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"Paley helms a zippy and efficient production in the first half that becomes increasingly plodding as the actors claw and mug for every last laugh. Contemporary references (like Caitlyn Jenner) have been added to the script in an almost perfunctory manner. Ninety minutes is long enough for this fun diversion that doesn't quite rise to the level of a gut-busting so-bad-it's-good classic, try though it might." Full Review
"The preternaturally self-assured Tori Murray plays this Shirley Temple of doom in the show’s current revival, and the joke still kills. Not everything else about Joel Paley and Marvin Laird’s musical holds up quite so well, but it's an enjoyable slice of cyanide birthday cake. The show-tuneful score is lively and the main cast is strong…Rotten as the state of Tina Denmark may be, we can’t resist watching." Full Review
"10-year-old Tori Murray plays the psycho third-grader with panache: She can sing, and she’s funnier than most of the adults in the cast. Too bad the production, itself, isn’t as assured...A couple of other actors border on the amateurish — frustrating when they waste songs that, in the right hands, could stop a show." Full Review
"The style of the show is so high camp there ought to be a sleepaway version. The actors give the material their big-voiced, big-haired all, but the antics often feel forced rather than delirious...As a kind of Theater of the Ridiculous, it isn’t ridiculous enough. In a decade dominated by reality TV, this satire loses fizz." Full Review
"Everything we see after Tina 'pays' for what she's done strains visibly, and shows that excess, too, can be taken to excess. Except during the truly crazy final few minutes, the plot gets away from Paley and fails to capitalize on the endlessly inventive energy that fuels the show so capably early on...This production may lack all the guts it ought to have, but Tori Murray possesses them in spades." Full Review
"Paley has staged everything to within an inch of its life, with musical underscoring helping accent each move and piece of business. The acting, as in similarly camp-oriented farcical exercises, is decidedly overdone, but tactfully enough to keep it within bounds; you'll roar at some gags and gag at others." Full Review
"This amusing theatrical parody of the cutthroat road to fame and stardom is talent filled…The adorable ten-year-old Murray is so reminiscent of a singing and dancing Patty McCormack. Her comic timing is killer… The original creator Joel Paley, directs this like a B-movie that is making fun at itself and for ninety minutes, we laugh at cheesy jokes, thrill at the campiness of it all, follow the plot line and the tuneful score. Ed Wood would have loved this show!" Full Review
"It’s a show that certainly provides laughter by the second, but also reveals a darkness you only begin to perceive hours after you’ve left the show. Are talented people worth more than the untalented? Is talent something that’s nurtured and developed, or something you’re simply born with? With outstanding performances and direction by Joel Paley 'Ruthless!' is a decadent night at the theatre complete with brilliant comedic performances and catchy tunes." Full Review
"The plot is predictable, but that is all part of the fun...This self-proclaimed 'Stage Mother of All Musicals' is wickedly hysterical, lighthearted summer fare that anyone into camp and parodies of old Hollywood will not want to miss." Full Review
"Tiny Tina Denmark is anything but sweet. And this makes the revival of 'Ruthless!' an ideal treat for those who enjoy the camp humor of female-driven cult classics like 'Mommie Dearest'...While Paley’s book is perhaps the strongest element, Laird’s music is also a delight...While 'Ruthless!' is certainly campy summer fun, there’s also a deeper message, if you feel like digging a bit. Talent can be a curse, a virus even, passed down from one generation to the next." Full Review
"'Ruthless!' offers few laughs, little suspense and no surprises...Mr. Paley is exaggerating the already exaggerated elements of musical farce to make fun of musical farce, and of musical theater in general. He’s trying to be corny on purpose. But his attempt at being corny is itself corny. He’s endeavoring to make fun of bad musicals with a musical that is worse than a lot of the ones he’s trying to make fun of." Full Review
"This chintzy production suffers a tendency to have actors rush their lines and, at press time, still felt a bit under-rehearsed, which is a shame because there’s great stuff in this vaudevillian-inspired script. But over time, the proper balance might fall into place. To borrow a lyric from its title track, 'Ruthless!' stops just short of toothless." Full Review
"The cast is absolutely superb from start to finish...You will marvel at the genius firmly planted in Marvin Laird’s memorable musical score, and the riotously funny book and lyrics by Joel Paley could very well leave you with a belly ache from laughing so hard...This show will no doubt ignite a renewed appreciation for over the top, camp/horror musicals! I say bravo to that, original works with razor sharp teeth are exactly what Broadway needs." Full Review
