The Other Mozart NYC Reviews and Tickets

82%

(34 Reviews)

Positive

94%

Mixed

Negative

Members say

Clever, Great acting, Absorbing, Original, Entertaining

About the Show

Little Matchstick Factory presents a solo show detailing the true story of Nannerl Mozart, the sister of Amadeus: a prodigy, keyboard virtuoso, and composer in her own right.

This one-woman show is based on facts, stories, and lines pulled directly from the Mozart family's letters. The production includes music composed by Amadeus Mozart and Marianna Martines (a female composer who inspired Nannerl), as well as original compositions for clavichords, music boxes, bells, teacups, fans, and other ordinary objects. The performance creates a multi-sensory experience and transports the audience into a world of beauty—but also of overwhelming restrictions and prejudice. This is where the other Mozart at last tells her story.

Member Reviews (34)

Passionate, Heartbreaking, Delightful, Sad, Thought-provoking

See it if Colorful, lively solo performance that paints a glorious, then shackled, then mature, portrait of Maria Mozart. By the end, I was in tears.

Don't see it if You are not interested in a 19th century solo biography with a feminist perspective. You don't enjoy classical music.

Absorbing, Clever, Great acting, Sad, Entertaining

See it if like to know that Amadeus had a talent sister Nannerl Mozart a prodigy too.

Don't see it if One woman show. Chair are not comfortable. Read more

Absorbing, Great staging, Great acting, Intense, Does a lot with a little

See it if You are interested in Mozart or overlooked, talented women in history.

Don't see it if Uncomfortable theater seats and temperatures will ruin your experience. Read more

Absorbing, Clever, Intelligent, Thought-provoking

See it if you are interested in little-known historical figures.

Don't see it if you prefer shows with large budgets. Read more

Absorbing, Ambitious, Entertaining, Great acting, Masterful

See it if You want to see an interesting story played to perfection. The performance is worth the time invested.

Don't see it if You don't like one-people shows. You don't like to watch a single performer play multiple roles. Read more

Not closed, Clever, Enchanting, Relevant

See it if To explore society's confinement of women, For "her"story of the period, For interesting & simple staging & compelling performance

Don't see it if You dislike one person plays or you would be too uncomfortable in a space where you can hear street noises and sounds from adjoining venues.

Biographical play about mozart's sister, Beautiful costuming, Masterful use of props, Entertaining, Delightful

See it if you enjoy solo shows that spotlight 1 of history's lost women; you like solo shows scored by period music that transport you to another era

Don't see it if you don't like Mozart's music; you prefer modern times; you need a big production to keep your interest Read more

Gaspy, One-note, Creative score, Original

See it if you like one-woman shows about history. It's heavy on plot. Attempts at creating different characters failed. It's a good story.

Don't see it if you don't like hot theaters. you want something with more than one dimension. you want something with lots of action, it's slow at times.

Critic Reviews (17)

"Christopherson is by turns commanding, charming, and childlike in the role...Milo’s thoughtful script empathizes as much with the Mozart family as with Nannerl herself...Powerful and evocative in any context, this revival could not come at a more fitting time. As women’s voices simultaneously gain prominence and face threat in our society, it becomes all the more crucial to consider which version of history we receive, and pay attention to perspectives once diminished or marginalized."
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"'The Other Mozart' is astounding from start to finish, with one actor, one set and a trove of history and humor...Sylvia Milo's creation and writing, coupled with Isaac Byrnes' direction, is transcendental. Visually stunning and utterly captivating, Jody Christopherson delivers a winning performance as Nannerl...The musical score, composed by Nathan Davis and Phyllis Chen, adds the perfect touch to this multi-sensory performance."
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"Jody Christopherson beautifully and poignantly engages the audience with this haunting story of Nannerl’s life...Under the flawless direction of Isaac Byrne, the music created by Nathan Davis and Phyllis Chen supported the narrative laid out by Christopherson...And how apropos and timely this piece is in the climate we are enduring. A feminist manifesto of how it was for women and how fortunate we are today."
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For a previous production

"Ms. Milo has a balletic grace, and it’s easy to imagine her slender hands at the keys of a clavichord. But Nannerl’s uneventful life, unjust though it may have been, is a dramaturgical liability. The show becomes a sad what-if."
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For a previous production

"Writer Milo endows her subject with an irrepressible spirit that makes you root for her and hope for a better outcome. Director Isaac Byrne milks the suspense throughout, heightening it with an ever-present musical underscoring...At a brisk 75 minutes, 'The Other Mozart' is full of surprises all the way to the end."
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For a previous production

"Anyone with even a modest liking for the music of Wolfgang Amadeus Mozart will enjoy this sweet but thoughtful piece, and all but the most jaded musicologist will find it worth their while. Playwrights should see it too, as an example of how political and social points can be set into place clearly, lovingly, and without mallets."
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For a previous production

"This solo show is a revealing and thought-provoking story...The sounds and music are often in the background so as to not overcome the solo performer’s voice. Being a classical music lover and a Mozart fan, I would have loved to hear more music...This play is ultimately a sad and contemplative story about Maria Anna Mozart...Director Isaac Byrne presents a striking visual ending."
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For a previous production

"'The Other Mozart' is the most dynamic, theatrical, and moving one woman show I have ever seen. It's truly wonderful, and I cannot recommend it enough...If you love the art of the theatre, the history of music, the conflicts of gender roles, or the power of storytelling, you simply must see this production before it moves on."
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