Futurity
80

Futurity NYC Reviews and Tickets

80%
(27 Reviews)
Positive
85%
Mixed
8%
Negative
7%
Members say
Original, Clever, Ambitious, Absorbing, Intelligent

About the Show

Soho Rep and Ars Nova present an avant-Americana musical about two people who try to imagine their way out of impossible circumstances.

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Member Reviews (27)

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12
Disappointing, Excruciating

See it if You like an uncomfortable theatre experience.

Don't see it if You don't like being assaulted by unnecessarily loud mediocre music and lights so bright you can't look at the stage.

85
Absorbing, Clever, Original, Relevant, Thought-provoking

See it if you like shows that are trying new things, you are interested in Ada Lovelace or the Civil War, or want to something different.

Don't see it if you are looking for a very straightforward show.

Critic Reviews (22)

The New York Times
October 20th, 2015

"It’s finally here: a musical made for brainiacs! 'Futurity,' an odd and often beguiling show written by César Alvarez with his band the Lisps, could send science geeks into the kind of swoon that befalls more traditional musical theater lovers at a great production of, oh, anything by Stephen Sondheim...how refreshing to meet a musical that has too much on its mind, rather than too little."
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Time Out New York
October 20th, 2015

"There’s a fatal lack of dramaturgical forward motion to the affair, which alternates increasingly same-sounding tunes with fragments of dialogue and speeches...The density of intellectual whimsy and antiwar melancholy in 'Futurity' is admirable but too ungrounded in characters or situations to make us care very much. Alvarez and his collaborators merely create a tedious, prolonged present."
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AM New York
October 20th, 2015

"'Futurity' doesn't really go anywhere. It is essentially a folk concert mixed with didactic speeches. Still, one can't help but admire its contemplative and informal nature. Plus, the performers are chummy and there's free popcorn."
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Theatermania
October 20th, 2015

"Those who like their theater messy and beautiful are liable to fall in love with 'Futurity.' The show's spritely touch-and-go relationship with its themes, however, will leave many feeling unsatisfied. If an artist is going to bite into a piece of red meat, he ought to be prepared to chew. 'Futurity' has a habit of spitting its themes into a napkin and hiding them under the table."
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Lighting & Sound America
October 21st, 2015

"A wildly original, often stunningly staged musical theatre piece that, in its own sideways manner, confronts something very dark in human nature...Not everything works: as the show progresses and becomes more surreal, the staging, rather than the words, holds it together. Having established its sad dichotomy between the world of the mind and the world of power and bloodshed, Alvarez mostly circles around it, finding new ways to express, as opposed to extending or complicating, it."
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Theatre is Easy
October 26th, 2015

"Despite its lofty ambitions, it never talks down to its audience...An engaging event that is a delight to experience, especially if it can be enjoyed as a concert. Teetering on the edges of performance art, the inherent weirdness in the piece makes it both exciting and a little alienating for those expecting a familiar musical theatre format. But for those looking for innovation, there is much to appreciate from The Lisps and this incredibly talented team."
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Theater Pizzazz
October 20th, 2015

"Direction by Sarah Benson was nothing short of visionary...Translating Julian and Ada’s frustration about war becomes 'Futurity’s' victory. Though envisioned as a war and peace argument, 'Futurity' often wins solely on the music."
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Stage Buddy
October 27th, 2015

"Tricky concepts lie at the heart of 'Futurity'... 'Futurity' collapses past, present, and future into a beautifully cerebral folk-rock spectacle... There’s little plot or character development here, and the premise is mostly a vehicle for the dizzyingly intellectual songs... These larger ideas, are what take 'Futurity' from being solely entertaining to fascinating."
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Exeunt Magazine
October 21st, 2015

"It does all work, and it does feel very good. Every song hits its mark, whether it’s a banjo-plucking piece of Americana or indie pop...Alvarez and Tunis make an adorable pair on stage, and their intermittent banter creates a welcome, grounding counterpoint to the story’s fantastical premise and lofty idealism...Yet as utterly charming as all of that is, the production never really dreams the future."
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New York Theater
October 20th, 2015

"Ultimately 'Futurity' probably offers up too much food for thought without it adding up to a completely satisfying meal. Still, the show is worth it for the music. Most of the dozen members of the cast play their own musical instruments, which enrich the musical on many levels, including the drama; the instruments serve as symbols, and as harmonious contrast to the discord of war."
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Theatre's Leiter Side
October 25th, 2015

