"Literally and metaphorically, there’s a lot to take in here: any of 'Body’s' featured concepts could easily form the basis for a separate show. Nonetheless, Blessed Unrest handles its subject matter with a surgeon’s precision and an artist’s sensitivity, embracing reverence, confusion, and discomfort alike. Effectively, by inviting us to re-envision the bodies we inhabit, 'Body: Anatomies of Being' highlights our essential humanity, inviting us to celebrate ourselves in all our flawed glory."
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"Because the actors are so good and Ms. Burr directs them so well, we get to like all of them. A good deal of the dialogue is tediously expository and/or didactic which sometimes turns 'Body' into a lecture demonstration...Although there is a sense of self-indulgence the earnestness of 'Body' far surpasses its provocative elements...Although a dramaturge might have streamlined the play, as it stands 'Body' is original and challenging theater."
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“Part movement piece, part character narratives, and part X-rated lost exhibit at Wonders of Life at Epcot...In the end, no matter what words were spoken on stage, ‘Body’ will be remembered simply because of the nudity. In a sense, this play is simply indulgent...The extensive use of nudity diminished one of the most beautiful narratives...It’s bound to start a conversation. It just may not be the one Blessed Unrest had hoped for.”
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"The demands of this production are highly taxing, emotionally and physically, and each member of the cast attacks the process with prowess. Their cohesiveness is hypnotic and nearly superhuman…The cast is constantly connected and engaged; the faltering moments seem to lie in the overall structure and shape of 'Body'...Though the piece itself is not done growing, it stands on strong legs and moves confidently in the direction of its goal."
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"For all its apparent radicalism, this show is very tame and, for a show that features nine naked actors of various shapes and sizes, surprisingly boring...The thing that bothers me most about ‘Body’ is how un-daring it feels...While the show is bold in its staging, it is middling in its emotional depth and its confrontational pretensions are just that. Ironic that a play in which actors remove so much clothing is so…unrevealing...The show is well-intentioned and brave, just deeply flawed."
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"The stories curve and wind through and around each other like the performers. The focus here seems to be less on drama and more on flow, interconnectedness, humanity, intention. And so while I take exception to a couple of the show’s assertions, and while I would have preferred for the scientific information to be explored in a more dramatic fashion, I was captivated by 'Body' from beginning to end, and left the theater feeling a warm, nourishing glow."
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“As much as it wants to break the audience out of being shocked by nudity, the script doesn’t measure up...For so many things like these that are right about 'Body,' there are too many more that don’t line up...A stronger hand to cut extraneous dialogue, direction that needs to shave off the two extra endings, and even a lighter touch, giving actors time to enjoy the comedy when it lands, are just a few starting places that might help bring ‘Body’ into alignment.”
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"Daring in its intimacy, performed with mesmerizing vulnerability, 'Body' is a truly exceptional piece of theatre...Grounded in a collection of experimental dance, the nudity on stage becomes as graceful and natural as a Muybridge motion study...The result is a living, breathing performance, engaging to watch and thoughtful in its scope...A piece that will change how you see others and, ultimately, how you see yourself. It is a transcendent celebration of both the human body and spirit."
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