A Midsummer Night's Dream (Public Theater) NYC Reviews and Tickets

"Ms. deBessonet has brought to the play the high spirits and communitarian pageantry that made her previous park outings...so embraceable....Unusually well cast, her production is full of sharply etched if sometimes unsubtle comic performances...What the production lacks in depth and subtlety it makes up for in clarity and swiftness...For all that, I missed the moments when, in some productions, Helena’s desperation lands a punch in the gut."
Read more

"Huggable and kind-natured...Annaleigh Ashford, as Helena, offers a divinely funny portrait of romantic desperation—she works offbeat wonders on every line—and Shalita Grant’s Hermia slides memorably from pertness to fury...Clint Ramos’s fanciful costumes and Justin Levine’s brassy-funky ’70s-flavored score add to the swirl of pleasure. DeBessonet's production welcomes the spirits of community theater and theater community. You leave with a lovestruck smile."
Read more

"As directed by Lear deBessonet, this 'Midsummer' is not so much play as pageant, a Technicolor mishmash...There are plays that are pure, delightful fluff. 'Dream' doesn’t have to be one of them. There is a there there. And it’s angrier, dirtier, sexier and therefore much, much funnier than the glitter-bomb that’s currently exploding at the Delacorte...The production is not without fun — it just feels rather desperate to ensure that you are in fact having fun every minute."
Read more

"A delightfully frothy theatrical palate cleanser...Delivers loads of antic fun, even if there are times when the kitchen-sink approach borders on overkill...Shakespeare's convoluted story line...is rendered here with uncommon clarity. But while the performers prove highly adept with the poetical language, the action is as much physical as verbal...While not all of the performances are effective, the standouts in the ensemble provide ample compensation."
Read more

“Who’d have thought that the Rude Mechanicals would rescue a floundering production…Whatever overall concept deBessonet had in mind for this production is lost in a muddle of performance styles…The antics of the lovers are all at odds...While the acting tends to sitcom style, none of it comes from the same sitcom…Unlike those self-conscious young lovers, the Rude Mechanicals never play to the audience or force a laugh."
Read more

"A high-spirited hodgepodge that glides along with just a few hiccups and so-so performances. At 2 3/4 hours, the show comes close to overstaying its welcome. But sustained laughter and amusement compensate...Ashford oozes hilarity from start to finish as the besotted Helena...Two more standouts are Danny Burstein, who serves up thick slices of ham as Nick Bottom...And Jeff Hiller, an ace comic actor makes a big impression in the small role of the artisan-actor Flute."
Read more

"A bright and jubilant staging of the perennial romantic comedy...Except for a few distinct touches—older actors playing the fairies, a tree house containing a live band and ad-libs directed to the audience, to name a few—deBessonet’s production is relatively straightforward...This shifts the focus to the terrific performances of Phylicia Rashad, Danny Burstein, Kristine Nielsen, Shalita Grant and Annaleigh Ashford."
Read more

“‘Midsummer’ most certainly entertains in exuberant fashion; and if not a perfect production, its spell of enchantment makes for a near perfect midsummer night...Director Lear deBessonet assembled a dream team of talents to strut their stuff...The performances are sublime…If it all seems a hodgepodge, it is but a delightful one that holds pleasant surprises…If there were occasional misses, it mostly hit the bull's-eye aiming for both heart and funny bone."
Read more

"The most fascinating, heartfelt, thoroughly entertaining attraction playing in New York this summer...The Public Theater and director deBessonet emphasize magic and mirth in this vibrant production...Adding to the enjoyment of an already great play are uniformly excellent performances from the cast...The physical comedy is cranked up to a ten...Two-and-a-half hours melt away like a particularly pleasant dream, one from which you feel slightly sad to wake."
Read more

"DeBessonet has all sorts of interesting ideas...I'd be lying if I said that all of this comes together in some intellectually coherent way--the production often feels blown this way, then that, willing to pursue all sorts of notions without a clear sense of how to put them together. And yet, what shouldn't work somehow does: this is a 'Midsummer' that, for all its laughter, is oddly, persuasively, wistful...I'm willing to bet that you'll feel thoroughly satisfied."
Read more

