“The spirit on stage, where Chika Shimizu’s geometrically spare set incorporates palace and chicken coop with a feel for pop-art imperium, is farcical and more than a little absurdist. Especially with that opening dance routine...The play, perhaps, invites immediate analogy to whatever conditions it is produced under...English translation by Nellhaus, which can feel a bit talky rather than succinct at times, making some actors spit out lines too quickly for good diction.” Full Review
See it if you like Monte Python genre political satire and understand parallel to current political events, English spoken rapidly, and Roman history.
Don't see it if you cannot sit for 2 hrs. with 1 interval, do not understand English spoken rapidly or political satire, or prefer musicals to comedy/drama.
See it if you relish intelligent tragicomedies inspired by historical events that, under cover of satire, transmit a profound message.
Don't see it if if plays that straddle the satirical and philosophical realms by using characters from Roman antiquity would not appeal to you.
See it if you have an interest in Theater of the Absurd, Brecht’s descendants, philosophical theater, parables of power or the postwar European psyche
Don't see it if you have no taste for theater that is not a naturalistic story.
See it if you are interested in Roman history that is heightened, exaggerated and presented as farce. Broadway quality set and design.
Don't see it if you have no interest in history or works by the great Swiss author, Friedrich Dürrenmatt and if you don't want to laugh at the absurdity.
See it if You want to see talented actors in beautiful costumes on a gorgeous set playing with a “historical” dramedy.
Don't see it if You don’t like classical text or having to think too much to keep up with the plot.
See it if You enjoy the drawn out lead up to a punchline and an intense enndig.
Don't see it if You are not ready to sit through the slower first act and to enjoy the build up to the 'punchline'.
See it if Large cast in wonderful costumes romps through the late Roman Empire. Adaptation of a German play that reads like a Shaw history play.
Don't see it if over-acting bothers you, but it's part of the satire. Some of the script is repetitive. The Emperor's fondness for chickens is priceless.
See it if It's funny at times. I mean if you're interested in the time. But you don't really have to even like the time to see this.
Don't see it if Well it's kind of long and if you really hate this time
See it if You want a non-historical, satire of old politics that's relevant to new politics. You want to see a rarely-seen classical play.
Don't see it if You prefer contemporary political satire. You want a revised classical play. You want an equally trained classical cast-some good, some not.
See it if you want to take the opportunity to see a performance of one of Durrenmatt's most famous plays.
Don't see it if you can't put up with actors who rush through their lines, failing to enunciate clearly; don't like "camped up" versions of classics.
See it if you want to see a rarely produced (with good reason) faux-Roman history featuring emperor who is quite willing to let the realm fall apart
Don't see it if you can't indulge amateurish performances alongside more polished ones; can't overlook muddled directorial approach to tone & content
See it if you're interested in historical shows treated in a farcical manner. This show admittedly plays fast & loose with the truth.
Don't see it if you have little patience with amateurish attempts at humor.
See it if like wonderful sets, good staging, shallow Chinese style comic opera like performance, and slap stick
Don't see it if enjoy good comedy drawn on historic events, good engaging stylized comedy performances.
See it if you're scouting for set designers. Chika Shimizu's savvy single set is playful, inventive, handsome, and economical.
Don't see it if this will be the first play you ever see of Friedrich Durrenmatt. This is not the playwright's strongest work.
See it if You have a very high tolerance for ham acting, ludicrous costumes, awkward staging, and endless boring dialogue.
Don't see it if You were hoping to see a clever and witty updating of a classic old play. You will be disappointed.
See it if you want to see how a great satire can fall apart in the wrong hands. The director and cast do not understand this art form.
Don't see it if you expecting to see one of Durrenmatt's great plays well done.
See it if you enjoy theatre that speaks to our current political climate, terrific performances, above average production values.
Don't see it if you are easily aggravated by an inconsistent tone or occasionally weak acting/directing choices.
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