"The choreography is undoubtedly the strongest element of this production and the most successful scenes of 'Beloved/Departed' are dance-based...Yet while certainly a memorable experience, 'Beloved/Departed' lacks cohesiveness due to some imbalances. Much of the dialogue is naively direct and self-explanatory...'Beloved/Departed' is an ambitious project occupying a vast, labyrinth-like space. The match between the show and venue is uncanny."
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“Ten energetic performers and a string quartet bring to life a bevy of Greek gods and goddesses...Students of immersive theatre will delight in observing the gods interact: hopeful glances, a steely eyed stare, a quiet scoff. A careful eye will note just how much is being communicated about each god-to-god relationship during these quiet moments...’Beloved/Departed’ is what happens when love is not enough...An exploration of what it means...to be human.”
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“A different take on the myth of Orpheus and Eurydice, what really makes it different is a quality of rough-edged simplicity...But simple doesn’t mean mindless. The text and choreography, coupled with the music and lyrics, the sets and lighting, and the costume design are appropriate for a piece that emphatically doesn’t wear its underlying intelligence on its sleeve...Each member of the cast left a distinct impression.”
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