The Streets of New York NYC Reviews and Tickets
About the Show
Production Covid-19 Safety ProtocolsMember Reviews (65)
See it if Entertaining and enjoyable
Don't see it if could use some 20 min cut. Sometimes slow.
See it if You enjoy period musicals.
Don't see it if You aren't in the mood for a longer 2 act show.
See it if you enjoy melodrama when taken past stereotypes into hilarious extremes. Some very good performances.
Don't see it if the social philosophy of poverty is a dealbreaker in entertainment - lots of comments about the nature & purpose being "the poor".
See it if you like an old fashioned musical with great use of a small stage and a talented cast of characters. Story about ruthlessness relevant today
Don't see it if you like a sophisticated modern musical or big dance and musical numbers. Read more
See it if Funny at times with singing and some dancing. Story about rags to riches, riches to rags. This is over 2hours, but it didn't feel long.
Don't see it if Over two hours, if you dislike singing.
See it if you enjoy stories of old New York, campy musicals, or wish The Gilded Age were more fun.
Don't see it if you’re looking for a holiday show. This is marketed as such, but there’s barely anything holiday about it. Read more
See it if Moustache-twirling melodrama of evil banker and sweet victims set to new music played by lovely ensemble including a harp. An Irish Rep gem
Don't see it if Wonderfully old-fashioned and lengthy, which I love -- but be prepared. Nifty staging on a small space. Nostalgic and great entertainment.
See it if Light, twisty plot of the rich struggling in hard economic times. Best musical number's from rich, bratty characters. Lovely harp playing.
Don't see it if Hard to feel sad about rich people in harder times; confusing beginning; bigger plot holes; theater's too small for large cast. Read more
Critic Reviews (6)
"The Streets of New York’s opening number sets the wrong tone, and it takes a while for the show to properly settle its tongue into cheek. But it clicks in with “Oh How I Love Being Rich,” a spoiled-brat aria sung by Bloodgood’s daughter, Alida (the marvelous Amanda Jane Cooper), who is wickedly bent on marrying Mark. It’s mostly good, silly fun from then on, buoyed by a talented cast of 12—they're an entertaining lot—and a six-piece band that includes a harp; Linda Fisher’s splendid costumes and Hugh Landwehr’s witty set add to the charm."
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"The Streets of New York, a musical revival adapted from Dion Boucicault’s 1857 play The Poor of New York, is a festive production full of melodramatic storytelling and poppy tunes delivered with merriment by an unforgettable cast."
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Cue the Irish Rep and its remounting of artistic director Charlotte Moore's musical The Streets of New York, which the theatre first premiered twenty years ago in the aftermath of September 11. An affectionate adaptation of Dion Boucicault's 1857 melodrama The Poor of New York, it returns in the wake of a different tragedy--a global pandemic that has claimed nearly 800,000 American lives and more than five million human beings worldwide--sharing the same social conscience as the Dickens classic but also encouraging the audience to do something more fun and cathartic: hiss at the greedy old man. Perhaps it's the Christmas story we actually need this year.
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"It is a shout-out to the city of New York and its residents who occupy those spaces of poverty and greed. It is two hours of pure entertainment. It is resilience, human want and need, kindness, and caring, it is having so much fun, laughing, and tapping feet and hands to this wonderful WONDERFUL musical that you bounce out of the theater and down 22nd street smiling at all you meet. And it is what we cherish most, family and friends."
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"The songs are, in fact, the very best part of The Streets of New York...When's the last time you left a new musical humming the score? If you've seen The Streets of New York at the Irish Repertory Theatre, you're probably humming to beat the band--and praying for the original cast album to come out. Actually, one of these two critics isn't just humming the music to this Off-Broadway show, he's obsessed with it. He can't get it out of his head! No matter that many of these tunes are reminiscent of other, familiar musical theater songs; the point is that the melodies are catchy and the lyrics oftentimes lilt toward the lovely and careen toward the comic."
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"The script is suitably adorned with asides, irony, tongue-in-cheek satire and even pointed understatement. A simple line, "You will find her cheek paler than it used to be", is uproarious in its context, as are so many magical moments, including stylized chases and faints, a vivid tenement fire supported by musician Mark Hartman's adrenaline-charged arrangement (it would fit a silent movie climax sublimely), and a rousing upbeat finale. The artful welding of style and entertainment warrant many weeks, no, months of deserved bows for Ms. Moore and her tremendous troupe."
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