See it if the Kid Creole catalogue appeals, in a well meaning but uneven yet entertaining show with great dancing. An early draft that needs cutting.
Don't see it if enduring a work in progress doesn't appeal, or needlessly complicated plot lines & weak dialogue upset, in spite of a game, uneven cast.
See it if Great show
Don't see it if Not great show
See it if The title song was a great fave of mine. A hokey script is draped around it. The star, Isaac Gay, is talented and nice to look at
Don't see it if The music is recorded. The live singing sounds weird over it. The show would have been better if it was simply a concert. Some fine music.
See it if you like dance music.
Don't see it if YOU DON'T LIKE LOUD MUSIC AND AMATURISH PRODUCTION VALUES
"Although performed with infectious gusto, the musical features a plot that’s both scattered and labored...The dialogue, while sometimes frisky and funny, is also overwritten and often seems to be going in circles...The up-tempo musical numbers give the convoluted plot nice jolts of energy and are danced with ebullient relish by the cast. But 'Cherchez La Femme,' unlike Kid Creole’s best songs, never really finds a comfortable groove."
"Accurately described in its program as 'a musical excuse', which is fair…The vibrant music has been accessorized with a thin plot that flirts between being a throwback to early Broadway (the early ones which don’t get revived because they are too simple or incoherent) and just plain old fashioned...The show’s sexual politics are squirm-inducing to say the least, proving that this Kid Creole musical had a lot of maturation to do before it was ready for an adult stage."
"With live vocals accompanying prerecorded tracks, the show takes us from the Pudd Cub (based on the NYC new wave haven the Mudd Club) all the way to an appearance on 'Sunday Nite Live' (you can figure what that’s based on), all colorfully costumed by Coconuts’ cofounder (and Darnell’s ex wife) Adriana Kaegi, who invited me to see the show at La MaMa. The result is light and lively, if broader than a zoot suit’s shoulders."
"The music is recorded, but the singing is live and jumpin’—the party is in full swing...The many threads of the story require a suspension of disbelief...Other aspects are also less than credible...The music is where the juice is...While it’s evident director Kristic brought a lot to the production, some editing of the extraneous stories is needed...'Cherchez La Femme' has some really good bones—just a few too many to give it the long run it deserves."
"August Darnell had another dream: to put a musical on stage. That fantasy blossomed into 'Cherchez La Femme' in front of a crowd who could not help but get up and dance by the end...The young ensemble's choreography was expertly put together by Kyndra Reevey...Another ingredient to make 'Cherchez La Femme' more special as a production is longtime fans of Kid Creole and the Coconuts are also treated to several Easter eggs throughout the story."