Barefoot NYC Reviews and Tickets

(5 Reviews)
Members say
Disappointing, Banal, Relevant, Not realistic, Ambitious

About the Show

A new comedy about love, relationships, and betrayal.

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Member Reviews (5)

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982 Reviews | 343 Followers
Disappointing, Pointless, Slow, Uneven acting, Banal

See it if you enjoy small cast plays in an intimate space...and don't need much plot/char coherence. Script makes little sense, but actors try hard.

Don't see it if you want internal plot logic. Many discussions are tedious (endless talk by women about looks) and actions unconvincing. I didn't laugh.

546 Reviews | 1879 Followers
Painful, Disappointing, Excruciating, Banal

See it if Marketed as a farce, but more a bad soap opera. 70 minutes felt like 100. Cliched and melodramatic... and painful.

Don't see it if You want to see a solid show with string performances and a smart script.

366 Reviews | 92 Followers
Ambitious, Quirky & clever, Well written, Great performances, Edgy, sexy and fun

See it if You're up for a 21st Century comedy of manners with few manners but lots of comedy and wit, surprises, sex and edgy food for thought.

Don't see it if Infidelity, betrayal, sex, drugs & even more betrayal offend, or if you've no interest in seeing two terrific, very strong actresses engage. Read more

38 Reviews | 9 Followers
Disappointing, Predictable, Uneventful, Not realistic

See it if If you like depictions of priviledged characters trying to be thought provoking

Don't see it if Like plays that actually ARE thought provoking.

1 Review | 1 Follower
Entertaining, Funny, Great acting, Great writing, Relevant

See it if You want a raw, hilarious and sometimes even heartbreaking experience. Like all great theater, it strikes a chord of truth.

Don't see it if You don’t want to hear the raw truth from a woman’s perspective.

Critic Reviews (1)

January 27th, 2019

“Billingsley is both the star and co-author of this wildly raucous, 21st century drawing room comedy...There are many laughs to be had in this play which has been directed and co-written by Thomas G. Waites. The four principle characters poke at each other and when there is a direct hit, the humor is very funny indeed...If every performance landed on broader caricatures, the result might further amplify the lunacy.”
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