Three times a day, every day, a group of young women have the opportunity to die for their country. They are Adolf Hitler's food tasters. More…
Using an anachronistic retelling of a historical footnote, and stretching from the WWII era to today’s autocracy, the play asks us to consider what girls discuss as they wait to see if they will live through another meal. Winner of the 2017 Glaspell Award.
"The smashing together of the eras is absolutely brilliant in that it makes these girls the every girl. They are OUR girls, our daughters and sisters who are trapped in that bunker by the frenzied nationalism of a country run by a monster...Sarah Norris’ direction is music on stage. She moves her cast in and out of the joys of being a teenager and the horrors of possible death with the wand of a conductor. The cast is marvelous." Full Review
“A quick-witted tale of the teenage girls chosen to give their lives to taste Hitler’s food...The ensemble is nothing short of breathtaking, with the brutal honesty, earnestness and confusion only found in teenage girls. Norris’s direction makes the story feel like a sort of dance as Brooks’s script flies through teenage banter with ease...A refreshing interpretation of World War II and its ties to modern day, masterfully blending charm with danger. This is a play that will grip you to the end.” Full Review
"In the playwright's most imaginative stroke, the girls are rendered as typical early-twenty-first-century teenagers...This eccentric concept turns out to make a great deal of sense...All of this is rendered with maximum tautness by the director, Sarah Norris, and a quartet of accomplished actresses...A funny-creepy exercise that plants some unsettling ideas in one's head about the seductive powers of totalitarianism...An original, and it is loaded from stem to stern with fresh new talents.” Full Review
"The ensemble cast latches onto Michelle Kholos Brooks’s script with passionate zeal and each member delivers authentic and believable performances. Unfortunately, the script does not afford them the freedom to explore their characters more deeply...The playwright’s choice to develop the conflicts of the young women through and anachronistic lens might diminish the cathartic experience in the dramatic arc. The connections between time periods is obvious and quite impactful." Full Review
"What the playwright Michelle Kholos Brooks has successfully done is meld that past horror with the current political climate in America to create a shape-shifting presentation of the 1940s, spray- painted by 2018...Overall, the seeming disconnect to the audience is the use of 2018 dialogue in a story that is over 70 years old. But chillingly, as we hear the story filtered also through current cultural chatter, we can hear and envision the possibility of a country repeating the past." Full Review
"The show would have worked better if the girls didn’t have cell phones...This along with the contemporary speech, no accents, and contemporary music, took the show out of the time period and the devastating ordeal. When the superficial gimmicks faded away, this play was powerful and touching...The story of Hitler’s tasters could have been a powerful and relevant play...I hope they work out the kinks and bring this interesting tale back into focus." Full Review
"If a reviewer can be considered a play taster for prospective audiences, I'd say I survived 'Hitler's Tasters' but not without a case of critical cramps…For some odd reason…Brooks…has deliberately anachronized the play, giving the girls cell phones, allowing them to constantly take selfies…It's hard to make out what Brooks is after with this and other choices (including a few vulgarities) other than to suggest that these benighted girls are no different from the airheads of today." Full Review
See it if you like political, dark comedies. This production was very theatrical and uniquely blended elements of today with 1940s Germany.
Don't see it if you prefer traditional storytelling. This production breaks a lot of rules in a unique (and fun!) way.
See it if You want to see great theater, a devastating parable, superbly directed. This is our generation’s The Crucible. The actors astound.
Don't see it if You cannot or won’t connect the troubling dots btw. current events and fascistic politics. Brooks gives the cast cellphones for good reason.
See it if you are interested in connecting cultural themes and touchpoints from past history to today, you like edgy and non-traditional storytelling
Don't see it if you prefer more classic representations of history or traditional plot structure. You don't like dark comedy.
See it if you like irreverant, incisive takes on history. You have a dark sense of humor. You are interested in reflecting on politics then and now
Don't see it if you are upset by dark themes taken lightly, you don't like anachronism.
See it if you're cool w/a non-traditional take on WWII: dramatic & serious, youthful & humorous, modernized to near breaking point, but very poignant.
Don't see it if you prefer serious str8-forward theater. Please don't miss out. It's different, but SO worth experiencing.
See it if It's a great concept to view WWII thru the eyes of Hitler's food tasters. Clever idea and script.
Don't see it if However, modern choices such as taking selfies with cell phones, clashed with the reality of WWII. There were cameras back in the 40's.
See it if you’re prepared for a thoughtful recreation of difficult world/American truths presented through a modern teen girl gaze in a 30-seat house.
Don't see it if you’re triggered by theatrical representations of Nazi Germany or American white supremacy.
See it if you'd enjoy a story showing realistic dealing of an extreme situation. So much below the surface!
Don't see it if you want an overly engaging production. It's a great play, but sometimes I felt my mind wandering.
See it if If you like shows that examines the nitty gritty of living under a fascist dictatorship. or to see the worst and best come out under tyranny
Don't see it if IF you don't like heavy handed comparisons to today's political situation. If you don't like telegraphing of future parts of the plot.
See it if You like a good dose of anachronism in your art. You want to see some great performances. You want to see Spring Awakening meets Der Bunker.
Don't see it if You dislike anachronistic plays. This one is pretty extreme. You don't like scripts that feel a little too much lie a Meisner exercise.
See it if you like to get a feel for how it must have felt living under Nazi dictatorship or any dictatorship in past, present or future.
Don't see it if you don't want to be confronted with Nazis or other dictatorships or can't handle a period piece using modern equipment (cell phones)
See it if you want to see an impressively mounted play by an accomplished young playwright with ambition and the talent to back it.
Don't see it if you find anachronistic contempo behavior and language in period settings a distracting deal breaker.
See it if Actors were believable in their fluctuation between fear, misplaced loyalty and adolescent absorptions. Appropriately chilling atmosphere.
Don't see it if There could have been more character development and less repetition, though it was gutsy to combine past and present tensions and it works.
See it if You're interested in an anachronistic look at the past as it relates to the present.
Don't see it if You're going to be offended by off-color jokes or you want a big splashy production.
See it if you are looking for good acting from a young cast. Interesting story with resonance for today. P.S. Hitler does NOT make an appearance
Don't see it if you are looking for a full scale production. Its 90 minutes and I found the first 30 to be slow moving.
See it if you want to experience an all-woman production pointing out the horror of the job with some good humor, a unique set and references to today
Don't see it if you want a serious look at the terrible work that the tasters faced - this takeoff is a modern day mash and makes light of an awful time.
See it if You are interested in the history of Nazi Germany, and prefer to see original plays.
Don't see it if You prefer plays that do not mix modern times with past history, and like productions with elaborate set designs
See it if you are interested in historical topics as rendered through a more personal perspective.
Don't see it if you expect a thoughtful, nuanced point of view on Hitler's regime and it's effects on regular people, or if are very literal-minded.
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