See it if Super intimate experience. It’s not just a play…it’s a performance that uses so many mediums to tell the story.
Don't see it if You are looking for a big flashy show with lots of cast members. Read more
See it if Experimental Black women energy ritual with a splash of Whitney Houston. Some singing and audience interaction.
Don't see it if No plot, no real format, moves onto different things. 1.5 hours; no intermission. Read more
See it if Into mesmerizing singing & audience participation. Ending gets better, when ppl are invited to form a circle to learn some harmony. 1.5 hrs.
Don't see it if No plot. 2 actresses doing imagined fragments of Whitney’s life & inner world, with 1 make musician. I don’t know the star’s life well, so.. Read more
See it if you are interested in non-traditional theatre, theatre that is intentionally trying to push boundaries, and theatre created by black women
Don't see it if you want something that feels like theatre, has a discernible message, or feels like it is more for the audience than the playwright
See it if You like spoken word feminist interpretation theater
Don't see it if You are expecting this to be a show about Whitney Houston or her music in the main
See it if You have very low expectations. This “ show “ doesn’t make much sense.
Don't see it if Expect a storyline or something close to it. You will leave totally confused. It feels like a work in progress.
See it if You just want to see some nice lighting. I would have given the show a 0 had it not been for that.
Don't see it if You are expecting a cohesive piece of theatre. This is a lecture, looped singing, scenes from a random play and kumbaya singing. Read more
“The show’s shuffle of forms...can feel like an especially soulful, high-concept record that’s more evocative than linear. But its piled-up ideas, many of them couched in esoteric language that’s not easy to parse in a 90-minute performance, ultimately don’t cohere into a moving or insightful whole.”
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“You’re not likely to find the clean edges of tried-and-true dramatic structure, but it is an admirable and rare example of theatrical theorizing set in motion.”
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“The initial information you need on ’The Whitney Album,’ Jillian Walker’s 90-minute presentation... is that it isn’t a play. By turns and sometimes simultaneously, it’s a ritual and/or a lecture...Walker closes her ritual-lecture wrapped in a cliché about people ultimately being important; but exclaiming it, she exudes such charm that only non-believers will resist. She’s a people person. ”
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