Cute Activist

Cute Activist NYC Reviews and Tickets

(6 Ratings)
Members say
Indulgent, Ambitious, Funny, Quirky, Relevant

About the Show

The Bushwick Starr presents this playfully fabulist, wildly satirical, anti-romantic comedy, that asks questions about the way activism fits – or doesn't fit – into our daily lives. 

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Show-Score Member Reviews (6)

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175 Reviews | 30 Followers
Clever, Great writing, Relevant

See it if You're open to a satire on privileged millennials who want to have an impact; it's funny and entertaining, but not perfect.

Don't see it if you prefer a plot and perfection. I saw it in previews and it needs a stronger ending.

754 Reviews | 127 Followers
Experimental, Ambitious, Indulgent, Slow, Well intended

See it if you like experimental theater with heavy symbolism. There are some lovely images and songs.

Don't see it if you are not adventurous in your theater going and need developed characters and logical plot developments.

197 Reviews | 74 Followers
Clever, Funny, Thought-provoking, Ambitious

See it if you'd enjoy seeing hipsters and would-be activists skewered. There are many funny and insightful moments here

Don't see it if you want a fully baked and perfectly consistent story. But this is a nice beginning to something and it's always fun at the Bushwick Starr

44 Reviews | 10 Followers
Funny, Great writing, Indulgent, Quirky, Thought-provoking

See it if You don't mind wading through twee theatrics for a smart play about social media activism.

Don't see it if You're unfamiliar with or uninterested in millennial culture. This struck me as very niche theatre for people 20-40. Read more

8 Reviews | 3 Followers
Ambitious, Dizzying, Entertaining, Quirky, Relevant

See it if you are down with poking fun at white, upper-class, hetero pseudo-activism.

Don't see it if you want time to digest the script, the set, the props, etc. (The show is total sensory overload and comes at you very fast.)

1 Review | 1 Follower
Indulgent, Ironic, Terrible

See it if you want to experience the worst of millennial privilege...

Don't see it if you seek truth and power from your theater; this is the epitome of privilege parading the stage.

Critic Reviews (4)

The New York Times
January 15th, 2018

"Serious-minded yet silly, dense with wordplay and anything-goes theatricality, the play is so heavily swaddled in its down vest of irony, snark and satire that you can hardly locate its heart. But what a brilliant match of material and theater it is...Mr. Cramer is not too proud to take some dramatic shortcuts...Without astute comic performances the play might curdle before revealing itself fully as a fable for our times...'Cute Activist' may be flirting with too much cuteness."
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Time Out New York
January 13th, 2018

"There are scenes in New Saloon’s lightning-fast, kitten-fanged comedy that are an unalloyed joy: the zippiest, zingiest salvos I’ve seen come out of what we might call the Millennial Camp movement...Acute social commentary with an 'Adventure Time' filter...A weird middle section of self-conscious romantic dialogue feels cloying, and the short show’s ending fizzles...But while the piece feels unfinished, 'Cute Activist's' several perfect bits have been polished to a mirror sheen."
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Village Voice
January 17th, 2018

“Cramer’s dialogue comes fast and furious — by the time a line registers, five more have rushed by — and is often very funny...Cramer and the director, throw everything in their theatrical pot, including video, songs, and puppets...In this land of too much, scenes end abruptly or go on past their seeming end-time, and the humor has a tendency to rely on flip, rat-a-tat speed. But at least Cramer’s satire has heart, and there is something to be said for a show packed with surprises."
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Theater In The Now
January 25th, 2018

"Will entertain and stimulate you on many levels...This production is the work of a group of wonderful innovators...This well-written play asks a lot more questions than it answers...Cramer’s blissfully solid wall of language, the puppets and the video go far beyond what any of those art forms might provide on their own, providing an immersive environment which the play constantly disrupts. Morgan Green’s direction peels away the veneer of privilege."
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