"The dialogue is rich in fine emotional nuance, and the direction, by Davis McCallum, is unfussy and focused...All the relationships in the play are drawn with care...Mr. Hunter, admirably, does not condescend to his characters for their faith...But there remains that problem of Mr. Hunter’s unwillingness to specify—or his characters’ cluelessness about—just whom they will be trying to convert...The primary plot strand ...didn’t exactly have me gnawing my fingernails in suspense." Full Review
"Like much of Hunter's work, 'The Harvest' takes place in a jammed intersection of religion, family, sexuality and poverty, which the playwright maps out in evocative detail...Masterfully directed by Davis McCallum, the excellent cast—which includes Scott Jaeck and a wittily smarmy Zoë Winters—helps get us inside the complex worlds of these characters’ devotions, as they grasp in the fearful dark for revelation." Full Review
"The play is slow-going and lugubrious, lacking sufficient dramatic tension to fully command attention. When the speaking in tongues is more compelling than the dialogue, it's a problem...Director Davis McCallum's muted, hyper-realistic production never fully comes to life. It's tedious for long stretches, and although several of the performances are outstanding, much of the dialogue is inaudible...'The Harvest' doesn't bear much dramatic fruit." Full Review
"With astutely unifying direction from McCallum, Hunter and the performers do an uncommonly good job of fleshing out all of the supporting roles...But the play really belongs to Kendall, a young actor of astonishing intensity and truthfulness...While a very late-in-the-game twist doesn't necessarily suit the piece as a whole, it is grounded enough in the uncommon reality that Hunter and McCallum create that it is easily forgivable." Full Review
"In 'The Harvest' Hunter has engaged, through this love, his anger, to thrillingly contrapuntal effect...There is a bit of awkwardly integrated exposition here and there, and the ending, though very powerful, requires perhaps too many turns of the screw for its own good. But it is passionate and funny and daring and, under Davis McCallum’s perfectly judged direction, marvelously theatrical in a way that most serious plays about faith are not." Full Review
"The playwright doesn’t just lay it all out for us, though. He metes out tantalizing, impressionistic bits, leaving it to us to put the separate strands together. It turns out to be quite compelling. Davis McCallum—who has directed the New York productions of Hunter’s four main plays—clearly has a feel for the playwright’s work. His entire cast gives strong performances, with four of them compulsively watchable." Full Review
"Hunter’s command of his style seems slightly less complete than in other plays – the focus is broader, the tone more varying, which are not at all bad things, though sometimes there’s a tendency to cap a scene too neatly in an effort to move on to the next strand of plot. But he offers rich and varied roles for his actors...This evangelizing drama may not end well for its characters (Hunter’s plays rarely do), but it is good news for its audience." Full Review
"McCallum's direction is emotionally sincere, and his staging the most that could be expected...There are some compelling performances, too...The prevailing problem with 'The Harvest,' though, is the same as with so much of Hunter's work...He falls back on the lazy shorthand of demonizing one side to make his points with a minimum of opposition...All it does is reduce a potentially worthwhile exploration of a key experience, or a critique of its efficacy, to mere babble." Full Review
"Although scenes tend to feel drawn out and a bit unfocused, the play, directed by Davis McCallum, is compelling and engaging for the most part...We can guess that the inspirational stories we hear are not so straightforward...So what is Hunter trying to tell us? I’ll let you decide, but I can’t say that I left the theatre content or hopeful. More like a bit sick to my stomach. But I’m guessing that is the desired effect Hunter is going for. Full Review
"It’s a fascinating peek at an unfamiliar worldview. However, the play loses vitality along the way and, for me at least, shed more heat than light. The five talented actors who play the missionaries give it their all...Davis McCallum’s direction once again demonstrates a sympathy for Hunter’s sensibility...Hunter has empathy for his characters and does especially well with ensembles. I don’t think this is his best work, but it is still worthwhile." Full Review
"I can’t recall a recent theater experience where I felt so invested in the fate of the lead character, yearning for him to make a specific choice up to the final moments. I hope this taut, deeply felt drama has a long life in regional and college theaters." Full Review
See it if You want to see truly great theater. Easily one of the best plays I've ever seen. It should be on Broadway.
