Toscana, or What I Remember
Closed 1h 20m
Toscana, or What I Remember
73

Toscana, or What I Remember NYC Reviews and Tickets

73%
(4 Reviews)
Positive
25%
Mixed
75%
Negative
0%
Members say
Ambitious, Slow, Confusing, Funny, Absorbing

About the Show

Teatro Italiano Network presents Marta Mondelli's new drama about two couples who meet in Italy and change each other's lives forever.

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Member Reviews (4)

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165 Reviews | 24 Followers
67
Funny, Disappointing, Fluffy

See it if You like a silly heroine who is a good actress as well as a competent playwright.

Don't see it if You don't like self-indulgent plays. Read more

146 Reviews | 18 Followers
66
Ambitious, Confusing, Slow

See it if you like small intimate studio-like setting.

Don't see it if you want a fast paced complex story.

58 Reviews | 8 Followers
60
Indulgent, Slow, Ambitious, Intelligent, Confusing

See it if you're interested in discovering new playwrights whose work is promising but needs work.

Don't see it if you're expecting a fully-finished piece of theater.

24 Reviews | 1 Follower
100
Riveting, Masterful, Great writing, Delightful, Absorbing

See it if Historically brilliant combination of musical genius, astounding talent of young musical quartet, and multi media presentations. Awesome

Don't see it if If you are not interested in a great musical genius and detailed musicality

Critic Reviews (2)

Theatre is Easy
September 18th, 2016

"The play is quite engaging, and often funny. Marta Mondelli’s dialogue always glimmers, and occasionally explodes, creating the shocked, delighted gasps one associates with Edward Albee’s work...The audience also has the pleasure of seeing some outstanding acting...Mondelli’s portrayal of Emma, however, falls prey to several classic blunders made by playwrights acting in their own work. She mugs slightly when she knows someone is dropping an important hint."
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Off Off Online
September 21st, 2016

"Director Tara Elliott keeps things moving along smoothly. However, she was not able to elicit from the actors the subtleties necessary to portray Fred and Emma convincingly…Furthermore, Mondelli’s script is underdeveloped. Too many times the conversations come off as inane cocktail conversation…Surprisingly, the play resonated more the next day than immediately after. Maybe the dust had to settle on too much unfinished, stilted dialogue to get to the heart of 'Toscana.'"
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