The Portuguese Kid
Closed 1h 40m
The Portuguese Kid

The Portuguese Kid NYC Reviews and Tickets

(190 Ratings)
Members say
Funny, Entertaining, Great acting, Fluffy, Disappointing

About the Show

Manhattan Theatre Club presents this new feisty romantic comedy from Tony Award, Pulitzer Prize, and Oscar winner John Patrick Shanley ('Doubt'), starring Jason Alexander ('Seinfeld.')

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Show-Score Member Reviews (190)

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89 Reviews | 9 Followers
Clever, Funny, Hilarious

See it if You like to laugh.

Don't see it if You like to cry.

254 Reviews | 86 Followers
Strong bid from kid

See it if Fan of author or the leads. Alexander does his usual excellent work. Scott does a high energy jumping act, but is funny and beautiful.

Don't see it if You want a serious play. Reheated Shanley. If familiar with his work, seems like a cut and paste writing job. More about cast than script. Read more

70 Reviews | 14 Followers
Delightful, Entertaining, Funny, Great acting, Great writing

See it if You enjoy a good comedy story with great actors

Don't see it if You don't enjoy some silliness

83 Reviews | 57 Followers
Delightful, Entertaining, Funny, Great acting, Great staging

See it if you want to see something light-hearted and hilarious. Don't expect a serious, deep show. This is just a fun, funny show.

Don't see it if you want to see a serious, meaningful drama or don't want to laugh. Read more

183 Reviews | 17 Followers
Entertaining, Great acting, Hilarious, Great staging, Funny

See it if Having fun, relaxing, enjoy Jason Alexander (who is George for me), Amazing sets, terrific time!

Don't see it if Serious dark drama, do not like comedy, don't wish to be entertained or laugh!

87 Reviews | 20 Followers
Very entertaining, Great acting, Funny, Great staging, Riveting

See it if fully entertaining and riveting performance. Broadway quality exquisite presentation in more intimate setting. One of MTC best productions.

Don't see it if seeking scholarly thought-provoking drama. Don't appreciate untoward jabbing at Donald Trump.

266 Reviews | 27 Followers
Funny, Delightful, Quirky, Great staging

See it if You want to see Sherie Rene Scott and Mary Testa play off each other in many laugh out loud moments; you like fast moving comedies

Don't see it if You don't like sitcoms turned into full productions

435 Reviews | 60 Followers
Delightful, Funny, Refreshing, Dated

See it if You’re looking for an old fashioned comedy. It’s adorable. Great cast!

Don't see it if You only want serious drama.

Critic Reviews (38)

The New York Times
October 24th, 2017

“The jokes are ancient. I’m not sure you can credit as jokes the mechanical dings that the play spews every 15 seconds. They are, at best, the husks of jokes...Did I mention there’s a plot? Well there is, sort of, but it doesn’t make sense...A strong countervailing force might have encouraged Shanley to look beyond the sitcom laugh track...Certainly, a better director would have done more than let the play coast on the sorely tried inventiveness of its stars."
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Time Out New York
October 24th, 2017

“The script is literally written in comic sans...Shanley’s strained, hoary sex comedy...It’s like Bergman’s 'Smiles of a Summer Night,' if the smiles were forced wacky grins...Amid the stale trashiness are salvageable morsels: a few decent jokes in the first scene, a neat revolving set by Beatty, a choice performance by Testa...The play's ideas about passion and gender are shot through with retrograde banality...It’s 2017. Whom does a play like this think it's kidding?”
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New York Magazine / Vulture
October 24th, 2017

"Unconscionable...'The Portuguese Kid' has about as much objective as an episode of 'Keeping Up With the Kardashians' and an arc that’s equal parts lazy predictability and seriously unfunny topicality...Predictability, though, is comparatively low on the list of ‘The Portuguese Kid’s’ sins. Far more disturbing are the gender dynamics of Shanley’s play, and the self-congratulatory, deeply uncute ways in which the production dabbles in current politics."
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The Wall Street Journal
October 26th, 2017

"The funniest new comedy I’ve reviewed since…well, maybe ever...I don’t know when I last saw another stage comedy that was funny right from the top, or one whose last scene was so unmanipulatively touching. The entire cast is dead-solid perfect, and Mr. Shanley, one of the few playwrights of note who can be trusted to direct his own work, does so to ideal effect...To laugh this hard for that long is downright therapeutic."
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October 24th, 2017

“What can I say about a terrible play that made me laugh? That it’s a waste of talent and hardly worthy of Jason Alexander’s return to the stage?...That it deserves a pass because it’s by John Patrick Shanley?...Did I mention it made me laugh, and that I wouldn’t necessarily admit it except there were witnesses?...The MTC A-team has delivered a great-looking show...Don’t look for deep meaning below the surface. The play is piffle, but you will laugh in spite of yourself.”
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New York Daily News
October 24th, 2017

“A cartoonish and surprise-free rom-com...His new play drifts along, recycling themes and lines from his Oscar-winning script for 'Moonstruck,' without a destination or conclusion...In fairness, Shanley cooks up some zesty zingers, and the cast serves them nicely...But the plot plods...Under Shanley’s direction, the cast assumes a go-big-or-go-home style...The production is a looker...In life and on stage, style doesn’t trump substance.”
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October 24th, 2017

“A strong cast and some high-end design work but all of it is wasted on material that can’t begin to measure up to the playwright’s best work...Whatever you do, don’t think plot, of which there is none...The play is all talk, none of it amusing or interesting...The best Shanley can come up with is the occasional one-liner...Instead of adding some substance to the lightweight characters, all these references to the heroes and heroines of Greek myth only remind us of what we’re missing.”
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The Hollywood Reporter
October 24th, 2017

"An underdeveloped doodle that tosses around allusions to Greek mythology as weightlessly as it takes inorganic jabs at Trump, the play squanders the talents of a gifted cast...Under Shanley's pedestrian direction, the ensemble is required to labor so hard breathing life into the material that it could almost be classified as employee abuse...Shanley is too skilled a writer not to muster at least mild amusement, but the comedy mostly is an awkward collision of shrill and flat."
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