Dead End NYC Reviews and Tickets

"It's a dramatic world Sharp has built for what is already a dark story, and it's an engaging one in which to exist for an hour and a half. There are times, however, when style gets in the way of emotional substance...The gang of boys do the best job of striking a balance between affectation and empathy—particularly Kratter and McCormick, who develop a truly touching companionship as Milty and Tommy."
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“A staging that I'm guessing would have left Kingsley aghast…Its attempt at boiling down the play's conflicts to a concentrated form is a strategy that backfires, leaving us with wall-to-wall confrontations, each one played at a more feverish pitch than its predecessor…Instead of turbocharging Kingsley's script, the effect is to sabotage it, making it seem ripe for parody…This production aims for drama and bold theatricality, but what it delivers is hysteria.”
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“Axis has taken on the bleak story of the Great Depression and has jolted it into sentience...Both Kingsley's original play and Axis's presentation of it paint a vivid portrait…The depictions of the characters' lives may seem melodramatic and clichéd, but their experiences are rooted in reality...Sharp, who directs the production, and the committed cast and crew, do an excellent job in bringing this stark play from the Depression era to a contemporary audience."
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"Director Randy Sharp has turned Sidney Kingsley’s Depression-era relic into something still relevant, while keeping the aesthetic of an old black-and-white movie...There is some exaggerated acting, especially by a few of the adult actors portraying children...What hits the hardest is not the slice of life from almost a century ago that the play offers, but rather the eerily familiar sight that all but says it's today. 'Dead End' shows us the quintessential American life we know."
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"These actors are all exaggerations of the model, playing with the stereotype and pulling it wide open as far as they can. It’s a fascinating concept that Sharp expands through the whole piece, taking this old-time play and expanding it in all different directions...In general, the ploy works well, keeping us entertained and engaged. It’s a bit abstract at times, but in a manner that one can get behind."
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“Deconstruction in theater can be a con...Destruction is the result of the Axis Company’s revival...Director Randy Sharp must accept full blame...All cast members, have pink circles on their cheeks, giving the impression Sharp wants all 'Dead End' denizens to be viewed as clowns. Why? Beats me...Katie Rose Summerfield gives the production’s only honest performance...Surely, the playwright didn’t want to present what Sharp has presented: a theatrical dead end.”
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"A dark and intimate revival...Sharp gives the production an expressionistic feel with elements of black humor while making it clear that not much has changed in the eighty-two years since the play debuted. The male and female actors playing the male gang members have developed an infectious kinship, and Sharp effectively averts turning them into sympathetic victims or mere criminals."
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“A random fricassee of scenes and situations...An unfocused study of rich and poor coexisting…It’s all terribly arbitrary and, as rendered here, it doesn’t hang together. Kingsley had a good ear for small talk, and director Randy Sharp nicely paces the dialogue…But there’s a feeling we’re just milling about, no dramatic momentum, no suggestion that we’re seriously examining any social problems or proffering any solutions…What’s lacking is focus, and urgency.”
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