"While the score generally makes for easy listening, too many tunes eventually begin to sound like one another. And, though the subject matter is provocative, and there are interesting ideas to ponder—including the relationship between the present and the future, the possibility of a world without war, the 'animating force' responsible for human intelligence, and the impact of technology—there’s little forward dramatic movement to the events."
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Times Square Chronicles
October 21st, 2015

"Though I admire a lot of it, I am not a fan of its score. The combination of indie pop, country twang and repetitious themes, leave me cold. I’m also not a fan of pretentious 'I’m sure you won’t get it' banter and wink, wink ad libs...What is wonderful about 'Futurity' is its direction by Sarah Benson, its set design, the compelling lyrics that are hit and miss and the amazing cast who not only acts, dances and sings, but actually plays their instruments with aplomb."
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American Theater Web
October 21st, 2015

"Pretty amazing and heady stuff for musical theater. Equally impressive as the concept for the show is its score. The songs are filled with erudite lyrics that also brim with emotion and compel theatergoers to contemplate the contemporary relevance of the tale...'Futurity' proves to be very much like the invention at its center: forward-thinking and experimental. And though it’s not fully successful, it’s difficult to not admire the attempt."
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Stage and Cinema
October 21st, 2015

"Mr. Alvarez’s music, combined with the relentlessly appealing cast under Sarah Benson’s capable direction, makes the show and its big, intellectual ideas feel personal and intimate...'Futurity' is not without its shortcomings...That said, so excellent are most elements of the show, the performers so thoroughly charming, that they overshadow the show’s few flaws and make the experience of 'Futurity' a pleasure."
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New York Theatre Review
October 26th, 2015

"'Futurity' consists mainly of beautifully rendered songs pushing forward the story of a soldier and mathematician who build a giant machine in an exploration of peace and the nature of man. What makes 'Futurity' a vital piece of American theater is what they are able to create in the way of an extraordinary marriage between gorgeous song composition, impeccable staging, and innovative performance."
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C
October 21st, 2015

"If we think of the traditional musical as one that features characters who sing out of the need to express emotion, 'Futurity' stakes out a position that is more opaque, overtly conceptual. Characters are created in order to serve the songs, and the songs themselves are packed to the brim with philosophy, science, ideas. It’s poetics, not just poetry."
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BroadwayWorld
March 27th, 2012
For a previous production

"The musical numbers in 'Futurity' are much stronger and more fully formed than the book. Things drag when conversations go on for more than a short span, but the pace and interest pick up as soon as another song kicks in...The concept album deserves to be heard, but I’m not convinced by the book that it warrants staging as a musical. Like the imaginary steam brain, it looks like a good idea on paper, but the blueprint loses something in the transition from page to stage."
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B
March 23rd, 2012
For a previous production

"Ambitious, high-minded, sporadically engaging, and even captivating, “Futurity’’ is ultimately unsatisfying. As a concert by the Brooklyn-based indie band the Lisps, it works pretty well. As the musical it aspires to be, though, 'Futurity' falls short, undone by stilted, mannered dialogue and too many scenes that go slack or drift into speechifying."
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The Boston Phoenix
March 28th, 2012
For a previous production

"It isn't easy to put together a 90-minute musical that includes the Civil War, the birth of computer programming, indie rock, the internal dynamics of Lord Byron's family, mathematical formulas, and writing letters back and forth about an invention that will either save the world or be a precursor to the atom bomb. So give credit to the American Repertory Theater for greenlighting such an ambitious project. Unfortunately, when you add all those ingredients into 'Futurity' you have quite a bit less than the sum of all those parts."
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The Harvard Crimson
March 26th, 2012
For a previous production

"A female scientist, a poetic script, gizmos, and an intellectual romance—'Futurity' has everything a hipster intellectual could ask for...'Futurity' is a poignant tale of what it means to believe in something, logical or not. It is not just a musical for philosophers in love; its combination of fantastic music and innovative set design make it a brilliantly executed piece that stands as one of the A.R.T.’s strongest recent showings."
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Boston Lowbrow
April 8th, 2012
For a previous production

"While the music is pretty good and the production is visually interesting (if techno-punk is your thing), the writing and lead performances are…well, what you’d expect from a band. They’ve basically taken big themes like war and science and run them through an Instagram filter. And like so many over-processed photos of sneakers and plates of pasta, the show’s intellectual penetration of its subject matter goes about as far as the pre-song banter at a pop concert."
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Howlround
July 11th, 2012
For a previous production

"Elated, energized, and head spinning with songs about thought, technology, history, and dreams. I left a matinee performance of 'Futurity' with the conviction that I had just seen something important...'Futurity' is a remarkably timely production...'Futurity' is, in short, a work for today."
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