The Fourth Messenger (NYMF) NYC Reviews and Tickets
About the Show
Part of the New York Musical Festival: This new show wonder, what if the Buddha were a woman living in our times? Featuring Nancy Anderson.
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See it if You want to support a new musical theater voice that's pretty well developed and a storyline that has surprising resonance.
Don't see it if New age and/or Buddhism turn you off. Read more
See it if you like complex depictions of family and spirituality. There are some outstanding musical numbers and truly emotional scenes.
Don't see it if you prefer a tight narrative with a well-balanced story arc. The second act was much better than the first.
See it if you want to see a contemporary take on an ancient legend. The story is interesting fo follow. Strong female lead singer.
Don't see it if you are not interested in somewhat cheesy "follow your calling no matter what" stories. Otherwise solid music and singing.
See it if You enjoy seeing plays about strong woman and great singing
Don't see it if If you don't want to see plays regarding woman's issues.
See it if You enjoy musicals with new-age themes. Great cast, band, music.
Don't see it if storyline changed from debunking a new age guru to finding a family member. Didn't find the family search as interesting.
See it if You are a fan of Vienna Teng music, like random plot twists
Don't see it if You don't mind plots not making sense Read more
See it if you like Vienna Teng's music and want strong and memorable music!
Don't see it if you are easily confused. Read more
See it if You can enjoy watching a show with great potential that isn't quite there yet
Don't see it if You want polish and perfection or hate belting
Critic Reviews (6)
"Anderson’s performance is the highlight...Unfortunately, Matt August’s staging and Ms. Shaffer’s book and lyrics are less evocative and less witty than they need to be—Ms. Shaffer flirts with satire in some of the retreat scenes, only to hastily pull back. Ms. Teng, a singer-songwriter of standing who also contributed lyrics, fares better with the music, even if Sid gets all the best songs."
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"A work of wit, grace, and yes, enlightenment...Telling this story requires worldliness as well as soulfulness; miraculously, the cast, crew, and creators of 'The Fourth Messenger' pull it off. Teng's harmonious music balances her and Shaffer's punchy lyrics...Nancy Anderson shines as a figure at once enlightened and flawed...While 'The Fourth Messenger' isn't perfect, it is human, and that's good enough."
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"There’s a lot to love here–which makes it almost more frustrating. Because with a tweak or two, 'The Fourth Messenger' could be outstanding...The weakness of the plot and character development right at the outset had me fighting what I was watching instead of accepting it. Which was actually a shame because I loved the music and lyrics...And I was extremely impressed with the performances by Nancy Anderson as Mama Sid and Samia Mounts as Raina."
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"The unfolding of the relationship is engaging and quite interesting and Anderson and Mounts scrape away at each other’s layers of deception and denial with consummate skill and unencumbered grace...Shaffer's book and lyrics and Teng’s music offer a compelling story of 'redemption and release'...Under August’s skillful direction, the members of the cast deliver compelling performances. Malotke’s choreography is serviceable...Worth the visit."
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"Intriguing and well-produced...The big revelation definitely took me by surprise, but doesn’t pass the plausibility test. If the twist makes the plot less sturdy than its themes, the musical is very nearly redeemed by its numbers. Director August and choreographer Malotke put the show’s talented cast to good use, and musical director Lozano makes the most of Teng’s music...There is enough beauty here that my hope is ‘The Fourth Messenger’ lives on past the NYMF–after extensive rewrites."
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"I absolutely loved 'The Fourth Messenger' despite its flaws, which is that we know the ending from the very beginning...The music of Vienna Teng’s Broadway, eclectic, jazz, folk-rock mantra-infused score is simplistic and driving all in the same breath. Tanya Shaffer’s rewriting of the Buddha story is inspired and accessible. Her lyrics speak to the mysteries of the heart...This show has a polished clean look that is well thought out...This show focuses on two stellar performances."
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