Homos, or Everyone in America
Closed 1h 45m
Homos, or Everyone in America
80

Homos, or Everyone in America NYC Reviews and Tickets

80%
(48 Ratings)
Positive
92%
Mixed
8%
Negative
0%
Members say
Great acting, Relevant, Resonant, Absorbing, Thought-provoking

About the Show

Labyrinth Theater Company presents the world premiere of Jordan Seavey's tender drama about learning to live and love in New York City. Featuring Michael Urie ('Ugly Betty') and two-time Tony nominee Robin De Jesús.

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Show-Score Member Reviews (48)

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88 Reviews | 44 Followers
90
Great writing, Great acting, Profound, Thought-provoking, Resonant

See it if You're interested in an honest, challenging look at how relationships strengthen and erode. Incredible writing and acting.

Don't see it if you're looking for a large or elaborate production, the staging is minimal here, and it makes the performances all the more potent. Read more

180 Reviews | 54 Followers
90
Absorbing, Great acting, Great staging, Relevant, Entertaining

See it if you like to se a show presented in an unconventional way. you like to see a relationship between 2 men evolve. the happy the sad.

Don't see it if you are not open minded on gay relationships

318 Reviews | 62 Followers
90
Absorbing, Clever, Ambitious, Great acting, Great writing

See it if I really enjoyed this play, despite having 1 of the 3 worst seats in the house. Robin De Jesus is captivating. Funny, sad &a shocking moment

Don't see it if You're not interested in gay topics, awkward seating arrangement, a narrative that goes back-and forth in time; its non-linear.....

Al
127 Reviews | 888 Followers
90
Absorbing, Thought-provoking, Relevant, Intelligent, Great acting

See it if you like gay-themed relationship plays.

Don't see it if you dislike stories told non-linearly.

135 Reviews | 37 Followers
90
Absorbing, Edgy, Intelligent, Profound, Intense

See it if you enjoy intimate theater that gets up close and personal; this is high-quality writing and acting, and completely absorbing. I loved it.

Don't see it if you're easily offended by somewhat frank conversations about sex; if you're offended by homosexuality (but then you should work on that).

50 Reviews | 27 Followers
88
Great acting, Thought-provoking, Intelligent

See it if Seeing achingly complex gay characters in a witty and raw examination of contemporary gay life

Don't see it if Having to follow a twisting complex plot would bother you.

744 Reviews | 262 Followers
87
Absorbing, Great acting, Resonant, Romantic, Great writing

See it if You're a gay man who appreciates drama reflecting real life, or someone who appreciates all kinds of romantic dramadies.

Don't see it if You aren't interested in listening to the ins and outs of a relationship between two young, gay men.

69 Reviews | 5 Followers
85
Thought-provoking, Great acting, Intelligent, Resonant, Relevant

See it if you want to see a smart, engaging play that deals with complicated issues in a gay relationship, with excellent acting.

Don't see it if you want a play with a traditional narrative structure, or traditional staging.

Critic Reviews (12)

The New York Times
November 6th, 2016

"A daringly frank, funny and affecting new play...The zesty writing, which is often choppy and fragmented but always natural, is given an energizing boost by the superb performances...The play’s complex structure can be a little jarring at first...May make audiences with no taste for the detailed discussion of gay sex—or any sex, for that matter—uncomfortable...But set aside the bedroom talk...and the play is fundamentally about the problems inherent in any romantic relationship."
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Time Out New York
November 6th, 2016

"This structure has the benefit, at least for a while, of keeping you attentively confused, as you try to figure out what is happening and when. Mike Donahue’s staging adds to disorientation...Affecting moments emerge. Urie and De Jesús, two of the city’s most charming actors, don’t just twinkle but spark...But there’s a lot more going on in 'Homos'—in some ways, too much...Although Seavey offers plenty of sharp reflections, the plot sometimes gets lost in the maze of broken mirrors."
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Theatermania
November 6th, 2016

"This fascinating and fearless new play brims with universally recognizable emotions, even if they are dressed up in very culturally specific drag...With an eye for nuance and an ear for urban vernacular, Seavey explores the dynamics of modern gay life...The proximity of exposition to climax allows for some rather cruel foreshadowing...Thanks to airtight staging by director Mike Donahue, the play keeps it up until the very end...Even if we get lost, we always find our way back."
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Lighting & Sound America
November 29th, 2016

"‘Homos’ tracks a relationship in almost Cubist fashion, taking the key moments in a gay love affair, scrambling them, and presenting them to us in tantalizing fragments…Under the direction of Mike Donahue, both actors nail their roles, leaping from one emotional landscape to another with ease…Years from now, if someone wants to know what it was like to be young, gay, and in love in the first years of the 21st century, 'Homos' will offer a most revealing glimpse."
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TheaterScene.net
November 9th, 2016

"It’s a mostly excruciating exercise in hollow glitziness...The exploration of gay relationships is certainly dramatic material but not in this treatment...Urie and De Jesús do deserve credit for effortlessly delivering the huge amounts of verbiage. Unfortunately, their performances are as grating as the play is...'Homos, or Everyone in America' craves to make grand statements on contemporary gay life. Due to its flashiness, superficiality and self-importance, it totally fails at this."
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Theatre is Easy
November 10th, 2016

"Its concise, shortened dialogue feels so forced here that it betrays the form, contradicting its purpose to reflect the fractured nature of ordinary speech. Instead the language takes on a disjointed quality that betrays the performances of Urie and De Jesús, each moment feeling disconnected in service of the annoying poetry...Despite this, 'Homos' remains mostly agreeable until it is betrayed by an ending that feels of a different time and era...The payoff feels wrong; the drama unnecessary."
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Theater Pizzazz
November 6th, 2016

"Gay equality in America is not a new topic in theater, but it’s brought to new intensity by playwright Jordan Seavey...The writing is laden with much wry humor...Urie maintains his boyish engaging charm...De Jesús, an equally fine actor, raises our compassion quotient. The writing style is fast, furious and frantic; scenes moving back and forth in time, somewhat confusing. The director, Mike Donahue, uses the small space to its max, which heightens the impact."
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Front Row Center
November 8th, 2016

"The space and the play are a match made in heaven...The script does need some editing...Seavey does a magnificent job of creating two whole, rounded individuals, using sparse, overlapping dialog. And both Urie and De Jesús do a masterful job...Because of the structure of the play, we are forced to absorb and feel, and importantly, ultimately, identify before judging...We get an emotional investment in the unfolding relationship that we wouldn’t have otherwise received."
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