Bound to Rise

Bound to Rise NYC Reviews and Tickets

(1 Rating)
Members say
Funny, Relevant, Thought-provoking, Entertaining, Intelligent

About the Show

Medicine Show Theatre Ensemble presents a revival of its 1984 rags-to-riches musical inspired by the stories of Horatio Alger.

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Show-Score Member Reviews (1)

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1 Review | 4 Followers
Entertaining, Intelligent, Thought-provoking, Relevant, Funny

See it if The woman who played Helen owned the role.

Don't see it if You like Trump.

Critic Reviews (5)

February 2nd, 2017

"The new production is undeniably memorable, but rarely in a good way...Policoff clearly wants to teach us something with his book, and director Oliver Conant stages with a correspondingly heavy hand...Unfortunately, the ensemble also proves to be a weak link. Their attack on group numbers is uncertain...The acting isn't much better, but there are a few glimmers of hope...'Bound to Rise' is, unfortunately, a mediocre musical in an unforgiving theatrical landscape."
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Talkin' Broadway
February 2nd, 2017

"A ramshackle revival...Stylistically and musically, the tone of the show is melodramatic and laden with snarky references to the greed and malevolence of the moneyed class...The 14 members of the cast keep the show moving along at a steady clip...Of the singing, however, it's best just to let your ears cling to every note performed by Beth Griffith, whose beautiful soprano is well worth seeking out among the kinda-sorta warbling going on around her."
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February 9th, 2017

"'Bound to Rise,' the Horatio Alger musical, first appeared at the Medicine Show in 1985 and won director Barbara Vann an Obie Award for her staging. It was again revived in 1997. Vann passed away in 2015 and the Medicine Show is announcing a new era with this revival. Unfortunately, this inept and amateurish production is not much of a tribute to the theater's founder."
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Theatre is Easy
February 15th, 2017

"Even if the production were flawless, the musical might never be more than a curiosity...Though director Oliver Conant perhaps could have guided his actors more in terms of performance, he effectively stages the action to present multiple stories simultaneously...While the large cast works hard, for the most part the singing is off-key, making it hard to judge Bob Dennis's music...This production might not have turned these rags to riches, but the dedication of everyone involved is evident."
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February 3rd, 2017

"This play is an anti-American and anti-capitalist diatribe that perverts the 'rags to respectability' message in Horatio Alger's stories to reinforce its radical, anarchist political message that only violence against the US Government and the rich can provide any hope for the economically disadvantaged. It is utterly devoid of content or value (with the exception of the performance of Jonathan Emerson, who plays Ragged Dick). This is three hours of your life you will never get back."
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