"William Burke’s fractured, meandering monologue is a sometimes fascinating, more often confusingly indulgent trip…It’s a grotesque, unsettling vision…While the script is not making fun of those working in costume, it doesn’t explore what pushed them into the jobs, either. At a recent performance the audience giggled uneasily; running out screaming would have been just as valid a response."
Read more
A modern-day reimagining of Shakespeare’s Hamlet centered around a queer, Black man.
A long-running revival of Kander and Ebb's satirical musical about lust, treachery, and murder.
New York premiere of a play shortlisted for the 2012 Susan Smith Blackburn Prize.