Sense of an Ending
Closed 1h 30m
Sense of an Ending
90

Sense of an Ending NYC Reviews and Tickets

90%
(1 Rating)
Positive
100%
Mixed
0%
Negative
0%
Members say
Relevant, Moving, Great acting, Intelligent, Great staging

About the Show

59 E 59 presents a political thriller about a New York Times journalist and his exclusive interview with two Hutu nuns charged with homicide during the Rwandan genocide.

Read more Show less

Show-Score Member Reviews (1)

Sort by:
  • Default
  • Standing in our community
  • Highest first
  • Lowest first
  • Newest first
  • Oldest first
  • Only positive
  • Only negative
  • Only mixed
178 Reviews | 281 Followers
90
Great acting, Great staging, Intelligent, Relevant, Moving

See it if You enjoy shows depicting serious contemporary topics with crisp plotting and superb acting

Don't see it if You dislike stories "inspired by true events" or are sensitive to hearing about real life atrocities

Critic Reviews (11)

The New York Times
August 26th, 2015

"There’s a lot to admire in Mr. Urban’s script...It is fast-paced, fluid and taut. But as directed by Adam Fitzgerald, it is also slick (sometimes it seems more like a teleplay) ...By the play’s conclusion, Mr. Urban has offered seemingly factual accounts from all the characters and a confident understanding of the massacre. This is satisfying, of course, but it also undercuts much of what has come before. The drama ultimately explains away its powerful ambiguities. Where’s the sense in that?"
Read more

New York Post
August 26th, 2015

"Who’s lying, who did what to whom, what are the characters’ agendas? Urban keeps us guessing. But the writing is repetitive and heavy-handed, and it’s hard to care for the characters. The overall effect should be one of suspense, but it feels more as if the show is running in circles."
Read more

Theatermania
August 26th, 2015

"A thoughtful meditation on guilt that is frustratingly sabotaged by an unnecessary B-plot...Director Adam Fitzgerald manages to pull these round performances out of a text that all too often falls flat...So much of it feels false and forcibly glued together. There's an incredible story lurking in the background, but you have to cut through a whole lot of fat in order to find it."
Read more

Lighting & Sound America
August 26th, 2015

"A kind of moral detective drama that manages to be simultaneously gripping and ultimately unsatisfying...The title notwithstanding, a powerful, satisfying ending is exactly what 'Sense of an Ending' is missing. Definitive answers may not be possible when dealing with an atrocity such as this, but Urban's script needs to delve more deeply into the question of what turns seemingly civilized people into savages."
Read more

Talkin' Broadway
August 26th, 2015

"This is a play that presses us to think hard about issues of ingrained bigotry, the perceived powerlessness of bystanders, and obedience to orders as an explanation/excuse for collusion. The format of the play, made up of brief conversations and interviews, does not allow us to get to know any of the characters well, but the actors, under Adam Fitzgerald’s taut direction, do an excellent job of conveying this sad tale."
Read more

TheaterScene.net
August 27th, 2015

"Mr. Urban does an excellent job of dramatizing and explaining a complex historical situation in this fictional treatment of a real case...Authoritatively directed by Adam Fitzgerald with bold flourishes and great attention to the performances, this production is taut and richly theatrical...'Sense of an Ending' is a noble and highly realized theatrical docudrama that keenly brings attention to a modern tragedy."
Read more

Theater Pizzazz
August 27th, 2015

"Reenactment of the terror and killings are remarkably achieved with Travis McHale’s vibrant lighting effects. The audience is left with the knowledge of the continuing horrors that plague our planet as people fight brother against brother. There is no sense of an ending. The play is deftly directed by Adam Fitzgerald."
Read more

Stage Buddy
September 1st, 2015

"It’s understandable that writer Urban would use an American to help audiences enter the complicated Rwandan maelstrom, but this also proves to be a disservice to the play...As the story progresses, overemphasis on elements of American Charles’s backstory detracts from our comprehension of the magnitude of the Rwandan front story."
Read more