"A joyful, crowd-pleasing Mardi Gras of a production...Even if some of the slapstick and mugging can seem a bit much at times, only a genuine curmudgeon or Shakespeare absolutist is likely to be able to resist the spell of this most gleeful of productions...All told, it's hard to imagine a more pleasing antidote to political malaise than this stellar production by the Public, a real treasure of 'A Midsummer Night's Dream' in an ideal setting."
Read more

“Unseen for a decade at The Public Theater's Free Shakespeare in the Park, the new production of ‘A Midsummer Night's Dream,’ directed by Lear deBessonet, is lavish to the eye and ear. What it is not is funny, being very low on the laugh quotient. While the actors, including such Tony Award winners as Phylicia Rashad and Annaleigh Ashford and nominees De'Adre Aziza, Danny Burstein, Shalita Grant and Kristine Nielsen try very hard to tickle the funny bone, the results are in vain.”
Read more

“A magical presentation of the Bard’s most unique and ethereal comedy. Innovative director Lear deBessonet has added some unusual tweaks to the fanciful journey into the forest, creating an even more wondrous and special atmosphere…One outstanding and often magical performance after another, so much so that the play merits multiple viewings...'A Midsummer Night’s Dream' is a perfectly executed, ethereal escape from the all the world’s troubles.”
Read more

"The magical combination of one of Shakespeare's best plays, an inventive staging by director deBessonet, and a charming ensemble cast transports us...A smart approach, accentuating the surreal elements and heightening its humor. If 'Caesar' showed the timeliness of Shakespeare's work, this production powerfully demonstrates its timelessness...A true ensemble effort...It's a perfect way to experience this delightful, diverting production of one of Shakespeare's most treasured works."
Read more

“This production hit the target and far exceeded my expectations. This show pulls us out of our respective realities for a few hours and sends us away a bit lighter because we have laughed so freely – perhaps for the first time in a long while...This is what is so pleasing about this production: Every single person seems to be having a really good time. We can’t help but feel that tingle in the fronts of our faces as these actors drink each other in and we follow them on a trippy ride.”
Read more

"Captures all the magic of Shakespeare's beloved comedy...I'd be remiss if I didn't give credit for the vibrancy of this production to a cast of spirited actors...What's most delightful about this production: it perfectly captures the magic and wonder of Shakespeare's fantastic fairy tale without following religiously the tropes of previous productions of the play. The result is that this performance comes off as both highly original and true in the most important ways to Shakespeare's script."
Read more

"As directed by Lear deBessonet, the production showcases a proclivity for slapstick humor, which mostly works in a funny charming manner. It has an identity problem, though, that doesn’t quite know what kind of show this lot is putting on...Lots of choices of casting and style are questionable, although brave for the most part, with some of the ideas working. And others don’t quite hit the sweet spot."
Read more

"Burstein...more or less upstages everybody else...Ashford’s performance as Helena upstages the rest of the quartet of lovers...Maybe it would be more polite, perhaps even more accurate, to say these performers stand out, rather than that they upstage...All this talk of upstaging may give the wrong impression. 'Midsummer' in Central Park offers the kind of fun and free summer evening’s entertainment that the Public has been providing at the Delacorte for 56 summers."
Read more

“While Lear deBessonet's colorful version may not fully capture the play's romantic lyricism or its magical allure, it largely makes up for those drawbacks in its infectious exuberance and joie de vivre…deBessonet stresses the play's comedic values over its poetic ones, but the payoff is inconsistent…too much of the humor is forced rather than organic…Clint Ramos's costumes run the gamut from the ordinary to the extraordinary…deBessonet elicits a clear story line and well-spoken language.”
Read more

"Often hilarious, ultimately touching, and consistently magical production of this beloved work...Like with many Shakespeare in the Park productions, there’s a certain amount of multi-cultural, gender-bending casting, but it rarely distracts here...While there’s not a weak performer in this large ensemble—including the inimitable Kristine Nielsen as a rather unusual Puck—perhaps the real star of the production is costume designer Clint Ramos...A 'Dream' you’ll never want to awaken from."
Read more

"This resolutely upbeat Shakespeare in the Park production is so broad, you could drive an 18-wheeler through it...The performances are as bright and over-the-top as Clint Ramos’ costumes...After a while, Ashford’s efforts only bring diminishing returns...Nielsen looks uncomfortable with the language and over-relies on her usual bag of tricks...As diverse as this 'Midsummer' looks and sounds, it is uniform in tone, reducing the play to a one-note romp."
Read more

