"Effectively keeps the audience unsure and off-balance...Schenk's performance as Lula openly and appropriately signals its own performativity, heightened almost from the first. Hines is remarkable...'{Flying} Dutchman' preserves the incendiary, confrontational fury of the original, intensifies it with smart choices, and offers a discomfiting experience that denies closure. It may not be the typical experience for most NYC theater audiences, but that is perhaps to our detriment."
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