Rothschild & Sons
Closed 1h 50m
Rothschild & Sons
54

Rothschild & Sons NYC Reviews and Tickets

54%
(8 Reviews)
Positive
25%
Mixed
38%
Negative
37%
Members say
Disappointing, Dated, Slow, Ambitious, Entertaining

About the Show

A one-act, intimate re-imagining of the musical 'The Rothschilds' that focuses on the relationships between the patriarch of the family, Mayer Rothschild, his wife Gutele, and their five sons.

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Member Reviews (8)

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179 Reviews | 26 Followers
80
Entertaining, Original, Riveting

See it if Wonderful story and muaic

Don't see it if The above

105 Reviews | 11 Followers
70
Absorbing, Entertaining, Refreshing, Epic, Original

See it if you'd like to learn more about Jewish history beyond WWII and Fiddler on the Roof.

Don't see it if you only like sexy shows.

Critic Reviews (24)

The New York Times
October 22nd, 2015

"You cannot fault the York Theater Company’s rich new production, a one-act reimagining that looks absolutely royal in the intimate Theater at St. Peter’s: Splendid 18th-century men’s costumes, low-key yet opulent scenic design, assertively nuanced lighting...Jeffrey B. Moss’s direction does find the humor wherever it lurks...Most of the songs are only pretty. Maybe it’s too much to expect another 'Sunrise, Sunset' or 'If I Were a Rich Man,' but what’s a musical for?"
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Theatermania
October 18th, 2015

"With a restructured book, several previously unheard Bock and Harnick trunk songs, and only 11 cast members, this almost-new musical is a puzzlement to say the least...Mayer's journey is a moving one, and in Cuccioli's expert hands, it's laden with real emotion. His performance is one of the few highlights of this otherwise misguided production, with a staging that baffles at every turn."
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BroadwayWorld
October 25th, 2015

"Once the complications of the plot take over there's little room left for family emotions. Crampton is an accomplished singer/actor whose role becomes regulated to reminding the men to appreciate modest achievements and while there is genuine excitement when Mayer and his boys roar with gusto as they sing of their ambition and confidence, 'Rothschild & Sons' is that rare Bock and Harnick musical that never seems to find its heart."
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Lighting & Sound America
October 19th, 2015

"I can understand how Harnick and Yellen (Bock is no longer with us) would want to find a viable version of 'The Rothschilds' for future productions. But I would respectfully submit that, if, after seven years, this is the result, then it may be time to move on. The best way of enjoying this material still involves listening to the original cast album, where the score's many beauties are presented in all their glory."
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TheaterScene.net
October 31st, 2015

"The show is a powerful study of anti-Semitism in Europe at the end of the 18th century and the beginning of the 19th century and the desire of the Rothschild family to break down both the walls of poverty and those of prejudice. While the new adaptation performed in one act is both engrossing and admirable, it may not be the definitive final version as it is devoid of humor, a necessary ingredient to make a musical popular."
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Theater Pizzazz
October 19th, 2015

"Jeffrey B. Moss guides the production trying to infuse as much life as he can....The production is filled with historical value, pathos, heart and some new musical numbers. However, it’s still an old tale that has lost its power and feels worn-out."
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CurtainUp
October 15th, 2015

"'Rothschild & Sons' does indeed offer a refreshing new look at this show's best features: its many sparkling period flavored songs with their narrative pushing lyrics, and the smart compression of that narrative…The shift in emphasis as well as the scaled-down staging work well with a tightly focused intermissionless format….Robert Cuccioli brings his operatic voice and plenty of emotional heat to the role of the pater familias."
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Broadway Blog
October 19th, 2015

"Even a smoothly professional production can’t hide the doldrums that eventually set in with a disappointingly bland score that reveals little of the emotional or humorous impact of 'Fiddler,' and whose sole familiar number, the power ballad 'In My Own Lifetime,' needs new batteries. With a script that eliminates romance and, except in bits and drabs, comedy, this is a show that even Mayer Rothschild might have considered flat, stale, and, worst of all, unprofitable."
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