"Look for the delightfully adorable Ashford and Burstein to steal every scene and your hearts...For me, this production seemed a little unmagical and disjointed...The costumes look like they were badly sewn, with no color sense or time reference...Davies-Lashley provides lovely vocals, but they come out of nowhere...Also dances happen for no rhyme or reason. Just to watch Ashford and Burstein strut their stuff, it’s worth seeing this production."
Read more

"The best, the most exhilarating free Shakespeare from the Public in a long time...It’s a troupe of equals, although there may be a first among them: Annaleigh Ashford, as the frantically lovelorn Helena...Perhaps second among equals is Danny Burstein...DeBessonet’s numerous jolly good notions are too many to list in their entirety, and why give them all away? But one of the best is casting senior-citizen thespians as Titania’s ubiquitous fairies and setting them free to cavort."
Read more

“A jazzy, sweet, altogether delightful staging of William Shakespeare’s 'A Midsummer Night’s Dream.' With storybook visuals, smart directorial touches, and a frisky, diverse ensemble, this ‘Dream’ is the sort of wonder-struck, bighearted spectacle Shakespeare in the Park was created for...DeBessonet has a terrific group of actors at her disposal…DeBessonet does a marvelous job conjuring and maintaining a sense of wonder and enchantment.”
Read more

“Perfectly enjoyable…The staging and acting are broad, which works fine for the comedy that lends itself to such a romp, especially in an outdoor setting…Ashford gives a striking performance, cutting up in broad fashion in showing off her unique talent. She is often hilarious. Another standout is the ever-reliable Burstein as weaver Nick Bottom…Whether playing parts large or small in the huge ensemble, the collection of cast members makes for a vital company that delivers convincingly.”
Read more

"Any director must helm all this with a clear point of view, however, or chaos ensues. Unfortunately, deBessonet apparently has none. The four factions bump against each other without cohesion...There are two unfathomable casting errors. The first is Nielsen as a leaden Robin Goodfellow...The second, nightshirt-wearing fairies ranging from 65-85 years old...Ashford is hit or miss as Helena...The usually fine Danny Burstein doesn’t seem to be having enough fun with the role."
Read more

“An unexpectedly fresh production…In addition to this novel interpretation, deBessonet provides dazzlingly funny direction as the multiple plots play out on David Rockwell’s revolving pastoral set, perfectly suited to the park’s natural milieu. Add some spicy battle-of-the-sexes chemistry between Bhavesh Patel’s pompous Theseus and De’Adre Aziza’s sexy Hippolyta and you have the perfect 'Dream' for a midsummer night.”
Read more

"'Dream' comes streaked with whimsy—and a scene- and production-stealing performance by Annaleigh Ashford...The other three in this confused lovers’ nest...are solidly devoted to their roles, but no match for Ashford as she dictates the pace, laughs, and meaning of every scene she appears in...The evening is like a sweet-intentioned, indulgent fever dream. If 'Midsummer' is a play full of japes, it also feels like a jape itself. It dissolves, like its characters, into the night."
Read more

"Under Lear deBessonet’s superb direction, the mood is kept light and hilarity reigns. Modern expressions and deliveries heighten the entertainment, as does the physical comedy, especially from Ashford...The cast is uniformly excellent; Jeff Hiller mines the comic elements of Thisbe to great effect...The Public’s 'Midsummer' is crackling with humor. Credit first-rate acting and electric staging for a glorious night under the stars."
Read more

“Ashford brings goofy charm and a natural flair for physical comedy…Rashad offers a more languorous, though no less assured, portrayal of Titania…Burstein invests his role with unflagging pantomime energy. The rest of ‘the Mechanicals’ form a solid comic unit…Other performers often seem to be going through the motions…The songs seem gratuitous…DeBessonet nonetheless succeeds throughout in marshaling her sizable ensemble and creating an infectious air of merriment."
Read more

"This 'Dream' is just classic Delacorte eye candy. DeBessonet has assembled an enviable cast for a lush production of the multi-pronged Shakespeare comedy set in an enchanted forest...Nielsen’s fans will delight in her comically twitchy presence...The final wedding scene is a rousing affair with the Mechanicals performing to the Duke’s delight, and a string of festive bulbs raised behind the stage."
Read more

