The Red Letter Plays: Fucking A NYC Reviews and Tickets
Show-Score Member Reviews (123)
See it if A dystopian world, almost a musical, well acted making salient points about society today appeals to you. Reminded me of Sweeney Todd
Don't see it if You aren't in for depressing, but funny theater.
See it if You like moving dramas with great acting about injustice, and women's role with have and have nots.
Don't see it if You don't want to be moved.
See it if you want to see an intelligent, thought-provoking, beautifully acted drama.
Don't see it if you don't like the work of Suzan-Lori Parks.
See it if your ready for a unique & intelligent update on the Scarlett Letter, including allusions to Brecht and Sweeney Todd. Superb cast and script!
Don't see it if the sight of blood is something that you can't deal with or are uncomfortable with the themes of abortion, rape and abuse of women's souls.
See it if f you want to see a different take on the Scarlet Letter and see great acting.
Don't see it if your not into small productions
See it if You like Brecht, Christine Lahti and dark tales well-told. The music and singing were well done and added to the show.
Don't see it if You prefer light entertainment. Read more
See it if You want to see a well-written, well-acted modern day riff on The Scarlet Letter.
Don't see it if You are looking for something light and fluffy. This is an intense show. Read more
See it if if you are in a mood for fantastic writing, exquisite staging and intense rhythm
Don't see it if You don't like strong women characters and want to see something light
Critic Reviews (30)
"A dark, didactic entertainment deliberately in the mode of Bertolt Brecht...This latest incarnation is light on its feet–quick, sharp and perfectly paradoxical. Barring a few clunking instances of cartoonish satire, Ms. Bonney’s production is as harrowing as it is witty...The cast brings humanizing shades of pain, greed and longing to symbolic figures, without ever tearing the play’s somber folk-tale fabric. And the songs strike a resonant balance between poetry and proclamation."
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"An expressionistic and politically charged exploration of class, family and violence, studded with jarring bursts of humor and song...Involved are bounty hunters, Hester’s prostitute BFF, a lovestruck butcher, an escaped convict and an invented language...That may sound like a lot—and it is. But although director Bonney struggles to establish a cohesive tone, 'Fucking A’s' alternations between pain and entertainment are never boring...The play leaves an indelible mark."
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"Bonney and her actors handle the blunt, clipped rhythms of the text with confidence...A fiery, raw-throated shout in the face of hypocrisy, privilege, and injustice...It reaches across genres and performance styles—musical, Jacobean revenge play, Brechtian epic theater—drawing on the gifts of a multitalented ensemble to touch something frighteningly prescient about a world twisted by inequity and disenfranchisement."
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"'A' never manages to transcend its derivative, ersatz feel. Instead the work comes across like the thesis playwriting project of a zealous grad student as it dutifully recycles theatrical tropes...While the play traffics in important, urgent themes, its affectations prove its undoing...The scripts’ gimmicks, however, are not an obstacle for the performers, who tear into their schematic roles with energy and conviction...Bonney infuses the proceedings with intense theatricality."
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"More than 150 years after Hawthorne wrote 'The Scarlet Letter: A Romance'—the same words, the same symbols, the same damning letter can still make women weep with shame and rage...Director Jo Bonney runs with the play’s sense of menace...It’s a savage world where only the strong survive. Christine Lahti’s fiercely drawn Hester is a survivor, but so consumed with equally balanced passions of love and hate you can’t tear your eyes away from her."
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"Packed with ominous tones, intense emotions, freewheeling theatricality, social criticism and an inevitable sense of tragedy...Bonney gives the production an electrifying edge, with the broad performances of the supporting players played against the protagonists’ grim circumstances...Each production is an outstanding staging of a bold, difficult and provocative work. When viewed together, 'The Red Letter Plays' proves to be one of the most interesting and rewarding theater events of the fall."
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“In director Jo Bonney's chilling Signature Theatre production, Parks’ sardonically abstract portrait of human cruelty may remind playgoers of another writer, Bertolt Brecht...Parks peppers the play with such quick musical moments. Unlike the melodic and lyrically complex interludes Brecht wrote with Kurt Weill in works such as 'The Threepenny Opera,' Parks' songs are more about being absurdist elevations of reality."
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"An act of theatrical ventriloquism, an approach that severely undermines its deadly serious subject matter...For some mysterious reason, Parks has allowed herself to be possessed by the spirit of Bertolt Brecht...Jo Bonney's direction has its effective moments...But 'F---ing A' is all over the place, its mordant points too often obscured by the playwright's try-anything approach. It's easy to imagine that this play will ultimately go down as a minor entry in Parks' catalogue of works."
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