The Burial at Thebes
Closed 1h 30m
The Burial at Thebes
71

The Burial at Thebes NYC Reviews and Tickets

71%
(12 Reviews)
Positive
59%
Mixed
33%
Negative
8%
Members say
Absorbing, Ambitious, Thought-provoking, Relevant, Disappointing

About the Show

The Irish Repertory Theatre presents Irish Nobel laureate Seamus Heaney’s adaptation of 'Antigone,' written as a response to the invasion of Iraq in 2003.

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Member Reviews (12)

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963 Reviews | 338 Followers
35
Ambitious, Disappointing, Intense, Epic, Spotty acting

See it if you love classic Greek plays, and are intrigued by hearing Heaney's version (although I found it lacking in poetry).

Don't see it if you want consistent strong acting. There were lots of acting styles (formal and informal) and different accents here. A jarring uneveness.

677 Reviews | 150 Followers
88
Absorbing, Ambitious, Great acting, Intelligent, Riveting

See it if you'd like to see an Irish poet's take on Antigone, stirring Greek drama with excellent cast and Irish accent, good sense of Greek stageing

Don't see it if you don't like Greek drama or are tired of Antigone, don't like a lot of declaration rather than direct action,

275 Reviews | 62 Followers
68
Ambitious, Disappointing, Great writing, Dated

See it if You want to hear Seamus Heaney's take on Antigone. The script was the best part of the show.

Don't see it if You care about set design. (Probably the worst set I've ever seen.)

133 Reviews | 35 Followers
79
Absorbing, Intelligent, Original, Relevant, Resonant

See it if An excellent translation of Sophocles, well acted, simple but satisfactory set, and well directed. Irish rep delivers again!

Don't see it if You don't savor ancient plays no matter ' how relevant they still are.

75 Reviews | 13 Followers
80
Great acting, Great writing, Masterful, Riveting, Absorbing

See it if You enjoy the story of Antigone.

Don't see it if You don't like Greek tragedies.

72 Reviews | 17 Followers
58
Ambitious, Overrated

See it if you love Seamus Heaney's poetry for that, moderately, is the only saving grace of this. The set and costumes are cheap, the cast is off.

Don't see it if you are true to the original play or want to see vernacular poetic adaptations with more verve.

18 Reviews | 25 Followers
60
Disappointing, Thought-provoking

See it if a decent staging of a classic, although the translation didn't quite do it for me. Solid acting, but the story dragged after a while.

Don't see it if Well, it's a Greek tragedy. It's not uplifting. Not a splashy production, given the slow-moving, thought-provoking text.

10 Reviews | 4 Followers
100
Absorbing, Epic, Great acting, Relevant

See it if You are a fan of greek theatre, Seamus Heaney, poetry & power-conflicts

Don't see it if You prefer 4th wall realism living room dramas

Critic Reviews (12)

The New York Times
January 25th, 2016

"A few things feel off in 'The Burial at Thebes.' But one big thing — the script — is on, and that saves this version of 'Antigone' from failure...The production occasionally works against the script. The set and the costumes look woefully cheap and distracting...No overriding guidance seems to steer the actors, who work in disparate and wavering accents that, taken together, prove irksome."
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Time Out New York
January 29th, 2016

"The characters seem either ill-assured or locked into generic choices; Tony Walton's set design is the wrong size; and stage pictures too often involve a group standing in a half circle while someone else declaims. The Irish Rep's temporary relocation to the postage stamp–sized DR2 may explain some of the production's awkwardness...Twice, though, the show grabs Heaney's text by the throat."
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Theatermania
January 25th, 2016

"In lieu of offering a deeper understanding, Heaney has taken Sophocles' drama and saps it of all nuance...Charlotte Moore directs the piece with a startling lethargy. Her blocking on the cozy DR2 stage suggests claustrophobia...Haemon casually moseys onstage, looking nothing like a man whose fiancée is about to die of forced starvation. Other characters stand to the side and stare out at the audience, like lesser runway models making way for Naomi Campbell."
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Lighting & Sound America
January 25th, 2016

"If only the director had found actors capable of delivering the verse! Instead, she has assembled a company that is in over its collective head...'The Burial at Thebes' demands a set of skills that is entirely absent here."
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Talkin' Broadway
January 24th, 2016

"Seamus Heaney delivered a dead-eyed spin on 'Antigone' that stripped away the drama inherent in Sophocles's tale…Now, by way of a threadbare mounting and casting that, in all but one case, is insulated from any hope of electricity, director Charlotte Moore has ensured that now that poetry doesn't land, either. What remains is a colossal conundrum, an evening that runs only 65 minutes but nonetheless feels painfully overlong and underseasoned."
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TheaterScene.net
February 1st, 2016

"Robert Langdon Lloyd’s eloquent performance as the blind prophet Tiresias energizes what had been a stilted presentation...The cast doesn’t fully cohere as an ensemble…Though patchy, this production of 'The Burial at Thebes' in 75 minutes fitfully succeeds at depicting this classic tale with some very compelling sequences."
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Theater Pizzazz
January 24th, 2016

"As unostentatiously staged by Charlotte Moore with a solid company, the play reminds us why we keep returning to the Greek well for critical contemplations of universal issues. When New York digs itself out of its own current burial, theatergoers will find that visiting this modern version of an ancient text will be worth the effort. It stirs up many thoughts, not least of which are those regarding the unsettling rhetoric about leadership being mouthed during this year’s presidential campaign."
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CurtainUp
January 26th, 2016

"I wish that in the process he, and the Irish Repertory Theatre, brought more to the table than just a well-rendered translation...Some of the elemental power of raw emotion remains, and of course Heaney was a superb poet...But we are simply politely intrigued, and I view that as a missed opportunity for both a play and production which could, and should, have gone for more."
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