprisingly intriguing production values."
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February 18th, 2017

"The actors fit into this nihilistic dystopian scenario well but it is like watching a straight jacket being slowly strapped up. The plot is too slight to justify the length of the play…The playwright Alan Hruska has strong feelings about his subject, but the play doesn’t provide characters deep enough to communicate his message, witty though they may be. However, the director Rick Lombardo has given the actors a good realistic base that serves to give grounding to the darkly absurd situation."
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February 16th, 2017

"I can think of several reasons why Mr. Hruska would take a stab at this idea...What I do not understand is why or how this script was chosen for a full production. It lacks substance, and the story line has no pulse. In addition, what were the director Mr. Lombardo’s thoughts as he assembled the many pieces of this narrative? His direction–literally, as in what direction was he going–was never clarified. More’s the pity, because everyone involved in a production works hard."
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February 12th, 2017

"All that work from the main players in the power struggle, Elliot and Miranda trying to hold onto their humanity, keeping the tension in a place of mystery and realism, starts to fall away as secrets and dynamics are revealed. The reactions of others are generally believable but the one big reveal doesn’t make as much sense at it should to really power home the conclusion...The second half fails to shed light on the dynamic. It disappoints, leaving us as lost as those two servants."
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T
February 12th, 2017

"Rick Lombardo directs with a charming gracefulness...'Ring Twice for Miranda's' chilling dystopian themes and its delusional narcissistic Sir become even more relevant in the current political climate in America. The play raises important and enduring questions but does not have the dramatic strength to carry the weight of these rich questions...That said, Mr. Hruska’s new play explores the dimensions of tyranny and the loss of personal freedom in a convincing way."
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February 14th, 2017

"Alan Hruska's labored, dystopian 'tragicomedy'...has the musty air of one of those European, allegorical, politically tinged, absurdist satires of the 1950s and 1960s-think Ionesco, Sartre, Dürrenmatt, Arrabal, or Frisch-but without their wit, cogency, depth, or flair...Apart from scattered moments, there's precious little to keep you invested for nearly two hours."
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February 12th, 2017

"The show takes on how half of America feels right now in this political climate and should resonate, but there are many problems with this production. First: Pearce, Connell and Thiesfield all seem in a different play. I blame part of this on the director Rick Lombardo. It’s almost as if this play does not know what it wants to be. Is this a farce bordering on theatre of the absurd and deep like Ionesco, or complex and layered like Sartre? Right now it lives between those two worlds."
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February 13th, 2017

"The attempt is more interesting than the result, as the play lacks the tightness and synchronized drive needed to rise above good intentions...Despite the colorful performances, the work lacks the sophistication to make us either care about the characters or their plight. It all seems like an exercise in existentialism without the sufficient wit and know-how to succeed on the level needed to fulfill the play’s commendable ambition."
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March 11th, 2017

“Director Rick Lombardo adeptly ratchets up the tension as the scenes progress...Hruska’s dialogue bears a striking resemblance to Beckett…Hruska is a skillful plotter…Still, the dystopian setting is beginning to feel stale, and if Hruska is making an important philosophical point, it isn’t as clear as those of his European models. The actors are all very good, and there are dramatic pleasures in ‘Ring Twice for Miranda,’ but they don’t amount to more than a thoroughly capable sci-fi yarn.”
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Z
February 17th, 2017

"Described as a 'tragicomedy,' there’s too little of both tragedy and comedy to make it succeed. Both the characters and the jokes are thin, especially the poorly-acted Miranda (Katie Kleiger), a maid in the home of the wealthy Sir...The acting is both over-the-top and all over the place...It’s like they all wandered in from different plays and decided to just hang out for a while...A labored and false story that is nearly as much of a wasteland as the world it inhabits."
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T
April 1st, 2017

"The plot feels awkward and contrived, yet retains an element of intrigue especially regarding what exactly Miranda does for Sir. Lombardo’s direction is serviceable considering the plot contrivances and the underdeveloped characters. The acting unfortunately is stylishly uneven...I think 'Miranda' wants to be an amusing commentary on our current state of political affairs, especially with regard to greed and privilege, but the hastily cobbled together satire fails to fully satisfy that goal."
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February 12th, 2017

"Playwright Alan Hruska's script has a Pinteresque quality, with dialogue that is sometimes cryptic, offbeat characters with uncertain motives, and an overarching aura of menace. How you feel about the play may depend on how much you like that kind of writing...The way that 'Miranda' plays with mood is one of its best assets...Unfortunately, the play itself isn't as compelling as these production elements. It does have its moments...But it's not quite worth the wait to get there."
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February 20th, 2017

“If good intentions were reason enough to skew a review to the positive, ‘Ring Twice for Miranda’ would merit a rave. With one line toward the end, playwright Alan Hruska makes his intention clear, affording a retroactive degree of admiration for the somewhat muddled content that had preceded it…Directed as an exercise in existentialism, the acting is pretty much surface all ‘round, a choice dictated by the characters’ unnatural behavior rather than by acting-class lessons.”
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C
February 14th, 2017

"'Ring Twice for Miranda' is not particularly well written. It seems like the director Rick Lombardo did the best he could do with material of intermittent quality. Even so, the play kept my attention, and there were merits in it beyond its problems...The setup is intriguing...All of the acting was top-notch...'Ring Twice for Miranda' is a very handsome production both visually and sonically...I found 'Ring Twice for Miranda' had enough going for it to warrant recommending it."
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