Don't see it if You don't want to feel intense emotions while watching it.
See it if You enjoy a slice of life look at religion and life through the eyes of believers and questioners. Phenomenal acting, staging, and emotion
Don't see it if Intimate conversations about faith, god, love, and life, aren't your cup of tea. While there are funny moments, it isn't a funny show.
See it if Sensitive, specific and compelling portrayal of young, religious characters. Great performances that evoke empathy and heartfelt humor.
Don't see it if Too much exposition towards the end that may need editing or clarifications.
See it if You enjoy pieces of theatre that leave you questioning religion, God, and humanity.
Don't see it if You like you're plays simple; an easy to follow plot that leaves you entertained, maybe moved.
See it if You want to see a show that deals with religion and the role it plays in people's lives
Don't see it if You have negative experiences with religion or if you don't like shows that deal with stressful decisions
See it if You enjoy complex dramas,in depth character development. Standout performance by actor playing Josh. Many layers to this story. Don'tmiss it
Don't see it if You don't want an intense day at the theater, a story W/multiple themes including religion, sexuality, self identity, & some ambiguity
See it if you want to relate to the characters on the stage. You so much care about these characters and want to help them through life.
Don't see it if you are tired of seeing plays about characters that are struggling with life.
See it if you want to learn about Evangelical groups. Now I understand their voting choices a bit better. Scene changes were very good.
Don't see it if can't sit through 1.75 hours of pregnant pauses that could have been reduced to 1.25 hours.
See it if You enjoy shows based solely on religion and religious activity. You enjoy themes about millennials trying to find themselves.
Don't see it if A one theme show is not something that interests you. The problems and passions of Evangelicals aren't of much interest to you.
See it if u appreciate a well written play, an excellent production in a gem of a small theater. Samuel D. Hunter is the admirable author. It's just
Don't see it if I didn't care for the brainwashed, holy-roller (evangelical) characters or the somewhat predictable situation. (Does he stay or does he go?)
See it if Hunter's humanistic writing still excites; exceptional characterizations of Idaho youth searching for identity through misssionary work
Don't see it if Numerous plot lines hamper sympathetic feel for faith based youth; excellent acting & top-notch direction save Hunter's schematic plotting
See it if you want to see the latest work from one of our very best young playwrights. He explores issues of faith and doubt.
Don't see it if you become easily depressed and upset at seeing choices young people made. Also, if you don't want to see religion explored on stage.
See it if you enjoy great acted, intelligent, thought provoking looks at topical issues. Religion is a sort of umbrella topic here but it's MUCH more!
Don't see it if you're looking for fluff. This ain't it. It's a great piece of work that I'm going to be thinking about for a long long time!
See it if background of how some people from Idaho spread their religion near and far, and how many young become converts.
Don't see it if going to the middle east (country not specified) with a sales pitch of your religion!
See it if you grew up in a religious family & can relate to how young people use religion in the search for themselves. And if you like intimate drama
Don't see it if if you haven't liked many past LCT3 shows. This, like many there, skews young, but is thoughtful and emotion-driven for all theatregoers.
See it if a play about people lost at the end of their rope fighting blindly for salvation- a salvation most liberal audiences disagree with
Don't see it if you cannot separate your own image of what a happy ending looks like from how it would look for people belonging to the religious-right.
See it if you're a Sam Hunter fan & like his probing looks at quirky, interesting characters stuck in Idaho acted by some fine young actors
Don't see it if you don't like stories involving Christian evangelization, characters mixed up about their feelings & fears, coming of age tales
See it if you like intense theater, explores people who are attracted to becoming missionaries. Long without intermission but absorbing throughout
Don't see it if you don't like religious themes, can't sit for almost 2 hours without an intermission
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