Shows For Days NYC Reviews and Tickets

"Something went awry in this particular journey from truth to fiction, as if the play had become stuck in midmetamorphosis, like some mutant fairy-tale character frozen in an incomplete spell. 'Shows for Days' wants to be both harshly realistic and charmingly sentimental. And these disparate sides never entirely connect."
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"Few playwrights hone quips as sharply as Beane does, and LuPone is frequently hilarious. Thanks to them, 'Shows for Days' goes by speedily—sometimes too speedily. The uneven cast of six often seems to be rushing; important plot beats are blurry and confusing...Diverting and touching as it often is, there’s not much meat in this pottage."
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"In 'Shows for Days,' he’s written not merely a vehicle for Patti LuPone but a glossy,curve-hugging Ferrari of a comedy...So yes, a star vehicle. But whether it can be steered is a different matter; neither Beane, nor the director, nor anyone else seems to have found a way to keep it from veering all over the place."
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"'Shows for Days' is another prickly valentine to the theater, in a semi-fictionalized recollection of the playwright's simultaneous discovery of his vocation and his sexuality. The personal investment is dulled by characters that too rarely escape stereotype, and by writing that's not short on humor, but sacrifices poignancy through lack of focus."
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"'Shows for Days' is the author Douglas Carter Beane’s muddled, tonally wonky ode to growing up during a Pennsylvania stage troupe’s salad days in the early ‘70s. This memory play aims to be Beane’s own 'Glass Menagerie' via Borscht Belt, but what results here attempts to rise but does not shine."
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"Bor-ring. Douglas Carter Beane tries to minimize the ho-hum factor by setting this play in a 1970s community theater troupe ruled by a diva played by Patti LuPone. Shrewd move, but the scribe neglects to fortify his spirited star and the boychick apprentice with a lucid plot, a coherent structure or even believable supporting roles."
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"While 'Shows for Days' is no masterpiece, it’s unfailingly funny and disarmingly sweet, and if you’ve ever had anything to do with amateur theater, it will fill you with memories of the way you were once upon a time...'Shows for Days' has a loosely knit, Kleenex-thin plot that makes an unconvincing swerve into melodrama after intermission. But the six actors, Ms. LuPone above all, squeeze every drop of comic juice from their campy zingers,"
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"Delicious and toothsome as each of these characters is, 'Shows For Days' comes with an outer costume more like the hard armor of situation comedy. The wise-crackling zingers prevail, and our own laughter, some forced, some guilty, prevents us from getting inside the Prometheus players in any meaningful way. And so 'Shows For Days' dissolves in the ether before we’ve even left the theater."
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"'Shows for Days' is exactly what you’d expect from a combo of coming-of-age story and love letter to the theater. But while it’s light on surprises, this production, expertly directed by Jerry Zaks, is a well-crafted hoot...Happily, Beane goes easy on the sentimentality that’s hampered some of his work, and the emotion is earned."
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"Broad-as-a-barn performances are par for the course in this funny — but faulty — comic valentine...As stage reflections go, it’s pretty standard. Characters are paint-by-numbers kooky. Beane is a proven king of the zing. And director Zaks knows his way around fast-paced comedy. But even the gags lose power when a story collapses into implausibility...Fortunately, the cast of pros compensate."
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"Virtually every theater fan or professional has a personal story about when he or she first fell in love with the art form. Douglas Carter Beane's new comedic drama 'Shows for Days' is loosely based on his own coming-of-age tale about how he was introduced to the theater. Not surprisingly, it's unoriginal and self-indulgent...The play is a rambling, undeveloped, sentimental mess."
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"What seems to be intended as a semi-autobiographical memory play about his earliest days in the theatre turns out to be an expertly performed laugh riot. Nothing wrong with that except the jokes have hijacked the story...Veteran director Jerry Zaks aces the comedic scenes but is less successful with the dramatic elements. Still, it is all worth it for LuPone alone - zinging one-liners effortlessly the way the rest of us breathe. In the play...Too reliant on humor at the expense of real emotion."
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"'Shows for Days' tugs at the theater-lover's heartstrings as the playwright indulges in his own adolescent nostalgia...And yet, the sentiment leaves us cold, as the candle playwright Beane clearly holds for these figures in his own mind fails to make it to the stage."
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"Affection and even — gasp — sentimentality muddy the waters so much that comedy, to say nothing of insight, is of at best secondary consideration. And though it may still have its moments, 'Shows for Days' does suffer somewhat as a result...'Shows for Days' is likable enough a depiction of this world, and what it means to approach it from both the inside and out, and those who have worked at the lower levels of theatre will probably find some of it too familiar for comfort. But his past deployment of hilarity has let Beane cut deeper and say more than he is able to do here."
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"'Shows for Days' is both a love letter to and a satire of amateur dramatics...Most of these characters are stereotypes. Though there are fine actors inhabiting them, Zaks’s amped-up style overwhelms much in the way of nuance or personality. The result is strangely insular and ultimately inconsequential –a story about community theater that doesn’t create a sense of community."
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"Backstage theater-memory plays tend to have an inbuilt charm. And so it is with 'Shows for Days,' Douglas Carter Beane's sweet mess of a good-natured comedy...Director Zaks can't quite herd the playwright's conflicting intentions into a single coherent voice...Despite that, and a title I can't decipher, his affectionate production is a lark."
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"Often the play shifts back and forth between its two subjects, losing momentum as we wonder whom the evening is really about. There's a mild plot, which director Jerry Zaks, known for his aggressive approach to comedy, sometimes over-stages. He takes a fast, noisy, physical approach that can overwhelm the text."
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"Beane’s plot is missing a necessary coherence, though there are some funny jokes and monologues that certainly make 'Shows for Days' a worthwhile undertaking. 'Shows for Days' introduces itself by showing how Car [the playwright stand-in] met a passel of theater eccentrics and ends with his adult self rhapsodizing nostalgically over their real-life counterparts' role in making him the pro he is today. Ultimately, it doesn't do enough in between to help us understand how he got from there to here."
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"Community theater gets a lot of knocks for being amateurish, but Douglas Carter Beane may have elevated it to sympathetic comedic heights with 'Shows For Days.' The quirky coming-of-age comedy is a fondly autobiographical look at Beane's induction to life in the theater...Director Zaks keeps the whirlwind production running smoothly."
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"Director Jerry Zaks makes sure Patti Lupone is front and center when she is onstage. He gives her oversized personality room to scheme, sweet-talk and meddle. Zak successfully maneuvers Michael Urie’s narrator as the unifying force of the play. He skillfully and proficiently shepherds the actors around the small performance space."
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