See it if you like a show about immigration told in an interesting way, the paths taken by father and son. Interesting staging and use of music.
Don't see it if you don't like talk of immigration or racism. Read more
See it if Saw the last performance which was very heartfelt and emotional; Father more interesting than the son, but truly enjoyed the play.
Don't see it if Loved the music & the emotion that the actors & musicians made me feel, which is why I love theater. Cried my eyes out at the end.
See it if An absolutely moving & thought-provoking stories of a Haitian man’s immigration to US & his son’s American life told thru beautiful music.
Don't see it if If you don’t like a simple stage then skip this one.
See it if alternating monologues between Haitian born immigrant & his USA born son told in different timelines with folk music interludes.
Don't see it if Slow at times. Father/son don't interact until last few minutes which may be off-putting to some. Read more
See it if sweet and touching Haitian father and son alternating monologues about trips of self-discovery. Interspersed with new folk-style songs
Don't see it if you don't like monologues. Billy Eugene Jones and Chris Myers are warm, empathetic performers. Son's trip across America has gay adventures
See it if Monologues between Haitian father and US-born son weaved with "mountain people music" (folk) shrinks the time and distance between the two.
Don't see it if Monologues only, folk music, more reflections less plot aren't your thing. Read more
See it if Two main characters tell interwoven stories.
Don't see it if You don’t like Haitian accents
See it if You enjoy seeing intimate two-handers and folk music.
Don't see it if You dislike pieces that seem to run in circles a bit, and feel stretched out even with a short run time. Read more
" 'Where the Mountain Meets the Sea' feels like a kind of formal experiment, combining spoken text, live music and, occasionally, freestyle movement to capture the nomadic experience of building a life without a homeland."
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"You might walk out of 'Where the Mountain Meets the Sea' wanting to take a road trip, or call your dad, or listen to more folk music. One guarantee is that you won't leave this show feeling nothing."
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"Simple and heartfelt, Where the Mountain Meets the Sea is likely to resonate deeply with some audience members...I could feel this play's expression of grief and regret in my bones."
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"With its low-key retelling of two unremarkable lives, and its haphazard monologue-song-monologue format, 'Where the Mountain Meets the Sea'–a title, by the way, that's never explained–resolutely fails to stick to the bones."
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A touching portrait of a father and his alienated son unfolds in the Manhattan Theatre Club’s "Where the Mountain Meets the Sea" by Jeff Augustin, directed by Joshua Kahan Brody. ... "When the Mountain Meets the Sea" is not only about two different people, but two different time periods. Jean exists in memory while Jonah’s journey is to cross the country, retrieve Jean’s ashes and spread them over Haiti.
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Once again this season, a writer with a gift for language has crafted a play that is essentially a work of literature, gussied up for the stage with creative design, music, and direction. Dialogue and conflict are replaced by first-person monologue and reflection, and, except momentarily, there’s no actual character interaction.
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"As the mountains of America meet the deep blue Haitian sea, we are reminded that sometimes we need to turn around, hold ourselves open, and look back in order to understand more clearly who we truly are."
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"If 'Where the Mountain Meets the Sea' starts slow and meanders a bit, and if the score could use just one or two more upbeat numbers, a devastatingly gorgeous finish more than makes up for these minor errors in this glowing gem of a show."
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