Irish Rep's new production juxtaposes two short plays by Irish master Brian Friel: "Lovers: Winners" (1967) and "The Yalta Game" (2001), both of which center on a couple in the blossoming stage of romance.
"Lovers: Winners" follows the story of Mag and Joe, two teenage lovers who meet at the top of a hill to study for their final examinations, make plans for their upcoming wedding, and prepare for the child they are expecting. Meanwhile, two narrators relate the darker events surrounding that day.
In "The Yalta Game," adapted from Chekhov’s short story “The Lady with the Lapdog,” Dmitry and Anna fall in love while on vacation from their spouses. In their courting, Dmitry teaches Anna about the Yalta game—a game in which visitors invent stories about the people they see in the square. But is their love—is any love—real or imagined? Forever or ephemeral?
"Theatergoers have a fresh opportunity to enjoy Brian Friel's brilliant talent in a double-bill entitled 'Two by Friel'...Both these one-acters reveal Friel's bent for experimenting with conventional dramatic forms...The acting ensemble is top-notch, as is the creative team...'Lovers: Winners' and 'The Yalta Game' neatly bracket Friel's career from its early to late flowering and show his posture as a compassionate writer about romantic love." Full Review
"This subject is explored with all the lyrical vigor, wit, and melancholy it deserves...Director Conor Bagley has chosen two plays representing different phases of Friel’s career...Contrasts between innocence and experience exist between the plays and within each one, and are highlighted, under Bagley’s careful and affectionate direction, by the lovely performances here, by turns playful and poignant...Bagley ties the two works together in the end with a dramatic flourish that’s affecting." Full Review
“Full of literary detail and narrative efficiency, ‘Lovers: Winners’ is an example of perfect one-act construction...Director Conor Bagley seems to have chosen his pieces for their poignant quality: In both playlets, romantic love is seen through tears...Neither production is a tornado of emotion, and the parameters of the evening are modest. But if you have a taste for the bittersweet, there is serious and quiet pleasure to be had in that tiny room: Some tempests are best seen in teapots.” Full Review
“’Lovers: Winners’: Unmitigated cynicism always carries a subversive thrill, but Friel is so enamored with his own scathing sensibility that he can’t tell when it has run its course...’The Yalta Game’, a far more complex and disturbing depiction of the uncertainties, delusions, and outright lies that inform so much of what we call love...The actors strengthen the material...Bagley tries to visually tie the two plays together at the end, but it’s a clunky and unnecessary effort.” Full Review
“Bagley and his cast make the most of Friel's elegant, rather eerie conception...’Lovers: Winners’ packs plenty of life and loss into its short running time, and the unanswered questions about its characters' fates are likely to linger in your mind...’The Yalta Game’: Friel has failed to wrest much drama from Chekhov's scenario, which follows a predictable path...'Two by Friel’ only offers half an evening, although if you've never seen ‘Winners’, it may be worth a visit.” Full Review
"The attempt to draw comparisons between two disparate one-act plays by Brian Friel proves forced and effortful. In a program note for 'Two by Friel,' now playing at the Irish Repertory Theatre, director Conor Bagley writes, 'Although written over three decades apart, 'Lovers: Winners' and 'The Yalta Game' speak to each other in sacred whisperings.' In the event of seeing them performed back-to-back, those 'whisperings' prove so faint, they can barely be heard." Full Review
See it if A beautifully written and acted romance. It is heartwarming to sit close and listen to inspiring words.
Don't see it if You are looking for A robust fast moving loud extravaganza
See it if You appreciate lyrical writing about the tumult of burgeoning love (young and older ) told in a duo of intimate pieces
Don't see it if You want space and extravagant production
See it if Two bittersweet one act plays portraying the complexities of relationships; great acting; you appreciate small, intimate settings.
Don't see it if you need action, elaborate scenery & costumes - this is bare bones; you prefer love stories with happy endings. Poor sight lines.
See it if you enjoy Irish theater and thoughtful, interwoven narratives.
Don't see it if you prefer dynamic, edge-of-your-seat quicker paced theater or like more ensemble-oriented shows.
See it if You like Friel. An intelligent thoughtful playwright. Two plays about love, relationships, hopes and reality. Very original. Makes one think
Don't see it if Irish accents throw you off. Young girl hard to understand. Not for everyone. Very talky. Small stage little theater not much of a set.
Also Second play is adaptation of Chekhov story.
See it if you're a fan of Friel. Acting students take note: some wonderful monologues, especially in Lovers:Winners.
Don't see it if you need action. Both plays are quite static. Sightlines in the first play make it difficult to see the actors. Try for front row.
See it if you love Friel, and welcome a chance to see plays of his that aren't often (or ever before) done in New York.
Don't see it if you think "Lady with a Lapdog" was perfect as a short story, and (despite good acting) doesn't work as well when adapted to the stage.
See it if You love the great playwright Brian Friel and the intimacy of a small house at an excellent Off Broadway theater. Great acting, directing.
Don't see it if You want a huge Broadway size house and marquee actors. These actors are original and talented but not for people coming to see Kinky Boots
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