See it if To take in a thoughtful, challenging, lively work written and performed by mentally disabled writer/actors who provoke and challenge.
Don't see it if You’re looking for traditional narrative. This is structured but experimental work that values ideas over plot. Read more
See it if Have interest in technology, neuro-diversity, disability, democracy, and an Australian acting troupe that also developed the piece.
Don't see it if Have a narrow sense of what performance can be.
"When Disability Isn’t a Special Need but a Special Skill: Two productions at the Under the Radar Festival ask if the theater is ready to embrace the artistry of autism and other once disqualifying conditions."
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"What’s Over the Top at the Under the Radar Festival?"
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"UNDER THE RADAR: 'FEOS' & 'THE SHADOW WHOSE PREY THE HUNTER BECOMES' at The Public Theater"
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5/5 Stars. "Under the Radar import from Australia is unexpectedly brilliant."
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"A series of conversations about the dialogue around political correctness…the cast, all disabled…each debate that description of themselves…The collectively built text speaks well to the uncertainties around ethics and language in our time."
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Score: 96%. "The Public Theater's always enlightening Under the Radar Series in its 16th year is now in full swing with 22 offerings and one of its most impressive is 'The Shadow Whose Prey the Hunter Becomes.'"
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"The long arty title and the vague, grand description are misleading. 'The Shadow etc.' has a straightforward subject and a clear point of view: 'We are a group of people with disabilities, fighting oppression and injustice,' says one of the four performers."
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