"To say that I loved the musical 'Ruthless' is a gross understatement. More accurately put, I loved, loved, loved 'Ruthless'...While much of the action is predictable, if not inevitable–that’s what spoofs are all about–the story of 'Ruthless' is like a favorite aunt who you know everything that she is going to say and do, but still you never tire at watching her do and say it...I am happy to announce that the musical was even better the second time around." Full Review
"Don't be alarmed if this vicious musical with its vivaciously venomous score catapults you out of the theater on a high and keep you smiling even if it's into a sweltering summer night. Fear not that this deliriously campy show is only for the initiated or the intrepid...the story of how sweet little tap-happy Tina ruthlessly makes it to the top is one you may not want to miss, even if you relished it before...It still sings, snaps, and snarls all at the same time." Full Review
"This takes toddlers in tiaras to a whole new level, and it all combines into a hilarious musical comedy that you won’t want to miss...This is a devilishly delightful show, from the fun costumes to the playful and comedic score, and super talented cast. It’s hard to believe Tori Murray can store such a set of lungs in her tiny frame, and Maresca was so impressive holding the longest most perfect note I have ever heard on or off Broadway." Full Review
"Masterful and high-energy performances were offered by all...If you want to catch a creepy-funny, tongue-in-cheek musical this summer, head to St. Luke’s in midtown for 'Ruthless.' There’s no intermission, so be sure to use the bathroom beforehand, and if you have any delicate sensibilities, leave them at the door." Full Review
for a previous production "In a remarkable Off-Broadway debut, Kim Maresca simply stuns as Tina’s mother...Paley’s mostly assured direction occasionally leads his actors to making bigger-than-necessary gestures, perhaps to compensate for the simple set and the ultra-minimal orchestra. But there’s no need for me to be ruthless in my criticism of 'Ruthless!' I haven’t smiled so much or laughed that hard since 'Something Rotten.'" Full Review
for a previous production "Good parodies of show business are rare, but one cannot find a better one than the 1992 Off Broadway cult classic 'Ruthless! The Musical,' now enjoying a brief cabaret-style revival. Book and lyric writer Joel Paley jabs the satirical needle into every show-biz reference imaginable, making 'Ruthless! The Musical' a must-see." Full Review
for a previous production "If you're looking for a mentally challenging evening of theatre then this isn't it. 'Ruthless! The Musical' is not meant to make you think very deeply. It's meant to free your mind for an exhilarating experience where you can leave your problems at the door and settle in for some laughs." Full Review
See it if You want something light & fun that you won't think about after you leave the theater (I saw this after Paris attacks & it was good escape).
Don't see it if You don't want to see men in drag. You are looking to see a thriller.
See it if I had seen part of it in Bryant Park and wanted to see the whole show. It was hysterical. I loved that we were offered a glass of
Don't see it if champaigne before the show. Don't see it if you don't like drag.
See it if You like witty satiric comedy, fun songs with excellent singers, and being part of a small intimate audience who appreciates the same.
Don't see it if You're not into that warped sense of humor.
See it if You love classics like Gypsy, the bad seed and All about Eve and so many more. This up close venue is perfect for the show.
Don't see it if You can't do 90 minutes without intermission. The show feels a little long by the end.
See it if You are in the mood for a campy spoof with a talented cast who can really belt out those tunes.
Don't see it if You don't enjoy dark humor, especially involving kids, or over the top fun.
See it if You like high camp and lots of singing. This is an updated version of the classic movie "The Bad Seed" on steroids. Its funny but gets old
Don't see it if You don't like something that is like a campy Carol Burnett show with greatly exaggerated facial expressions. Gets tiring after awhile.
See it if you watch a musical for the plot over the music, you understand camp and over-the-top-dramatic-acting
Don't see it if you hate campy musical theatre, you want something with cohesive substance (like a serious play)
See it if I LOVED this - what a hoot! Campy, over-the-top & totally entertaining. Vocal talent was amazing; cast was having a great time & it shows.
Don't see it if You don't like high camp, satire, cross dressing or a silly plot. But that's what makes it so much fun; audience was howling with laughter.
See it if you want to see a truly funny show about getting ahead in show business. The cast is having a great time and pulls the audience in.
Don't see it if you don't like slapstick comedy.
See it if You like over the top stories brilliantly acted and sung by truly talented actors obviously having a lot of fun being melodramatic and silly
Don't see it if You need all your songs to be good,it was a mixed bag. NOT suitable for children under 13. Adult language and adult themes abound.