"A splendidly opulent production, and the Central Park background on a summer’s eve is a very real contributor to the pleasures of the evening...A large cast which includes a half dozen Broadway favorites is having a grand time cavorting across its vast stage...Ashford brings her own very special charms to the role of Helena...Danny Burstein is on target as Bottom the Weaver...With everyone having such a fine summer evening out, who could resist that?"
Read more

"A ravishingly beautiful, joyously performed take on Shakespeare's fairy-dusted tale of crisscrossed lovers. Directed by Lear deBessonet, this is a very traditional and straightforward 'Midsummer' with lovely modern touches...The clarity of the performances and direction mean that this would also be a terrific introduction to Shakespeare for younger viewers...This production is two-and-three-quarter hours of dreamy bliss."
Read more

"DeBessonet pushes the whimsical slapstick of the story, drawing on a flight of gifted comic actors...All of this sweet joy is both the production's greatest asset and largest drawback. On the plus side: this is fun fluff, with nothing to distract from the silliness. On the minus side: this is fun fluff, with none of the melancholy undertones about intimate betrayals that give some productions of 'Midsummer' surprising heft. No matter. This sort of pure pleasure is all too rare."
Read more

"Lear deBessonet delivers an uneven, down-the-middle version of one of Shakespeare’s most familiar comedies that emphasizes the broad, sitcommy action among the various sets of mismatched lovers. Hers is a 'Midsummer' by way of TVLand, complete with bouncy musical 'bumpers' between the scenes...Subtlety is not the predominant theme of this 'Midsummer,' which seems bent on trotting out just about every Borscht belt cliche to poke us in the ribs."
Read more

"This version...offers a couple of pleasant treats: Ashford as Helena and Nielsen as Puck. These are two of the theater's finest comedic actresses and they don't disappoint here. Also turning in notable performances, in a very strong ensemble cast, are Burstein as Bottom, Poe as Oberon and Rashad as Titania...I didn't care for the heavy, jazzy original music...It doesn't blend with the light feel of the show...The costumes also stand out for not fitting with the whimsical, airy atmosphere."
Read more

“Filled with charm and hilarity, beautiful music and magic. It’s so much fun that it’s hard to say what the best part is...Ashford can get more laughs with a crook of her little finger than most actors can manage with their entire bodies…It is to deBessonet’s credit that we are never confused by all the lovers and their shifting passions...When the lights twinkle and the music plays and these sublimely talented performers speak and search and love, we are as enchanted as poor Nick Bottom.”
Read more

"Director deBessonet has flattened everything out so that, though it all flows nicely on the surface, the play’s disturbing undercurrents are left, well, undisturbed...Ashford has a unique way of speaking her lines that seems to work for anything...The only other cast member on Ashford’s level is Burstein...He's funny and poignant and realistic and fantastical simultaneously, which is what deBessonet’s 'Dream,' despite some splendid moments, ultimately isn’t."
Read more

"How refreshing, now, to see the romantic, magical work played where it is largely set, in an open-air nocturnal park...The comedy, as funny here as you’ll ever see it, is a perfect fit for The Public Theater’s Free Shakespeare in Central Park...The entire cast in director Lear deBessonet’s delightfully free-wheeling production is terrific, including the hilarious ‘Pyramus & Thisbe’ ensemble, but first-among-equals has to be snazzy Annaleigh Ashford."
Read more

“Ashford truly brings the words of the Bard alive in her mastery of the language. The play within the play is always the thing in ‘Midsummer,’ and this show does not disappoint. The Mechanicals put on a stellar production of ‘Pyramus and Thisbe,’ with a bearded Danny Burstein stealing the show as a spotlight-hungry Nick Bottom…This production goes above and beyond other freebies. In fact, it's priceless.”
Read more

"This particular production continues on its very own trajectory making excellent use of the various talents that the superb cast brings to the Delacorte’s stage...Much of the success is due to the music, with some incredible vocals by Marcelle Davies-Lashley...The result is an interesting and hilarious yet thoughtful production that is likely to beguile and enchant the theatergoer."
Read more

“The perfect casting makes for a hilarious and different production. I was howling at the comedic timing of Ashford, Burstein, Nielsen, and Hiller. I was having such a good time, I didn’t want the great evening to end. If you want a fresh and modern look at this brilliant play, go. Get a ticket. I am still giddy thinking about it. The casting is pure perfection and kudos to Chase Brock for the fabulous dance throughout the play.”
Read more